peter.mahr

<2011.6>: Bibliographie. Nelson Goodman's publications, „Languages of Art“ and secondary literature. 97570 Zeichen. online 4. Nov. 2011 .html

For this extended version of http://homepage.univie.ac.at/peter.mahr/052f4-3.html as based on Berka 1991 rendered as http://www.hcrc.ed.ac.uk/%7ejohn/GoodmanBib.html (dl 30 June 2005) I have benefited from Rossholm 1998, Scholz 1999c and http://www.gse.harvard.edu/faculty_research/profiles/cv/catherine_elgin.pdf

Abel, Günter (1991): Logic, Art and Understanding in the Philosophy of Nelson Goodman, in: Inquiry 34 (summer), 311-321.

Abel, Günter (1999): Sprache, Zeichen, Interpretation, Frankfurt am Main: Suhrkamp.

Abel, G. (1997): Signe et signification. Réflexions sur un problème fondamental de la théorie des symboles, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of the Archives H. Poincaré)

Abrams, Jerolds J. (2002): Solution to the Problem of Induction: Peirce, Apel, and Goodman on the Grue Paradox, in: Transactions of the Charles S. Peirce Society 38, no.4, 543-558.

Ackerman, James S. (1981): Worldmaking and Practical Criticism, in: Journal of Aesthetics and Art Criticism 39, 249-254. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

Adam, Betty Conrad <1983>: The Re-Emergence of Metaphysical Aesthetics, Diss. Rice University.

Ahlberg, Lars-Olof Ragnar <1988>: Concepts of Realism in Literature and Art. A Historical and Philosophical Study (Realismbegrepp i Litteratur och Konst. En Idehistorisk och Konstirlosofisk Studie), Diss. Uppsala Universitet.

Ammon, Sabine (2009): Language of Architecture. Some Reflections on Nelson Goodman's Theory of Symbols, in: Gerhard Ernst/Jakob Steinbrenner/Oliver R. Scholz (ed.), From logic to art. Themes from Nelson Goodman, = Philosophische Forschung/Philosophical Research 7, Frankfurt am Main: Ontos, 321-344.

Apel, Karl-Otto (1976): Sprache und Wahrheit in der gegenwärtigen Situation der Philosophie. Eine Betrachtung anläßlich der Vollendung der neopositivistischen Philosophie in der Semiotik von Charles Morris, in: Transformation der Philosophie 1. Sprachanalytik, Semiotik und Hermeneutik, = stw 164, Frankfurt am Main: Suhrkamp, 138-166. (1959)

Arrell, Douglas (1987): What Goodman Should Have Said About Representation, in: Journal of Aesthetics and Art Criticism 46 (fall), 41-49; again in: Catherine Z. Elgin (ed.) 1997d, 153-161.

Bach, Kent (1970): Part of What a Picture Is, in: British Journal of Aesthetics 10, 119-137.

Barker, Stephen/Peter Achinstein (1960): On the New Riddle of Induction, in: Philosophical Review 69, 511-22; Reprinted in: The Philosophy of Science, ed. by Peter H. Nidditch, Oxford Readings Series (with exchange with Goodman).

Barrett, Cyril (1971): Goodman, Languages of Art, in: British Journal for the Philosophy of Science, 22, 187-198

Baumann, H. D. <1980>: Bedingungen der Darstellungsfunktion von Bildern, Diss., Kassel: Gesamthochschule.

Baumberger, Christoph (2009): Ambiguity, in: Gerhard Ernst/Jakob Steinbrenner/Oliver R. Scholz (ed.), From logic to art. Themes from Nelson Goodman, = Philosophische Forschung/Philosophical Research 7, Frankfurt am Main: Ontos, 293-319.

Beardsley, Monroe C. (1975): Semiotic Aesthetics and Aesthetic Education, in: Journal of Aesthetic Education 9, 5-26.

Beardsley, Monroe C. (1978): Languages of Art and Art Criticism, in: Erkenntnis 12, 95-118. (again in: Elgin (ed.) 1997b, 3-179)

Beatens, Jan (1988): autographe/allographe (à propos d'une distinction de nelson goodman), in: Revue philosophique de Louvain 86, no. 70, 192-199.

Bechtold, Leander (2001): Supervision und Organisationsentwicklung. Gemeinsamkeiten und Unterschiede anhand des Variationen-Konzeptes nach Nelson Goodman, Innsbruck: Univ., Dipl.-Arb.

Begres, Sherril Jean <1986>: Theories of Metaphor (Similes, Literal, Figurative), Diss. Wayne State University.

Bennett, John G. (1974): Depiction and Convention, in: Monist 58, 255-268. (General Topic: Languages of Art, 175-318)

Berka, Sigrid (1991): An International Bibliography of Works by and Selected Works about Nelson Goodman, in: Journal of Aesthetic Education 25, no.1/Spring, 99-112. (Special Issue: More Ways of Worldmaking, 1-112), http://www.hcrc.ed.ac.uk/%7ejohn/GoodmanBib.html

Betzler, Monika (1998): Nelson Goodman, in: Nida-Rümelin, Julian/Betzler, Monika (ed.) (1998): Ästhetik und Kunstphilosophie von der Antike bis zur Gegenwart, = Kröners Taschenausgabe 375, Stuttgart: Alfred Kröner, 320-328.

Bicknell, Jeanette (2001): The Problem of Reference in Musical Quotation: a Phenomenological Approach, in: Journal of Aesthetics and Art Criticism 59, no. 2, 185-193.

Bieri, Peter/Oliver R. Scholz (ed.) (1993): Probing into Reconceptions, in: Synthese 95 (1), 1-140.

Birk, Elisabeth (2009): Mustergebrauch bei Goodman und Wittgenstein. Eine Studie zum Verhältnis von Beispiel und Regel, = Kodikas/Code Supplement 30, Tübingen: Narr.

Birk, Elisabeth (2009): Nelson Goodmans Begriff der Exemplifikation und seine Anwendung in den Bildwissenschaften, in: Ludwig Jäger/Heike Adam/Gisela Fehrmann (ed.), Medienbewegungen. Praktiken der Bezugnahme, Paderborn: Fink.

Bouchindhomme, Christian (1992): Nelson Goodman et les Langages de l’Art, = Les cahiers du Musée National d’Art Moderne 41, Paris: Éd. du Centre Georges Pompidou.

Boretz, Benjamin (1970): Nelson Goodman's Languages of Art from a Musical Point of View, in: Journal of Philosophy 67, 540-552.

Bowman, Wayne Devere <1980>: Tacit Knowing, Musical Experience, and Music Instruction: The Significance of Michael Polanyi's Thought for Music Education, Diss. University of Illinois at Urbana-Champaign.

Bradford, Suzanne C. (1987/88): Language and Worlds in Ricoeur, Goodman and Bruner, in: De Philosophia 7, 31-44.

Breitkopf, Alfred (1978): Axiomatisierung einiger Begriffe aus Nelson Goodman's The Structure of Appearance, in: Erkenntnis 12, 229-247. (Elgin ed. 1997c, 181-291)

Bruner, Jerome (1991): Self-Making and World-Making, in: Journal of Aesthetic Education 25, no.1, 67-78. (More Ways of Worldmaking, 1-112)

Busiello, Giuseppe (2002): Per una filosofia dei paradigmi: Le revisione di Nelson Goodman, in: Sapienza 55, Ja-Mr, 69-87.

Brinker, Menachem (1983): Verisimilitude, Conventions, and Beliefs, in: New Literary History 14, 253-267.

Cain, Jerrilee <1982>: Integrating the Arts in Public Education: the Symbolization Process as Holistic Experience, Diss. New York University.

Capdevila Werning, Remei (2009): Nelson Goodman's Autographic-Allographic Distinction in Architecture: The Case of Mies van der Rohe's Barcelona Pavilion, in: Gerhard Ernst/Jakob Steinbrenner/Oliver R. Scholz (ed.), From logic to art. Themes from Nelson Goodman, = Philosophische Forschung/Philosophical Research 7, Frankfurt am Main: Ontos, 269-291.

Carnap, Rudolf (1947): On the Application of Inductive Logic, in: Philosophy and Phenomenological Research 8, 133-147.

Carnap, Rudolf (1948): Reply to Nelson Goodman, in: Philosophy and Phenomenological Research 8 (3), 461f.; again in: Logic, probability, and epistemology. The power of semantics, = Science and philosophy in the twentieth century: basic works of logical empiricism 3, ed. by Sahotra Sarkar, New York-NY: Garland, 239f.

Carrier, David (1974): A Reading of Goodman on Representation, in: The Monist 58, 269-284. (General Topic: Languages of Art, 175-318)

Carter, Curtis (2000): Nelson Goodman: Obituary, in: the Journal of Aesthetics and Art Criticism. (Symposium: The Legacy of Nelson Goodman)

Carter, Curtis L. (2000): A Tribute to Nelson Goodman, in: Journal of Aesthetics and Art Criticism 58, no. 3, 251-255. (on project zero)

Carter, Curtis L. (2003): Nelson Goodman, in: American Philosophers, 1950-2000, = Dictionary of Literary Biography 279, ed. by Leemon McHenry/Philip B. Dematteis, Farmington Hills-MI: Gale-Group-Thomson-Learning, 62-70.

Chasid, Alon (2004): Why the Pictorial Relation is not Reference, in: British Journal of Aesthetics 44, no.3, 226-248.

Cladis, Mark S. (1991): Durkheim, Goodman, Rorty, and Mild-Mannered Pragmatism: French and American Style, in: Stanford French Review 15, no. 1-2, 139-163.

Clark, Bowman L. (1963): Goodman on Quality Classes in the ‘Aufbau’, in: Southern Journal of Philosophy 1, Fall, 15-19.

Clement, W. C. (1956): Quality Orders, in: Mind 65, 184-199.

Coffa, Alberto (1991): The Semantic Tradition From Kant to Carnap, Cambridge: Cambridge University Press.

Cohen, Ted (1976): Notes on Metaphor, in: Journal of Aesthetics and Art Criticism 34, 358f.

Cohen, Ted (1981): The Facts of Narrative: a Response to Nelson Goodman, in: Synthese 46, 351-354.

Cohnitz, Daniel/Marcus Rossberg (2006): Nelson Goodman, Chesham: Acumen.

Cohnitz, Daniel (2009): The Unity of Goodman's Thought, in: Gerhard Ernst/Jakob Steinbrenner/Oliver R. Scholz (ed.), From logic to art. Themes from Nelson Goodman, = Philosophische Forschung/Philosophical Research 7, Frankfurt am Main: Ontos, 33-50.

Coldron, John H. <1982>: A critical exposition of Nelson Goodman's concept of metaphorical exemplication, Diss. (MPhil) University of Sheffield.

Coldron, John (1982): Peltz on Goodman on Exemplification, in: Journal of Aesthetic Education 16, Spring, 87-94.

Collingwood, R. G. (1958): The Principles of Art, = GB 11, London/Oxford/New York-NY: Oxford University Press. (1938)

Collins, Patrick Michael <1981>: Towards Dramatic Literacy: the Aesthetic Dimension of Drama in Education, Diss. Harvard University.

Colson, Darrel D. (1981): Goodman, Cassirer, and the World, in: Kinesis 11, Fall, 1-15.

Cometti, J.-P. (1997): Pour l'exemple. Remarques sur la théorie goodmanienne des symboles, in: Manières de faire les mondes, Actes du Colloque International Nelson Goodman 1997, = Philosophia Scientiae. Traveaux d'histoire et de philosophie des sciences. Studien zur Wissenschaftsgeschichte und -philosophie. Revue périodique publiée par les Archives – Centre d'Études et de Recherche Henri-Poincaré, Université Nancy 2, 2, no.1-2, 37-55.

Cometti, Jean-Pierre/Roger Pouivet (1996b): L'effet Goodman, in: Nelson Goodman, L'art en théorie et en action, trsl. by Jean-Pierre Cometti and Roger Pouivet, Paris: Éditions de l'éclat.

Cometti, Jean-Pierre (2000): Activating Art: A View from France, in: Journal of Aesthetics and Art Criticism 58, no. 3, 237-245. (Symposium: The Legacy of Nelson Goodman)

Conley, Brian George <1985>: Theories of Pictorial Representation: Goodman's Relativism and the Similarity Theory, Diss. University of Minnesota.

Cox, Damian (2003): Goodman and Putnam on the Making of Worlds, in: Erkenntnis 58, no.1, 33-46.

Davidson, Donald (1966): Emeroses by Other Names, in: Journal of Philosophy 63, 778-780

Davidson, Donald (1978): What Metaphors Mean, in: Critical Inquiry 5, 31-47.

Davidson, Donald (1993): Reply to Rosemarie Rheinwald's Problems of Induction: Davidson and Goodman on Emeralds, Emeroses and Emerires, in: Reflecting Davidson, ed. by R. Stoecker, Hawthorne: de Gruyter.

Davies, David (1991): Works, Texts, and Contexts: Goodman on the Literary Artwork, in: Canadian Journal of Philosophy, 331-345.

Delpla, I. (1997): Manières de faire les autres. (Quelques implications du constructivisme selon Quine, Davidson et Searle), in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Dempster, Douglas J. <1983>: The Naturalism of Pictorial Representation, Diss. The University of North Carolina at Chapel Hill.

Dempster, Douglas J. (1989): Exemplification and the Cognitive Value of Art, in: Philosophy and Phenomenological Research 49, 393-412.

Dilworth, John (2001): a representational theory of artefacts and artworks, In: the british journal of aesthetics 41, no. 4, 353-371.

Döring, Eberhard (1987): Kunst der Erkenntnis bei Nelson Goodman, in: kodikas/code 10, no. 3/4, 329-340.

Douglas, Mary/Hall, David (eds.) (1992): How Classification Works. Nelson Goodman among the Social Sciences, Edinburgh-S: Edinburgh University Press.

Drost, Mark P. (1994): Husserl and Goodman on the Role of Resemblance in Pictorial Representation, in: International Studies in Philosophy 26, no.4, 17-27.

Eberle, Rolf A. (1970): Nominalistic Systems, Dordrecht: Reidel.

Eberle, Rolf A. (1978): Goodman on Likeness and Difference of Meaning, in: Erkenntnis 12, 3-16. (The Philosophy of Nelson Goodman Part 1, 3-179)

Elgin, Catherine (1983): With Reference to Reference, Indianapolis-IN: Hackett.

Elgin, Catherine Z. (1984): Goodman's Rigorous Relativism, in: The Journal of Thought 19, no. 4, 36-45.

Elgin, Catherine Z. (1991a): Sign, Symbol and System, in: Journal of Aesthetic Education 25, no.1, 11-21. (More Ways of Worldmaking, 1-112)

Elgin, Catherine Z. (1991b): What Goodman Leaves Out, in: Journal of Aesthetic Education 25, no.1/Spring, 89-96. (More Ways of Worldmaking, 1-112)

Elgin, Catherine Z. (1991c): Understanding: Art and Science, in: Philosophy and the Arts, = Midwest Studies in Philosophy, ed. by Peter A. French, Theodore E. Uehling, Jr., and Howard Wettstein, Notre Dame: University of Notre Dame Press, 196-208; reprinted in: Synthese 95 (1993), 13-28; in: Lire Goodman, ed. by J. Cometti, Combas: Editions d'Eclat, 1992, 49-67 <in French>.

Elgin, Catherine Z. (1992a): Fiction's Functions, in: Les Cahiers du Musée National d'Art Moderne 41, 33-44. <in French>

Elgin, Catherine Z. (1992b): Nelson Goodman's Epistemology, in: A Companion to Epistemology, ed. by Jonathan Dancy and Ernest Sosa, Oxford-E: Basil Blackwell, 162-164.

Elgin, Catherine Z. (1992c): Projection, in: A Companion to Epistemology, ed. by Jonathan Dancy and Ernest Sosa, Oxford: Basil Blackwell, 395-396.

Elgin, Catherine Z. (1992d): Nelson Goodman's Aesthetics, in: A Companion to Aesthetics, ed. by David Cooper, Oxford: Basil Blackwell, 175-177.

Elgin, Catherine Z. (1992e): Notation, in: A Companion to Aesthetics, ed. by David Cooper, Oxford-E: Basil Blackwell, 307-308.

Elgin, Catherine Z. (1992f): Depiction, in: A Companion to Aesthetics, ed. by David Cooper, Oxford-E: Basil Blackwell, 113-116.

Elgin, Catherine Z. (1993a): Understanding: Art and Science. Replies to our ZiF Critics, in: Synthese 95, no.1, 13-28. (Probing into Reconceptions, 1-140)

Elgin, Catherine Z. (1993b): Outstanding Problems - Replies to ZiF Critics, in: Synthese 95, no.1, 129-140. (Probing into Reconceptions, 1-140)

Elgin, Catherine Z. (1993c): Relocating Aesthetics: Goodman's Epistemological Turn, in: Revue Internationale de Philosophie, no.2-3, 171-186.

Elgin, Catherine Z. (1993d): Scheffler's Symbols, in: Synthese 94, 3-12.

Elgin, Catherine Z. (1994): Restoration and Work Identity, in: Representation: Relationship Between Language and Image, ed. by S. Levialdi and C. Bernardelli, Singapore: World Scientific, 101-107.

Elgin, Catherine Z. (1995): Nelson Goodman's Metaphysics, in: A Companion to Metaphysics, ed. by Ernest Sosa and Jaegwon Kim, Oxford: Basil Blackwell, 197-198.

Elgin, Catherine Z. (1996a): Icon and Index Revisited, in: Peirce's Doctrine of Signs: Theory, Applications and Connections, ed. by Vincent Colepietro and Thomas Olshewsky, Berlin: Mouton de Gruyter, 181-189.

Elgin, Catherine Z. (1996b): Metaphor and Reference, in: From a Metaphorical Point of View, ed. by Zdravko Radman, Berlin: Walter de Gruyter, 53-72.

Elgin, Catherine Z. (1997a): Nelson Goodman, in: The Encyclopedia of Philosophy. Supplement, New York-E: Macmillan, 222-223.

Elgin, Catherine Z. (ed.) (1997b): The Philosophy of Nelson Goodman, vol. I: Nominalism, Constructivism, and Relativism, New York: Garland.

Elgin, Catherine Z. (ed.) (1997c): The Philosophy of Nelson Goodman, vol. II: The New Riddle of Induction, New York: Garland.

Elgin, Catherine Z. (ed.) (1997d): The Philosophy of Nelson Goodman, vol. III: The Philosophy of Art, New York: Garland.

Elgin, Catherine Z. (ed.) (1997e): The Philosophy of Nelson Goodman, vol. IV: The Theory of Symbols and Its Applications, New York: Garland.

Elgin, Catherine Z. (1997f): Restoration and Work Identity, in: Elgin, C. Z., Between the Absolute and the Arbitrary, Ithaca: Cornell University Press, 97-109.

Elgin, C. Z. (1997g): The Power of Parsimony, in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Elgin, Catherine Z. (ed.) (1997h): Nelson Goodman's Theory of Symbols and Its Applications, = The Philosophy of Nelson Goodman. Selected Essays 4, New York-NY: Garland Publishing.

Elgin, Catherine Z. (1998a): Nelson Goodman, in: E. Craig (ed.), Routledge Encyclopedia of Philosophy, Bd. 4, London-E/New York-NY: Routledge, 135-140.

Elgin, Catherine Z. (1998b): Science and Art: Contemporary Thought, in: The Encyclopedia of Aesthetics, New York-NY/Oxford-E: Oxford University Press, Vol 4, 253-255.

Elgin, Catherine Z. (1999a): Nelson Goodman, in: Dictionary of Philosophy, Cambridge: Cambridge Unversity Press.

Elgin, Catherine Z. (1999b): Epistemology’s Ends, Pedagogy’s Prospects,’ Facta Philosophica 1, 39-54.

Elgin, Catherine Z. (1999c): Education and the Advancement of Understanding, in: Proceedings of the 20th World Congress of Philosophy, Vol. 3., ed. by David M. Steiner, Philosophy Documentation Center, 131-140; again in: Philosophy of Education, ed. Randall Curren, Malden: Blackwell, 2007, 417-422.

Elgin, Catherine Z./Israel Scheffler/Hilary Putnam (1999d): Faculty of Arts and Sciences -- Memorial Minute, in: HARVARD GAZETTE ARCHIVES, http://news.harvard.edu/gazette/1999/12.02/goodman.html

Elgin, Catherine Z. (ed.) (2000a): Memorial volume dedicated to Nelson Goodman, Erkenntnis.

Elgin, Catherine Z. (2000b): In Memoriam: Nelson Goodman, in: Erkenntnis 52, no. 2, 149-151. (Special Section on Nelson Goodman, 149-212)

Elgin, Catherine Z. (2000c): Interpretation and Understanding, in: Erkenntnis 52, no.2, 175-183. (Special Section on Nelson Goodman, 149-212)

Elgin, Catherine Z. (2000d): Worldmaker: Nelson Goodman (1906-1998), in: Journal for General Philosophy of Science 31 (1), 1-18.

Elgin, Catherine Z. (2000e): Interpretation und Verstehen, in: Wirklichkeit und Welterzeugung, ed. by Hans Rudi Fischer and Siegfried Schmidt, Heidelber: Carl Auer Systeme, 364-372.

Elgin, Catherine Z. (2000f): Reconceiving Cognition, Reorienting Aesthetics, in: Journal of Aesthetics and Art Criticism 58, 219-225.

Elgin, Catherine Z. (2001a): The Legacy of Nelson Goodman, in: Philosophy and Phenomenological Research, 62 (3/May), 679-690.

Elgin, Catherine Z. (2001b): Originals, Copies, and Fakes, in: Proceedings of the Gesselschaft für Analytische Philosophie, Paderborn: Mentis, 339-355.

Elgin, Catherine Z. (2004): Denying a Dualism: Goodman’s Repudiation of the Analytic/Synthetic Distinction, in: Midwest Studies in Philosophy 28, 226-238.

Elgin, Catherine Z. (2006): Goodman, Nelson, in: Dictionaire des Sciences Humaines, ed. by Sylvie Measure and Patrick Savidan, Paris: Presses Universitaire de France, 514-515.

Elgin, Catherine Z. (2007): Die kognitiven Funktion der Fiktion, in: Kunst Denken, ed. by Alex Burri and Wolfgang Huemer, Paderborn: Mentis, 77-90.

Elgin, Catherine Z. (2008): The New Riddle of Induction, in: Encyclopedia of American Philosophy, New York: Routledge.

Engstrom, Timothy H. (1992): A Question of Style: Nelson Goodman and the Writing of Theory, in: Metaphilosophy 23, Oct4, 329-349.

Ernst, Gerhard (2000): Ästhetik als Teil der Erkenntnistheorie bei Nelson Goodman, in: Philosophisches Jahrbuch 107 (2), 316-340.

Ernst, Gerhard/Jakob Steinbrenner/Oliver R. Scholz (ed.) (2009): From logic to art. Themes from Nelson Goodman, = Philosophische Forschung/Philosophical Research 7, Frankfurt am Main: Ontos.

Esser, A. M. (1997): Kunst als Symbol - die Struktur ästhetischer Reflexion in Kants Theorie des Schönen, München: Fink.

Files, Craig (1996): Goodman's Rejection of Resemblance, in: British Journal of Aesthetics 36, no. 4, 398-413.

Fine, N. J. (1954): Proof of a conjecture of Goodman, in: Journal of Symbolic Logic 19, 41-44.

Fine, N. J./R. Harrop (1957): Uniformation of linear arrays, in: Journal of Symbolic Logic 22, 130-140.

Franceschi, Paul (2001): Une solution pour le paradoxe de Goodman, in: Dialogue 40, no.1/Winter, 99-123.

Frege, Gottlob (1964): Begriffsschrift und andere Aufsätze. Mit E. Husserls und H. Scholz' Anmerkungen, ed. by Ignacio Angelelli, 2. Aufl., Hildesheim: Olms.

Fricke, Christel (1997): Falsity, Ambiguity, and Metaphors, in: Peter MacCormick (ed.), Symbol, Fiction, Communication/ Symbole, Fiction, Communication, in: Canadian Aesthetics Journal, tornade.ere.umontreal.ca/~guedon/AE/vol_2/table.html (offline)

Fricke, Christel (2001): Zeichenprozeß und ästhetische Erfahrung, München: Fink.

Gabriel, Gottfried (1986): Ein Mann von Welten. Besprechung von Nelson Goodman's 'Weisen der Welterzeugung', in: Philosophische Rundschau 33 (1-2), 48-55.

Gabriel, Gottfried (1987): Zwischen Logik und Literatur. Erkenntnisformen von Dichtung, Philosophie und Wissenschaft, Stuttgart: Metzler.

Gabriel, Gottfried (1995): Logisches ud analogisches Denken. Zum Verhältnis von wissenschaftlicher und ästhetischer Weltauffassung, in: Christoph Demmerling (ed.), Vernunft und Lebenspraxis. Philosophische Studien zu den Bedingungen einer rationalen Kultur, für Friedrich Kambartel, = stw 1206, Frankfurt am Main: Suhrkamp, 157-174.

Gabriel, G. (1997a): Probleme mit der Denotation. Eine Kritik des Fiktionalismus, in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Gabriel, G. (1997b): Logik und Rhetorik der Erkenntnis, Paderborn: Ferdinand Schöningh.

Gabriel, Gottfried (2000): Kontinentales Erbe und Analytische Methode. Nelson Goodman und die Tradition, in: Erkenntnis 52 (2), 185-198. (Special Section on Nelson Goodman, 149-212)

Galison, Peter (1990): Aufbau/Bauhaus, in: Critical Inquiry 16, Summer, 709-52.

Gardner, Howard (1974): A Psychological Investigation of Nelson Goodman's Theory of Symbols, in: Monist 58, 319-326. (Supplement: Symposium on Skills and Symbols in the Arts, 319-342)

Gardner, Howard (2000): Project Zero: Nelson Goodman's Legacy in Arts Education, in: Journal of Aesthetics and Art Criticism 58, Nr.3/summer, 245-. (Symposium: The Legacy of Nelson Goodman)

Garry, Mitchell <1989>: The Contributions of Four Perspectives on Symbolic Form to the Study of Communication Media, Diss. New York University.

Genette, Gérard (1994): L' Oeuvre de l'art. Immanence et transcendence, Paris: Éditions du Seuil.

Genette, Gérard (1997): The Work of Art. Immanence and Transcendence, trsl. by G. M. Goshgarian, Ithaca-NY: Cornell University Press. (1994)

Gerhardus, Dietfried (1995): "Aber ist es auch in derselben Weise traurig, in der es grau ist?" Goodmans Behandlung des Gegenstandes als Teil eines symbolischen Gegenstandes, in: Deutsche Zeitschrift für Philosophie 43, 731-741. (Symposium zu Nelson Goodman: Sprachen der Kunst, 711-749)

Gibson, James J. (1971): The Information Available in Pictures, in: Leonardo 4, 10-19.

Giovannelli, Alessandro (2010): Goodman's Aesthetics, in: Stanford Encyclopedia of Philosophy, = Stanford: plato.stanford.edu, http://plato.stanford.edu/entries/goodman-aesthetics/

Goel, Vinod (1991): Notationality and the Information Processing Mind, in: Minds and Machines 1, 129-165.

Gochet, Paul (1972): Esquisse d'une théorie nominaliste de la proposition, Paris: Armand Colin.

Gombrich, E. H. (1984): Art and Illusion. A Study in the Psychology of Pictorial Representation. The A. W. Mellon Lectures in the Fine Arts 1956, National Gallery of Art, Washington, = Bollingen Series XXXV.5, Princeton-NJ: Princeton University Press. (1960)

Gombrich, E. H. J. (1982): The Image and the Eye. Further Studies in the Psychology of Pictorial Representation, Ewing-NJ: Princeton University Press.

Goodman, Nelson/Leonard, Henry S<iggins>. <1930>: The Calculus of Individuals, in: Leonard, Henry S<iggins>. <1930>: Singular Terms, Harvard University thesis, typescript, Widener Library.

Goodman, Nelson (1931a): The Truth-Tellers and the Liars, in: Boston Post, 9. Juni, 15. (again as 1972a, 451)

Goodman, Nelson (1931b): <solution and explanation of 1931a>, in: Boston Post, 8. Juni, 1.

Goodman, Nelson/Leonard, Henry S<iggins>. (1940): The Calculus of Individuals and Its Uses, in: Journal of Symbolic Logic 5, 44-55.

Goodman, Nelson/Quine, Willard V. O. (1940): Elimination of Extralogical Postulates, in: Journal of Symbolic Logic 5, 104-109. (again as 1972a, 325-333)

Goodman, Nelson (1941): Sequences, in: Journal of Symbolic Logic 6, 150-153.

Goodman, Nelson (1943): On the Simplicity of Ideas, in: Journal of Symbolic Logic 8, 107-121.

Goodman, Nelson (1946a): Descartes as Philosopher, March 31, Boston: Cartesian Research Bureau (mimeographed). (again as 1972a, 45-48)

Goodman, Nelson (1946b): A Query on Confirmation, in: Journal of Philosophy 43 (1946): 383-385. (again as 1972a, 363-366)

Goodman, Nelson (1946c): in: Journal of Symbolic Logic 11, 80.

Goodman, Nelson (1947a): On Infirmities of Confirmation-Theory, in: Philosophy and Phenomenological Research 8, 149-151. (again as 1972a, 367-370)

Goodman, Nelson (1947b): The Problem of Counterfactual Conditionals, in: Journal of Philosophy 44/February, 113-128. Rpt. in Semantics and the Philosophy of Language. Ed. Leonard Linsky. Urbana: U of Illinois P (1952). Also rpt. in Philosophy of Knowledge. Ed Roland Houde and Joseph P. Mullally. New York, 1960. Also rpt. with slight changes in Fact, Fiction, and Forecast. Also rpt. in Conditionals. Ed. Frank Jackson. Oxford, forthcoming.

Goodman, Nelson/Quine, Willard V. O. (1947): Steps toward a Constructive Nominalism, in: Journal of Symbolic Logic 12, 105-122. (again as 1972a, 173-200)

Goodman, Nelson (1948): Review of Reichenbach's Elements of Symbolic Logic, in: Philosophical Review 58, 100-102. (again as 1972a, 413-415)

Goodman, Nelson (1949a): An Improvement in the Theory of Simplicity, in: Journal of Symbolic Logic 14, 228f.

Goodman, Nelson (1949b): On Likeness of Meaning, in: Analysis, no.1, 1-7. Rpt. in Linsky (ed.) 1952, Philosophy and Analysis, ed. by Margaret MacDonald, Oxford: Blackwell, 1966. (again as 1972a, 221-230)

Goodman, Nelson (1949c): Some Reflections on the Theory of Systems, in: Philosophy and Phenomenological Research 9, 620-626. (again as 1972a, 33-40)

Goodman, Nelson (1949d): The Logical Simplicity of Predicates, in: Journal of Symbolic Logic 14 (1949): 32-41.

Goodman, Nelson (1951): the structure of appearance, Cambridge-MA: Harvard University Press.

Goodman, Nelson (1952a): New Notes on Simplicity, in: Journal of Symbolic Logic 17, 189-191.

Goodman, Nelson (1952b): On a Pseudo-Test of Translation, in: Philosophical Studies 3, 81-82. (again as 1972a, 239)

Goodman, Nelson (1952c): Sense and Certainty, in: Philosophical Review 61, 160-167. Rpt. in The Philosophy of Knowledge. Eds. Roland Houde and Joseph P. Mullally. Chicago: Lippincott, 1960. 96-103. (again as 1972a, 60-68)

Goodman, Nelson (1953): On Some Differences about Meaning, in: Analysis, no.13, 90-96. (again as 1972a, 231-238)

Goodman, Nelson (1955a): Fact, Fiction, & Forecast, London: University of London/The Athlone Press. (1954) (I. The Problem of Counterfactional Conditionals <Journal of Philosophy 44 (1947), 113-128> II. The Passing of the Possible III. The New Riddle of Induction IV. Prospects for a Theory of Projection) Literaturangaben: 34u 60o 86o (replica/token122) UB 857.324-B <engl.:> UB Phil 4543. – dt. 1975: UB UB Phil H-2538. – dt. 1988 UB Phil 19041

Goodman, Nelson (1955): Axiomatic Measurement of Simplicity, in: Journal of Philosophy 52, 709-722.

Goodman, Nelson (1956a): A Study of Methods of Evaluating Information Processing Systems of Weapons Systems, U of Pennsylvania: The Institute for Cooperative Research. Project Wescom DA36-039 SC 63143 (1956).

Goodman, Nelson (1956b): A World of Individuals, in: Joseph M. Bocheński/Alonzo Church/Nelson Goodman, The Problem of Universals. A Symposium, Notre Dame-IN: University of Notre Dame Press., 13-31. Rpt. in Philosophy of Mathematics. Eds. Paul Benacerraf and Hilary Putnam. New York: Prentice Hall, 1964. 197-210. (again as 1972a, 155-171)

Goodman, Nelson (1956c): The Revision of Philosophy, in: American Philosophers at Work, ed. by Sidney Hook, New York: Criterion, 1956, 75-92. (most of it again as 1963c; again as 1972a, 5-23)

Goodman, Nelson (1956d): rev. Hilary Putnam, Reds, Greens, and Logical Analysis, in: Philosophical Review 65, 206f.

Goodman, Nelson (1956e): Definition and Dogma, in: Pennsylvania Literary Review 6, 9-14. (again as 1972a, 49-55)

Goodman, Nelson (1957a): Determination of Deficiencies in Information Processing, University of Pennsylvania: The Institute for Cooperative Research. Project Wescom DA 36-039 SC 63143.

Goodman, Nelson (1957b): Letter to the Editor, in: Mind 66, 78. (Refers to: W. C. Clement, Quality Orders, in: Mind 65 (1956), 185-199)

Goodman, Nelson (1957c): Parry on Counterfactuals, in: Journal of Philosophy 54, 442-445.

Goodman, Nelson (1957d): Reply to an Adverse Ally, in: Journal of Philosophy 54, 531-533. (refers to John C. Cooley on Goodman 1955a; again as 1972a, 398-402)

Goodman, Nelson (1957e): Review of Craig's 'Replacement of Auxiliary Expressions', in: Journal of Symbolic Logic 22, 317f. (again as 1972a, 322-324)

Goodman, Nelson (1958a): On Relations that Generate, in: Philosophical Studies 9, 65f. (retitled as “Appendix” with 1956b as 1972a, 171f.)

Goodman, Nelson (1958b): The Test of Simplicity, in: Science 128, 1064-1069. (again as 1972a, 279-294)

Goodman, Nelson (1958c): Review of Urmson's Philosophical Analysis, in: Mind 67, 107-109 (again as 1972a, 41-44)

Goodman, Nelson (1959): Recent Developments in the Theory of Simplicity, in: Philosophy and Phenomenological Research 19, 429-446. (again as 1972a, 295-318)

Goodman, Nelson (1960a): Positionality and Pictures, in: Philosophical Review 69, 523-525. (again in: Peter H. Nidditch, ed., The Philosophy of Science, London-E: Oxford University Press 1968, including exchange with Stephen Barker and Peter Achinstein; again as 1972a, 402-404)

Goodman, Nelson (1960b): The Way the World Is, in: Review of Metaphysics 14, 48-56. NB 955.060-C.Neu-Per (again as 1972a, 24-32)

Goodman, Nelson (1960c): Review of Gombrich's Art and Illusion, in: Journal of Philosophy 57, 595-599. (again as 1972a, 141-146)

Goodman, Nelson (1961a): About, in: Mind 70, 1-24. (again as 1972a, 246-272)

Goodman, Nelson (1961b): Condensation versus Simplification, in: Theoria 27, 47-48. (again as 1972a, 319-321)

Goodman, Nelson (1961c): Safety, Strength, Simplicity, in: Philosophy of Science 28, 150f. (again as 1972a, 334-336)

Goodman, Nelson (1961d): Graphs for Linguistics, in: Roman Jakobson (ed.), Structure of Language and its Mathematical Aspects, = Proceedings of Symposia in Applied Mathematics XII, Providence-RI: American Mathematical Society, 51-55.

Goodman, Nelson (1962): Review of <David M.> Armstrong's Berkeley's Theory of Vision, in: Philosophy and Phenomenological Research 23, 284f. (again as 1972a, 80f.)

Goodman, Nelson (1963a): Faulty Formalization, in: Journal of Philosophy 60, 578-579. (again as 1972a, 404f.)

Goodman, Nelson (1963b): Science and Simplicity, in: Voice of America Philosophy of Science Series, 16. (again in: Philosophy of Science Today. Ed. Sidney Morgenbesser. New York: Basic, 1967. 68-78; again as 1972a, 337-346)

Goodman, Nelson (1963c): The Significance of Der logische Aufbau der Welt, in: The Philosophy of Rudolf Carnap, = Library of Living Philosophers XI, ed. by Paul Arthur Schilpp, La Salle-IL: Open Court, 545-558. (= slightly shortened version of 1956c)

Goodman, Nelson (1963d): Uniformity and Simplicity, 75th Anniversary Lecture. Geological Society of America, 1963. (= GSA Special Paper 89 1967, 93-99; again as 1972a, 347-354)

Goodman, Nelson (1965a): 'About' Mistaken, in: Mind 74, 248. (again as 1972a, 273)

Goodman, Nelson (1965b): Some Thoughts on Scientific Method, in: Boston Studies in the Philosophy of Science, vol. 2, New York-NY: Humanities Press, 85<-?>.

Goodman, Nelson (1966a): The structure of appearance, 2. ed., Indianapolis-IN: Bobbs-Merrill.

Goodman, Nelson (1966b): Merit as Means, in: Art and Philosophy. Ed. Sidney Hook. New York University Press, 56-57. (again as 1972a, 120f.)

Goodman, Nelson (1966c): Three Replies, in: Journal of Philosophy 63, 328-331. (again as 1972a, 405-410)

Goodman, Nelson (1966d): Comments on R. C. Jeffrey's „Goodman’s Query,“ Judith Jarvis Thomson's „Grue“ and J. R. Wallace's „Goodman, Logic, Induction“, in: Journal of Philosophy 63, May, 328-331. (The New Riddle of Induction, 281-331; retitled as Three Replies in 1972a, 405-410)

Goodman, Nelson (1966e): Foreword, in: Journal of Philosophy 63, 281. (The New Riddle of Induction, 281-331)

Goodman, Nelson (1967a): Science and Simplicity, in: Philosophy of Science Today, ed. by Sidney Morgenbesser, New York-NY: Basic Books, 68-78. (again as 1972a, 337-346)

Goodman, Nelson (1967a): Science and Simplicity, in: Philosophy of Science Today. Ed. Sidney Morgenbesser. New York: Basic, 68-78.

Goodman, Nelson (1967b): The Epistemological Argument, in: Synthese 17, 23-28. (again as 1972a, 69-75)

Goodman, Nelson (1967c): Two Replies (to Davidson 1966 and Wallace 1966b), in: Journal of Philosophy 64 (1967): 286-287. (retitled as Two More Replies again in 1972a, 410-412)

Goodman, Nelson (1967c): Uniformity and Simplicity, in: Geological Society of American Special Paper 89, 93-99. (1963d; again as 1972a, 347-354)

Goodman, Nelson (1968a): Languages of Art. An Approach to a Theory of Symbols, Indianapolis-IN: Hackett Publishing.

Goodman, Nelson (1968b): Art and Inquiry (Presidential Address), in: Proceedings and Addresses of The American Philosophical Association, Eastern Division XLI, Yellow Springs-OH: Antioch, October. 5-19; (slightly different version of 1968a, chpt. VI, sects. 3-7; again as 1972a, 103-119)

Goodman, Nelson (1968c): Reality Remade, in: L'Age de la Science 1, 19-40.

Goodman, Nelson (1969a): A Revision in The Structure of Appearance, in: Journal of Philosophy 66, 383-385. (again as 1972a, 199f.)

Goodman, Nelson (1969b): Memorial Note (on Henry Leonard), in: The Logical Way of Doing Things. ed. by Karel Lambert, New Haven-CT: Yale University Press, ixf.

Goodman, Nelson (1969c): Misinterpretation <Reply to Rudolph Arnheim>, in: Science, Nr.164, 20 June 1969, 1343. (again as 1972a, 140)

Goodman, Nelson (1969d): The Emperor's New Ideas, in: Language and Philosophy, ed. by Sidney Hook, New York-NY: New York University Press <UB BildLitSpr>, 138-142. (again as 1972a, 76-79)

Goodman, Nelson/Robert Schwarz/Israel Scheffler (1970a): An Improvement in the Theory of Projectibility, in: Journal of Philosophy 67, 605-608. (again as 1972a, 389-393)

Goodman, Nelson (1970b): Seven Strictures on Similarity, in: Experience and Theory, ed. by Lawrence Foster and John W. Swanson, Amherst-MA: University of Massachusetts Press, 19-29. (again as 1972a, 437-446)

Goodman, Nelson (1970c): Some Notes on Languages of Art (1. Reply to Richard Wollheim 122-125 2. Reply to Benjamin Boretz 125-129 3. Reply to Barbara Herrnstein Smith 129-132), in: Journal of Philosophy 67, 563-573. (again as 1972a, 122-132)

Goodman, Nelson/Gardner, Howard (1970): The Randolph Museum Case. Prepared for the Institute in Arts Administration, Harvard University.

Goodman, Nelson/Robert Schwarz/Israel Scheffler (1970): An Improvement in the Theory of Projectibility, in: Journal of Philosophy 67, 605-608. (again as 1972a, 389-393)

Goodman, Nelson (1971a): On J. J. Gibson's New Perspective, in: Leonardo 4, 359f.

Goodman, Nelson (1971b): Reply to Matthew Lipman, in: Man and World

Goodman, Nelson (1972a): Problems and Projects, Indianapolis: Bobbs-Merrill. WU Institut für Soziologie und Empirische Sozialforschung 2779 <6258-SO? Nein!> (tel. 31336 - 4737 / 4762 / 4433)

Goodman, Nelson (1972b): I. Philosophy. Foreword, in: 1972a, 3f.

Goodman, Nelson (1972c): II. Origins. Forword, in: 1972a, 57-59.

Goodman, Nelson (1972d): III. Art. Forword, in: 1972a, 83f.

Goodman, Nelson (1972e): IV. Individuals. Foreword, in: 1972a, 149-154.

Goodman, Nelson (1972f): V. Meaning. Foreword, in: 1972a, 203-206.

Goodman, Nelson (1972g): VI. Relevance. Foreword, in: 1972a, 241-245.

Goodman, Nelson (1972h): VII. Simplicity. Foreword, in: 1972a, 275-278.

Goodman, Nelson (1972i): VIII. Induction. Foreword, in: 1972a, 357-362.

Goodman, Nelson (1972j): IX. Likeness. Foreword, in: 1972a, 421f.

Goodman, Nelson (1972k): X. Puzzle. Foreword, in: 1972a, 449f.

Goodman, Nelson (1972l): About, in: 1972a, 246-272.

Goodman, Nelson (1972m): 'About' Mistaken, in: 1972a, 273.

Goodman, Nelson/Robert Schwarz/Israel Scheffler (1972n): An Improvement in the Theory of Projectibility, in: 1972a, 389-393.

Goodman, Nelson (1972n): A Query on Confirmation, in: 1972a, 363-366.

Goodman, Nelson (1972o): A Revision in the Structure of Appearance, in: 1972a,

Goodman, Nelson (1972p): Art and Authenticity, in: 1972a, 85-102 (= 1968a, chpt. III)

Goodman, Nelson (1972q): Art and Inquiry, in 1972a, 103-119. (= 1968b, slightly different version of 1968a, chpt. VI<,1-7>, sects. 3-7)

Goodman, Nelson (1972r): A World of Individuals, in: 1972a, 155-171.

Goodman, Nelson (1972s): Condensation versus Simplification, in: 1972a, 319-321

Goodman, Nelson (1972t): Definition and Dogma, in: 1972a, 49-55

Goodman, Nelson (1972u): Descartes as Philosopher, in: 1972a, 45-48

Goodman, Nelson/Quine, Willard V. O. (1972v): Elimination of Extralogical Postulates, in: 1972a, 325-333

Goodman, Nelson (1972v): Faulty Formalization, in: 1972a, 404f.

Goodman, Nelson (1972w): Further Notes. (a) Reply to Morris Weitz, in: 1972a, 133f.

Goodman, Nelson (1972x): Further Notes. (b) Reply to Joseph Margolis, in: 1972a, 135-137

Goodman, Nelson (1972y): Further Notes. (c) A Circle Squared, in: 1972a, 137f.

Goodman, Nelson (1972z): Further Notes. (d) Reply to Matthew Lipman 138-140

Goodman, Nelson (1972ä): Further Notes. (e) Reply to Rudolph Arnheim, in: 1972a, 140

Goodman, Nelson (1972ö): Inductive Translation, in: 1972a, 394-397 (= Languages of Art, Kap.IV, Abs.9)

Goodman, Nelson (1972ü): Introduction, in: 1972a, xif.

Goodman, Nelson (1972ß): Merit as Means, in: 1972a, 120f.

Goodman, Nelson (1972α): On a Pseudo-Test of Translation, in: 1972a, 239

Goodman, Nelson (1972β): On Infirmities of Confirmation-Theory, in: 1972a, 367-370

Goodman, Nelson (1972γ): On Likeness of Meaning, in: 1972a, 221-230

Goodman, Nelson (1972δ): Appendix, in: 1972a, 171f. (as: On Relations that Generate)

Goodman, Nelson (1972ε): On Some Differences about Meaning, in: 1972a, 231-238

Goodman, Nelson (1972ζ): Order from Indifference, in: 1972a, 423-436

Goodman, Nelson (1972η): Positionality and Pictures, in: 1972a, 402-404

Goodman, Nelson (1972θ): Recent Developments in the Theory of Simplicity, in: 1972a, 295-318

Goodman, Nelson (1972ι): Reply to an Adverse Ally, in: 1972a, 398-402

Goodman, Nelson (1972κ): Review of <David M.> Armstrong's Berkeley's Theory of Vision, in: 1972a, 80f.

Goodman, Nelson (1972λ): Review of Gombrich's Art and Illusion, in: 1972a, 141-146

Goodman, Nelson (1972μ): Review of Reichenbach's Elements of Symbolic Logic, in: 1972a, 413-415

Goodman, Nelson (1972ν): Review of Craig's 'Replacement of Auxiliary Expressions', in: 1972a, 322-324

Goodman, Nelson (1972ξ): Review of Urmson's Philosophical Analysis, in: 1972a, 41-44

Goodman, Nelson (1972ο): Safety, Strength, Simplicity, in: 1972a, 334-336

Goodman, Nelson (1972π): Science and Simplicity, in: 1972a, 337-346

Goodman, Nelson (1972ρ): Sense and Certainty, in: 1972a, 60-68

Goodman, Nelson (1972σ): Seven Strictures on Similarity, in: 1972a, 437-446

Goodman, Nelson (1972τ): Snowflakes and Wastebaskets, in: 1972a, 416-419

Goodman, Nelson (1972υ): Some Notes on Languages of Art, in: 1972a, 122-132 (1. Reply to Richard Wollheim 122-125 2. Reply to Benjamin Boretz 125-129 3. Reply to Barbara Herrnstein Smith 129-132)

Goodman, Nelson (1972φ): Some Reflections on the Theory of Systems, in: 1972a, 33-40.

Goodman, Nelson/Quine, Willard V. O. (1972B): Steps toward a Constructive Nominalism, in: 1972a, 173-200

Goodman, Nelson (1972χ): Supplementary Readings for Chapter II <Origins> secondary to references within text and footnotes, in: 1972a, 82

Goodman, Nelson (1972ψ): Supplementary Readings for Chapter III <Art> secondary to references within text and footnotes, in: 1972a, 147

Goodman, Nelson (1972ω): Supplementary Readings for Chapter IV <Individuals> secondary to references within text and footnotes, in: 1972a, 201

Goodman, Nelson (1972A): Supplementary Readings for Chapter V <Meaning> secondary to references within text and footnotes, in: 1972a, 240

Goodman, Nelson (1972B): Supplementary Readings for Chapter VI <Relevance> secondary to references within text and footnotes, in: 1972a, 274

Goodman, Nelson (1972C): Supplementary Readings for Chapter VII <Simplicity> secondary to references within text and footnotes, in: 1972a, 355

Goodman, Nelson (1972D): Supplementary Readings for Chapter VIII <Induction> secondary to references within text and footnotes, in: 1972a, 420

Goodman, Nelson (1972E): Supplementary Readings for Chapter IX <Likeness> secondary to references within text and footnotes, in: 1972a, 447

Goodman, Nelson (1972F): Talk of Time, in: 1972a, 207-220 (= The Structure of Appearance, Kap IX, Abs. 2 and 3)

Goodman, Nelson (1972G): The Emperor's New Ideas, in: 1972a, 76-79

Goodman, Nelson (1972H): The Epistemological Argument, in: 1972a, 69-75.

Goodman, Nelson (1972I): The New Riddle of Induction, in: 1972a, 371-388. (= Fact, Fiction, Forecast, Kap.II)

Goodman, Nelson (1972J): The Revision of Philosophy, in: 1972a, 5-23

Goodman, Nelson (1972K): The Significance of Der logische Aufbau der Welt, in: 1972a,

Goodman, Nelson (1972L): The Test of Simplicity, in: 1972a, 279-294

Goodman, Nelson (1972M): The Truth-Tellers and the Liars, in: 1972a, 451.

Goodman, Nelson (1972N): The Way the World Is, in: 1972a, 25-32

Goodman, Nelson (1972O): Three Replies, in: 1972a, 405-410.

Goodman, Nelson (1972P): Two Replies, in: 1972a, 410-412

Goodman, Nelson (1972Q): Uniformity and Simplicity, 75th Anniversary Lecture. Geological Society of America (1963), in: 1972a, 347-354

Goodman, Nelson (1972R): Art and Understanding: The Need for a Less Simple-Minded Approach, in: Music Educators Journal 58.5 (Feb.1972): 43-45, 85-88.

Goodman, Nelson (1972S): On Kahane's Confusions, in: Journal of Philosophy 69, 83-84.

Goodman, Nelson <1972T>: Script for "Hockey Seen," multimedia production (choreography by Martha Gray; electronic score by John Adams). Performed at Browne and Nichols School, August 1972; Loeb Drama Center, Harvard University, October 1973; Zellerbach Theatre, University of Pennsylvania, November 1973; Culture Center, Knokke, Belgium, 1980.

Goodman, Nelson/Perkins, David/Gardner, Howard (1972U): Basic Abilities Required for Understanding and Creation in the Arts: Final Report, Cambridge-MA: Harvard University, Graduate School of Education: Project No. 9-0283, Grant No. OEG-0-9-310283-3721 (010).

Goodman, Nelson/Scheffler, Israel (1972V): Selective Confirmations and the Ravens: A Reply to Foster, in: Journal of Philosophy 69, 78-83.

Goodman, Nelson <1973a>: Script for "Rabbit, Run," dance version of John Updike's novel (choreography by Martha Gray; score by Joel Kabakov). Performed at Agassiz Theatre, Harvard University, August 1973; Loeb Drama Center, Harvard University, October 1973; in part, Zellerbach Theatre, University of Pennsylvania, November 1973.

Goodman, Nelson (1973b): Sprachen der Kunst. Ein Ansatz zu einer Symboltheorie 1969, trsl. and ed. v. Jürg Schlaeger, Frankfurt am Main: Suhrkamp.

Goodman, Nelson (1973c): 'That is': A Reply to Isaac Newton Nozick, in: Journal of Philosophy 70, 166.

Goodman, Nelson (1974a): Much Ado, in: Synthese 28, 259.

Goodman, Nelson (1974b): On Some Questions Concerning Quotation, in: Monist 58, 294-306. (General Topic: Languages of Art, 175-318)

Goodman, Nelson (1974c): On Reconceiving Cognition, in: Monist 58, 339-342. (Supplement: Symposium on Skills and Symbols in the Arts, 319-342)

Goodman, Nelson (1975a): A Message from Mars, in: The Arts Spectrum. Office of the Arts, Harvard University. 2.

Goodman, Nelson (1975b): The Status of Style, in: Critical Inquiry 1, 799-811.

Goodman, Nelson (1975c): Words, Works, Worlds, in: Erkenntnis 9, 57-73.

Goodman, Nelson (1975d): <Brief an Monroe Beardsley, in:> Journal of Aesthetic Education 9, 25f.

Goodman, Nelson/Ullian, Joseph (1975e): Bad Company: A Reply to Mr. Zabludowski and Others, in: Journal of Philosophy 72, 142-145. [Refers to Zabludowski, Andrzej (1974): Concerning a Fiction about How Facts Are, in Journal of Philosophy no.4, 97-112.]

Goodman, Nelson (1976): Languages of Art. An Approach to a Theory of Symbols, Second Edition, Indiananapolis-IN: Hackett Publishing.

Goodman, Nelson (1977a): Predicates without Properties, in: Midwest Studies in Philosophy 2, 212-213.

Goodman, Nelson (1977b): The Trouble with Root, in: Linguistics and Philosophy 1, 277-278. (A reply to Michael D.Root, Nelson Goodman and the Logical Articulation of Nominal Compounds, Linguistics and Philosophy 1 (1977): 259-271)

Goodman, Nelson (1977c): When Is Art?, in: The Arts and Cognition. Eds. David Perkins and Barbara Leondar. Baltimore: Johns Hopkins UP, 11-19. Rpt. in French: Philosophie analytique et esthetique. Ed. and Trans. Danielle Lories. Paris: Meridiens-Klincksieck, 1988. 199-210. Also rpt. in Russian: American Philosophy of Art: Main Conceptions of the Second Half of the 20th Century. Ed. Bohdan Dzimidok. Moskow: Iskusstvo Art Publishers, forthcoming. (in: Goodman 1978, 57-70)

Goodman, Nelson/Ullian, Joseph (1977d): 'Truth About Jones', in: Journal of Philosophy 74, 317-338.

Goodman, Nelson (1978a): Ways of Worldmaking, = Harvester studies in philosophy 5, Hassocks-Sussex: The Harvester Press. UB Phil 11922

Goodman, Nelson (1978b): In Defense of Irrealism (Letter to the Editor), in: New York Review of Books 25, no.20, 58. [A Response to W. V. Quine's Review of Goodman's Ways of Worldmaking. NYR 25.18 (1978): 25.]

Goodman, Nelson (1978c): Review: Ludwig Wittgenstein, Remarks on Color, in: Journal of Philosophy 75, 503f.

Goodman, Nelson (1978d): Replies, in: Erkenntnis 12, 153-179. (The Philosophy of Nelson Goodman Part 1, 3-179)

Goodman, Nelson (1978e): Replies, in: Erkenntnis 12, 281-291. (The Philosophy of Nelson Goodman Part 2, 181-291)

Goodman, Nelson (1978f): Comments on Wollheim's Paper: 'Are the Criteria of Identity that Hold for a Work of Art in the Different Arts Aesthetically Relevant?', in: Ratio 20 (1978), 49-51.

Goodman, Nelson/Ullian, Joseph (1978g): The Short of It, in: Journal of Philosophy 75, 263-264.

Goodman, Nelson (1978g): Eine Welt von Individuen, in: Wolfgang Stegmüller (ed.), Das Universalienproblem, Darmstadt: Wissenschaftliche Buchgesellschaft, 226-247.

Goodman, Nelson (1979a): On Matter over Mind (Letter to the Editor), in: New York Review of Books 26, no.8, 42.

Goodman, Nelson (1979b): Metaphor as Moonlighting, in: Critical Inquiry 6, 125-130.

Goodman, Nelson (1979c): Credence, Credibility, Comprehension, in: Journal of Philosophy 76, 619. (Symposium: Goodman's Ways of Worldmaking, 603-619)

Goodman, Nelson (1979d): J. J. Gibson's Approach to the Visual Perception of Pictures, in: Leonardo 12, 175.

Goodman, Nelson (1980a): Twisted Tales - or, Story, Study, and Symphony, in: Critical Inquiry 7, 103-119. Rpt. in Synthese 46 (1981), 331-349. Also rpt. in: On Narrative, ed. by W. J. T. Mitchell, Chicago-IL: University of Chicago Press 1981, 99-115. (trsl.: Verdrehte Erzählungen; oder Geschichte, Studie und Symphonie, in: Das Laokoon-Projekt. Pläne einer semiotischen Ästhetik, ed. by Gunter Gebauer, Stuttgart: Metzler 1984, 183-206)

Goodman, Nelson (1980b): On Starmaking, in: Synthese 46, 211-215.

Goodman, Nelson (1981a): The Telling and the Told, in: Critical Inquiry 7, 799-801. (rpt. in: On Narrative, ed. by W. J. T. Mitchell, Chicago-IL: University of Chicago Press 1981, 255-257)

Goodman, Nelson (1981b): Perspective as a Convention - on the Views of Goodman and Gombrich, in: Leonardo 14, 86.

Goodman, Nelson (1981c): Routes of Reference, in: Critical Inquiry 8, 121-132; again in: What is Dance?, ed. by Roger Copeland and Marshall Cohen, New York: Oxford University Press 1983, 80-85.

Goodman, Nelson (1981d): Ways of Worldmaking, in: Leonardo 14, 351.

Goodman, Nelson (1981e): Replies, in: Journal of Aesthetics and Art Criticism 39, 273-280. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

Goodman, Nelson (1981f): Wege der Referenz. (Denotational Reference Characteristics: Verbal Denotation, Notation, Pictorial Notation and Quotation), in: Zeitschrift für Semiotik 3 (1981), 11-22.

Goodman, Nelson (1982a): Implementation of the Arts, in: Journal of Aesthetics and Art Criticism 40, 281-283.

Goodman, Nelson (1982b): Fiction for Five Fingers, in: Philosophy and Literature 6, no.1/2, 162-164.

Goodman, Nelson (1982c): Kunst und Erkenntnis, trsl. by Jürgen Schlaeger and Dieter Henrich, in: Dieter Henrich/Wolfgang Iser (ed.), Theorien der Kunst, Frankfurt am Main: Suhrkamp, 569-591. (= 1973b, chpt. VI, sects. 3-7)

Goodman, Nelson (1982d): The Fabrication of Facts, in: Relativism: Cognitive and Moral, ed. by Jack W. Meiland/Michael Krausz, Notre Dame-IN: University of Notre Dame Press, 18-29.

Goodman, Nelson (1983a): Preface, to: Catherine Z. Elgin, With Reference to Reference, Indianapolis: Hackett Publishing Co.

Goodman, Nelson (1983b): Realism, Relativism, and Reality, in: New Literary History 14, 269-272. (ad Brinker 1983)

Goodman, Nelson (1983c): Semiotische Ästhetik und pragmatischer Irrealismus, in: Zeitschrift für Semiotik 5 (3), 256-257.

Goodman, Nelson (1983d): Modes of Symbolization/Afterword: An Illustration, in: What Is Dance?, ed. by Roger Copeland and Marshall Cohen, Oxford: Oxford University Press, 66-84.

Goodman, Nelson (1983e): The Role of Notations, in: What Is Dance?, ed. by Roger Copeland and Marshall Cohen, Oxford: Oxford University Press, 399-410.

Goodman, Nelson (1983f): Notes on the Well-Made World, in: Erkenntnis 19, 99-106.

Goodman, Nelson/Brinker, Menachem (1983g): Yitzog v' realizem b'omanut (Representation and Realism in Art), in: Iyyun 32, 216-222.

Goodman, Nelson (1983/1984): The End of the Museum?, in: The New Criterion, No. 2, 9-14; again in: Journal of Aesthetic Education 19 (1985), no.2, 53-62.

Goodman, Nelson (1984a): Of Mind and Other Matters, Cambridge-MA: Harvard University Press.

Goodman, Nelson (1984b): Weisen der Welterzeugung, trsl. by Max Looser, Frankfurt am Main: Suhrkamp.

Goodman, Nelson/Elgin, Catherine Z. (1984c): Representation, Comprehension, and Competence, in: Social Research 51 (1984); again in Goodman/Elgin 1988a

Goodman, Nelson (1985a): Statement and Pictures, in: Erkenntnis 22, 265-270.

Goodman, Nelson (1985b): How Buildings Mean, in: Critical Inquiry 11, 642-653.

Goodman, Nelson <1985c>: Conceptual design for "Variations: An Illustrated Lecture Concert," including live or taped performance of David Alpher's "Las Meninas", theme and Variations for piano, guitar, oboe, and cello, synchronized with presentation of slides of "Las Meninas" by Velazquez and of Picasso's painted variations on it. Performed at University of Helsinki, September 1985; Wayne State University, February 1986; Rockport Chamber Music Festival, June 1986; Harvard University, October 1986; Trinity University in San Antonio, Texas, February 1987; University of California, Santa Barbara, February 1990.

Goodman, Nelson (1986a): A Note on Copies, in: Journal of Aesthetics and Art Criticism 44, 291-292.

Goodman, Nelson (1986b): The Nature And Function Of Architecture, in: Domus, no.672, 17-28.

Goodman, Nelson/Elgin, Catherine Z. (1986c): Interpretation and Identity, in: Critical Inquiry 12, 564-574.

Goodman, Nelson (1987a): Vom Denken und anderen Dingen, trsl. by Bernd Philippi, Frankfurt am Main: Suhrkamp.

Goodman, Nelson (1987b): Variations on Variation - or Picasso Back to Bach, in: Essays in the Philosophy of Music, ed. by Veikko Rantala/Lewis Rowell/Eero Tarasti, Acta Philosophica Fennica 43.

Goodman, Nelson/Elgin, Catherine Z. (1987c): Changing the Subject, in: Journal of Aesthetics and Art Criticism 46, 219-223; reprinted: in Analytic Aesthetics, Richard Shusterman, ed., (Oxford: Basil Blackwell, 1989), 190-196; and in Estetyka w swiecie, ed. Maria Golaszewska (in Polish).

Goodman, Nelson (1987d): Wie Bauwerke meinen, in: Das Abenteuer der Ideen: Architektur und Philosophie seit der Industriellen Revolution, ed. by Claus Baldus and Vittorio Lampugnani, Berlin: Internationale Bauausstellung.

Goodman, Nelson/Elgin, Catherine Z. (1988a): Reconceptions in Philosophy and other Arts and Sciences, Indianapolis-IN: Hacket/London-E: Routledge.

Goodman, Nelson (1988b): Introduction. Aims and Claims, in: Journal of Aesthetic Education 22.1, 1f.

Goodman, Nelson (1988c): On What Should Not Be Said about Representation, in: Journal of Aesthetics and Art Criticism 46, 419.

Goodman, Nelson (1988d): A Reconception of Philosophy, in: Bewusstsein, Sprache und die Kunst, Ed. Michael Benedikt (in German). (Howison Lecture 1985); .

Goodman, Nelson (1988d): A Reconception of Philosophy, in: Bewusstsein, Sprache und die Kunst <Howison Lecture 1985>, übers. v. Leonhard Schmeiser, ed. by Michael Benedikt, Wien: Wien: Verlag d. Österreischischen Staatsdruckerei, 107-114; again in: Goodman/Elgin 1988a.

Goodman, Nelson (1988e): Variations on Variation—or Picasso Back to Bach, Essays on the philosophy of music, ed. by Veikko Rantala, = Acta Philosophica Fennica 43, Helsinki: Academic Bookstore; again in: Goodman/Elgin 1988a.

Goodman, Nelson (1989a): Just the Facts, Ma'am'!, in: Relativism: Interpretation and Confrontation, ed. by Michael Krausz, Notre Dame-IN: University of Notre Dame Press, 80-85; again in: Goodman/Elgin 1988a.

Goodman, Nelson/Elgin, Catherine Z. (1989b): Savoir et Faire, trsl. by Jacques Riche, in: Encyclopédie Philosophique Universelle 1: L' Univers Philosophique, ed. by André Jacob, Paris: Presses Universitaires de France, 520-528.

Goodman, Nelson (1990a): A Study of Qualities, Ph.D. thesis, Harvard University, New York-NY: Garland. (Harvard dissertations in philosophy). <1940> UB Phil 20242

Goodman, Nelson/Elgin, Catherine Z. (1990b): Esthétique et Connaissance: Pour changer de Sujet, Combas: Editions de l'Eclat.

Goodman, Nelson (1990c): Weisen der Welterzeugung, trsl. by Max Looser, = stw 863, Frankfurt am Main: Suhrkamp.

Goodman, Nelson (1990d) Pictures in the Mind?, in: Images and Understanding, ed. by H. B. Barlow/Colin Blakemore/Miranda Weston-Smith, Cambridge-E: Cambridge Universtiy Press, 358-364.

Goodman, Nelson (1991a): On Capturing Cities (reprinted from World Cities and the Metropolis, 1988), in: Journal of Aesthetic Education 25, no.1, 5-9. (More Ways of Worldmaking, 1-112)

Goodman, Nelson (1991b): Retrospections, in: Journal of Aesthetic Education 25, no.1, 97-98. (More Ways of Worldmaking, 1-112)

Goodman, Nelson/Elgin, Catherine Z. (1991c): Pictures in the Mind? In: Images and understanding. Thoughts about images, ideas about understanding. A collection of essays based on a Rank Prize Funds’ International symposium, held at the Royal Society in October 1986, ed. by Horace Barlow, Colin Blakemore and Miranda Westin-Smith, Cambridge-MA: Cambridge University Press; again in: Goodman/Elgin 1988a.

Goodman, Nelson (1992): Contraverting a Contradiction. A Note On Metaphor And Simile. Reply To Kulka, Tomas, in: Poetics Today, 13.4, 807-808.

Goodman, Nelson (1993a): Status and System: from the 1st Part of the Author's Doctoral Thesis 'A Study Of Qualities', in: Revue Internationale de Philosophie 47, no.185, 99-139.

Goodman, Nelson (1993b): On Some Worldly Worries, in: Synthese 95, no.1, 9-12. (Probing into Reconceptions, 1-14)

Goodman, Nelson/Kulka, Tomas (1994): How Metaphor Works its Wonders (in Czech), in: Filosoficky Casopis 42.3, 403-420.

Goodman, Nelson (1995a): Sprachen der Kunst. Entwurf einer Symboltheorie (1968), trsl. by Bernd Philippi, Frankfurt am Main: Suhrkamp.

Goodman, Nelson (1995b): “Gewißheit ist etwas ganz und gar Absurdes”. Karlheinz Lüdeking sprach mit Nelson Goodman, in: Kunstforum International, Bd. 131, 342-347.

Goodman, Nelson (1996a): Authenticity, in: The Dictionary of Art, ed. by Jane Shoaf Turner, Bd.2: Ancona to Azzolino, New York-NY: Grove. (wieder: Goodman, Nelson. “Authenticity.” Grove Art Online. Oxford: Oxford University Press, 2007)

Goodman, Nelson (1996b): L'art en théorie et en action <first 2 chpts.>, trsl. by Jean-Pierre Cometti and Roger Pouivet, Paris: Éditions de l'éclat. (Appendice. Conversations avec Franz Boenders et Mia Gosselin, 117-133.

Goodman, N. (1997): Some Reflections on my philosophy, in: Philosophia Scientiae 2 (1-2), 15-20. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of Archives H. Poincaré)

Goodman, Nelson (1998): Art in Action, in: Michael Kelly (ed.), Encyclopedia of Aesthetics, New York-NY/Oxford-E: Oxford University Press, 322-326.

Goodman, Nelson (2005a): “Gewißheit ist etwas ganz und gar Absurdes”, Interview von Karlheinz Lüdeking in: Steinbrenner, Jakob/ Scholz, Oliver/Ernst, Gerhard (ed.): Symbole, Systeme, Welten. Studien zur Philosophie Nelson Goodmans, Heidelberg: Synchron, 261-269.

Goodman, Nelson (2005b): Über Kunst in Aktion, in: Steinbrenner, Jakob/ Scholz, Oliver/Ernst, Gerhard (ed.): Symbole, Systeme, Welten. Studien zur Philosophie Nelson Goodmans, Heidelberg: Synchron, .

Goodrich, R. A. (1988): Goodman on Representation and Resemblance, in: British Journal of Aesthetics 28, Winter, 48-58.

Gosselin, Mia (1990): Nominalism and Contemporary Nominalism: Ontological and Epistemological Implications of the Work of W. V. O. Quine and of N. Goodman, Dordrecht: Kluwer.

Green, Judy Lindquist <1980>: An Aesthetic Model for Education, Diss. Marquette University.

Haller, Rudolf (ed.) (1982): Internationales Philosophisches Symposion aus Anlass der Hundertsten Wiederkehr der Geburtstage von Moritz Schlick (14.4.1882 - 22.6.1936) und Otto Neurath (10.12.1882 - 22.12.1945) <1982, Wien>: Schlick und Neurath - ein Symposion : Beiträge zum Internationalen Philosophisch Symposion aus Anlaß der 100. Wiederkehr der Geburtstage von Moritz Schlick (14.4.1882 - 22.6.1936) und Otto Neurath (10.12.1882 - 22.12.1945), Wien, 16. - 20. Juni 1982, = Amsterdam: Rodopi.

Hart, Alan M. <1981>: Aboutness: a Logico-Philosophical Analysis, Diss. Michigan State University.

Hatten, Robert S. <1982>: Toward a Semiotic Model of Style in Music: Epistemological and Methodological Bases, Diss. Indiana University.

Hausman, Alan/Wilson, Fred (1967): Goodman's Ontology. Carnap and Goodman: Two Formalists, Iowa City-IA: The University of lowa; The Hague: Nijhoff.

Hawley, A. (1991): A Venerable Museum Faces the Future - Guided Tour Through the Gardner and its Director's Mind, in: in: Journal of Aesthetic Education 25, no.1, 79-88. (More Ways of Worldmaking, 1-112)

Heinzmann, G. (1997): Laudatio, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Heinzmann, G. (1997): Raisonnement mathématique et art, in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Hellmann, Geoffrey (1978): Accuracy and Actuality, in: Erkenntnis 12, 209-228.

Hempel, C. G. (1942): Note on a Device of Quine and Goodman, in: Journal of Symbolic Logic 7, 98.

Hempel, Carl G. (1996): Comments on Goodman’s Ways of Worldmaking, in: MacCormick, Peter J (ed.). Starmaking. Realism, anti-realism, and irrealism, Cambridge-MA: MIT Press, 125ff.

Henrich, Dieter (1982): Theorieformen moderner Kunsttheorie, in: Dieter Henrich/Wolfgang Iser (ed.), Theorien der Kunst, Frankfurt am Main: Suhrkamp, 11-32.

Hernadi, Paul (1981): More Questions Concerning Quotations, in: Journal of Aesthetics and Art Criticism 39, 271-273. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

Hernadi, Paul (1991): More Ways of Worldmaking, in: Journal of Aesthetic Education 25, no.1, 1-4. (More Ways of Worldmaking, 1-112)

Hernadi, Paul (1991): Reconceiving Notation and Performance, in: Journal of Aesthetic Education 25, no.1, 47-56. (More Ways of Worldmaking, 1-112)

Herr, Lowell Emerson <1985>: Goodman and the Semiotic Theory of Art, Diss. Marquette University.

Heydrich, Wolfgang (1982): Gegenstand und Sachverhalt. Bausteine zu einer nominalistisch orientierten Semantik für Texte, Hamburg: Buske.

Heydrich, Wolfgang (1993): A Reconception of Meaning, in: Synthese 95, no.1, 77-94. (Probing into Reconceptions, 1-140)

Hilpinen, Risto (1990): Peirce, Goodman and the Aesthetic Sign, in: Grazer philosophische Studien 37, 177-184.

Hochberg, Herbert (1978): Sellars and Goodman on Predicates, Properties, and Truth, in: Midwest Studies in Philosophy 3, 360-368.

Hocking, W. E. (1961): Whitehead as I Knew Him, in: The Journal of Philosophy 58, 505-516.

Hölscher, T. (2005): Goodman und die Kunstgeschichte, in: Steinbrenner, Jakob/ Scholz, Oliver/Ernst, Gerhard (ed.): Symbole, Systeme, Welten. Studien zur Philosophie Nelson Goodmans, Heidelberg: Synchron, 89-98.

Hooker, C. A. (1968): Goodman, Grue and Hempel, in: Philosophy of Science 35, Summer, 232-247.

Hooker, Clifford A. (1971): The Ravens, Hempel and Goodman, in: Australasian Journal of Philosophy 49, May, 82-89.

Hottinger, Stefan (1988): Nelson Goodmans Nominalismus und Methodologie, Bern: Haupt.

Howard, V. A. (1974): On Musical Quotation, in: Monist 58, 307-318. (General Topic: Languages of Art, 175-318)

Howard, V. A. (1978): Music and Constant Comment, in: Erkenntnis 12, 73-82. (The Philosophy of Nelson Goodman Part 1, 3-179)

Howard, Vernon A. (1981): Music Considered as a Way of Worldmaking, in: Journal of Aesthetics and Art Criticism 39, 254-258.

Huschle, Brian J. (2000): From Conflicting Versions to Many Worlds: An Examination of Goodman's Irrealism, Diss. University of Nebraska, Lincoln.

Ihwe, Jens F. (1985): Konversationen über Literatur. Literatur und Wissenschaft aus nominalistischer Sicht, Braunschweig: Vieweg.

Ihwe, Jens F. (1987): Fiktion ohne Fiktionen. Nelson Goodmans Beitrag zur Aktualität "nicht-existenter" und "fiktionaler" Objekte, in: Zeitschrift für Semiotik 9, H.1-2, 107.

Innis, Robert E. (1977): Art, Symbol, and Consciousness. A Polanyi Gloss on Suzanne Langer and Nelson Goodman, in: International Philosophical Quarterly 17, 455-476.

Jacquette, Dale (2000): Goodman on the Concept of Style, in: British Journal of Aesthetics 40, no.4, 452-467.

Christoph Jäger (ed.) (2004): Kunst und Kognition, Paderborn.

Jeffey, Richard C. (1966): Goodman's Query, in: Journal of Philosophy 63, 281-288. (The New Riddle of Induction, 281-331)

Johnson, Baylor Laurence <1974>: Sights and Sounds. A Study of Nelson Goodman's Aesthetics, Diss. Northwestern University.

Jones, Rebecca K. (1980): A Three Point Perspective on Pictorial Representation: Wartofski, Goodman and Gibson on Seeing Pictures, in: Erkenntnis 15, MR, 55-64.

Jordan, James William <1984>: System and Shadow: Towards an Aesthetic of Social Action. Saybrooke Institute.

Kaemmerling, E. (ed.) (1984): Bildende Kunst als Zeichensystem, Köln.

Kemp, Fred Oliver, Jr. <1988>: Computer-Based Invention Heuristics for Writing: A Theory of Computer-Based Heuristics, Diss. The University of Texas at Austin.

Kivy, Peter (1997): Philosophies of Art. An Essay in Differences, Cambridge.

Kivy, Peter (2000): How to Forge a Musical Work, in: Journal of Aesthetics and Art criticism 58, no. 3, 233-237. (Symposium: The Legacy of Nelson Goodman)

Kivy, Peter (2002): Versions and “Versions”, in: Journal of Aesthetics and Art Criticism 60, 180-182.

Kjörup, Sören (1974): George Inness and the Battle of Hastings, or Doing Things with Pictures, in: Monist 58, 216-235. (General Topic: Languages of Art, 175-318)

Kjørup, Søren (1977): Film as a Meeting Place of Multiple Codes, in: David Perkins/Barbara Leondar (eds.), The Arts and Cognition, Baltimore-MD/London-E: Johns Hopkins UP, 20-47.

Kjörup, Sören (1978): Pictorial Speech Acts, in: Erkenntnis 12, 55-71. (The Philosophy of Nelson Goodman Part 1, 3-179)

Kjørup, Søren (1998): 121. The approach of Goodman, in: Roland Posner/Klaus Robering/Thomas A. Sebeok (ed.) (1998): Semiotik. Semiotics. Ein Handbuch zu den zeichentheoretischen Grundlagen von Natur und Kultur. A Handbook on the Sign-Theoretic Foundations of Nature and Culture, 2. Teilband, = Handbücher zur Sprach- und Kommunikationswissenschaft. Handbooks of Linguistics and Communication Science. Manuels de linguistique et des sciences de communication, ed. v. Hugo Steger and Herbert E. Wiegand, Berlin/New York-NY: Walter de Gruyter, 2320-2327.

Koppe, Franz (1991): Kunst als entäußerte Weise, die Welt zu sehen. Zu Nelson Goodman and Arthur C. Danto in weitergehender Absicht, in: Franz Koppe (ed.), Perspektiven der Kunstphilosophie. Texte und Diskussionen, = stw 951, Frankfurt am Main: Suhrkamp, 81-103.

Koppe, Franz (1995): Die verkörperte Metapher. Eine kunstphilosophische Perspektive im Anschluß an Nelson Goodman, in: Deutsche Zeitschrift für Philosophie 43, 743-49. (Symposium zu Nelson Goodman: Sprachen der Kunst, 711-749)

Koppe, Franz (1999): Jenseits von Inhalt und Form. Ein kunstphilosophischer Ansatz in Auseinandersetzung mit Nelson Goodman, in: Form in der Gegenwartskunst, ed. by Eveline List and Martin Strauss, Wien: Turia + Kant, 94-104.

Koppelberg, Dirk (1993): Should We Replace Knowledge by Understanding? A Comment on Elgin and Goodman's Reconception of Epistemology, in: Synthese 95, no.1, 119-128. (Probing into Reconceptions, 1-140)

Kossovitch, Leon (1975): Gombrich e Goodman, in: Discurso 5, 205-212.

Küng, Guido (1993a): Welterkennen und Textinterpretation bei Roman Ingarden und Nelson Goodman, in: Grazer philosophische Studien 44, 69-90.

Küng, Guido (1993b): Ontology and the Construction of Systems, in: Synthese 95, no.1, 29-53. (Probing into Reconceptions, 1-140)

Küng, Guido (1995): Cognition of the World and Interpretation of Text by Roman Ingarden and Nelson Goodman, in: Roman Ingarden: A Filozofia Naszego Czasu, Wegrzeckiego, Adama, Krakow: Oficyna-Cracovia.

Kuklick, Bruce (2001): A History of Philosophy in America 1720-2000, Oxford-E: Oxford University Press.

Kulenkampff, Jens (1978): Nelson Goodman, Sprachen der Kunst, in: Philosophische Rundschau 25, 161-175.

Kulenkampff, Jens (1981): Music Considered as a Way of Worldmaking, in: Journal of Aesthetics and Art Criticism 39, 254-258. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

Kulenkampff, Jens (1984): Mehr als eine Welt?, in: Klaus Oehler (ed.): Zeichen und Realität. Akten des 3. Internationalen Kolloquiums der deutschen Gesellschaft für Semiotik e. V., Hamburg 1981, = Probleme der Semiotik 1, Tübingen: Stauffenburg-Verlag, 131-139.

Kulenkampff, Jens (1994): Kants Logik des ästhetischen Urteils, 2. Aufl., = Philosophische Abhandlungen 61, Frankfurt am Main: Klostermann.

Kulenkampff, Jens (1997): Von Einhörnern und Kentauren. Schwierigkeiten mit Goodmans Theorie der Darstellung, in: Julian Nida-Rümelin (ed.), Rationalität, Realismus, Revision, Berlin/New York-NY: de Gruyter, 761-768.

Kulenkampff, Jens (2005a): Sind Bilder Zeichen?, in: Steinbrenner, Jakob/Scholz, Oliver R./Ernst, Gerhard (ed.) (2005): Symbole, Systeme, Welten. Studien zur Philosophie Nelson Goodmans, = Philosophische Impulse 7, Heidelberg: Synchron, Wiss.-Verl. der Autoren, 185-201. UB Salzb

Kulenkampff, Jens (2005b): Kunst und Erkenntnis. Überlegungen im Anschluß an Nelson Goodman, in: Christoph Jäger/Georg Meggle (ed.): Kunst und Erkenntnis, Paderborn: Mentis, 43-61.

Kutschera, Franz von (1975): Nelson Goodman: Das neue Rätsel der Induktion, in: Speck, Josef (ed.) (1975): Grundprobleme der großen Philosophen. Philosophie der Gegenwart 3 . Moore, Goodman, Quine, Ryle, Strawson, Austin, = UTB 463, Göttingen: Vandenhoeck & Ruprecht, 51-86. UB UB Phil

Kutschera, Franz von (1978): Goodman on Induction, in: Erkenntnis 12, 189-207. (The Philosophy of Nelson Goodman Part 2, 181-291)

Kutschera, Franz von (2005b): Kunst und Erkenntnis, in: Christoph Jäger/Georg Meggle (ed.): Kunst und Erkenntnis, Paderborn: Mentis, 73-92.

Lagueux, M. (1998): Nelson Goodman on Architecture, in: Assemblage 35, 18-35.

Lammenranta, Markus (1988): Nelson Goodman on Emotions in Music, in: Acta Philosophica Fennica 43, 210-216.

Lammenranta, Markus (1991a): Do We Make Worlds With Symbols?, in: Semiotica, vol. 86, 277-287.

Lammenranta, Markus (1991b): The Relevance of Nelson Goodman's Theory of Symbols, in: Semiotica, vol. 87 (3-4), 293-300.

Lammenranta, Markus (1992): Goodman's Semiotic Theory of Art, in: Canadian Journal of Philosophy 22 (3), 339-351.

Langer, Susanne K. (1951): Philosophy In A New Key. A Study in the Symbolism of Reason, Rite and Art, = Mentor Book MQ 852, New York-NY/Toronto-C: The Newe American Library. (1942)

Langer, Susanne K. (1953): Feeling and Form. A Theory of Art Developed From Philosophy In A New Key, = Scribner Library 122, New York-NY: Charles Scribner’s Sons.

Langford, C. H. (1941): Note on a Device of Quine and Goodman, in: Journal of Symbolic Logic 6, 154f.

Leondar, B./Perkins, D. (ed.) (1977): The Arts and Cognition, Baltimore: Johns Hopkins UP.

Lessing, A. (1965/66): What is Wrong with a Forgery?, in: Journal of Aesthetics and Art Criticism; wieder in: Beardsley/Schueller (ed.), 241-253.

Lewis, David (1971): Analog and Digital, in: Nous 5, 321-327.

Lord, Catherine/Benardete, Jose A. (1991): Baxandall and Goodman, in: The Language of Art History, ed. by Salim Kemal, New York-NY: Cambridge University Press.

Lorenz, K. (1997): Laudatio, in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Lorenz, K. (1997): Perceptual and Conceptual Knowledge: The Arts and the Sciences, in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Lüdeking, Karlheinz (1998): Analytische Philosophie der Kunst. Eine Einführung, = UTB 1775, München: Wilhelm Fink. (1988)

Macedo, Fernando (1997): A Justificaçao da Arte como Cogniçao em Goodman, in: Revista Portuguesa de Filosofia 53, Ap-Je2, 215-248.

MacIver Lopes, Dominic M. (2000): From "Language of Art" to Art in Mind, in: Journal of Aesthetics and Art Criticism 58, no. 3, 227-233. (Symposium: The Legacy of Nelson Goodman)

Mahrenholz, Simone (1998): Musik und Erkenntnis. Eine Studie im Ausgang von Nelson Goodmans Symboltheorie, Stuttgart: Metzler.

Mahrenholz, Simone (2000): Nelson Goodman und Jacques Derrida. Zum Verhältnis von (post-)analytischer und (post-)strukturalistischer Zeichenphilosophie, in: Julian Nida-Rümelin/Gesellschaft für Analytische Philosophie (ed.), Rationalität, Realismus, Revision. Rationality, realism, revision. Vorträge des 3. internationalen Kongresses der Gesellschaft für Analytische Philosophie vom 15. bis zum 18. September 1997 in München, = Perspektiven der analytischen Philosophie 23, Berlin: de Gruyter, 254-264.

Majetschak, Stefan (2003): Bild und Sichtbarkeit - Überlegungen zu einem transdisziplinären Bildbegriff, in: Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft 48, 1, 27-47.

Manns, James (1977): Goodman on Metaphor, in: Personalist 58, 173-178.

Marchetti, Luca (2006): Arte ed estetica in Nelson Goodman, = Aesthetica Preprint Supplementa 18, Palermo: Centro Internazionale Studi di Estetica.

Margolis, Joseph (1974): Art as Language, in: Monist 58, 175-186. (General Topic: Languages of Art, 175-318)

Margolis, Joseph (1981): What is when? When is what? Two Questions for Nelson Goodman, in: Journal of Aesthetics and Art Criticism 39, Spring, 266-268. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

Margolis, Joseph (1998): Farewell to Danto and Goodman, in: British Journal of Aesthetics 38, no. 4, 353-375.

Martin, Richard (1981): On Some Aesthetic Relations, in: Journal of Aesthetics and Art Criticism 39, 258-264. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

McCormick, Peter J. (1996): Starmaking. Realism, Anti-Realism, and Irrealism (Representation and Mind), Cambridge-MA: MIT Press. UB Phil 22579

Mitchell, W. J. Thomas (1986): Iconology. Image, Text, Ideology, Chicago-IL: The University of Chicago Press.

Mitchell, W. J. T. (1991a): Realism, Irrealism and Ideology. A Critique of Nelson Goodman, in: Journal of Aesthetic Education 25, no.1/Spring, 23-35. (More Ways of Worldmaking, 1-112)

Mitchell, W. J. T. (1991b): Reply to Catherine Elgin's "What Goodman Leaves Out", in: Journal of Aesthetic Education 25, Winter/4, 137-139.

Mitchell, W. J. T. (1994): Picture Theory. Essays on Verbal and Visual Representation, Chicago-IL/London-E: The University of Chicago Press.

Mitchell, W. J. T. (1999): Vim and Rigor, in: Art Forum, May.

Monteiro, Joao Paulo (1997): Dutra, Hume e Goodman, in: Principia 1, no.2, 291-296.

Moravcsik, J. M. (1979): Review: Ways of Worldmaking by Nelson Goodman, in: Journal of Aesthetics and Art Criticism 25 (1), 483-485.

Morawski, Stefan (1978): Three Observations on Languages of Art, in: Erkenntnis 12, 119-128. (The Philosophy of Nelson Goodman Part 1, 3-179)

Morizot, Jacques (1993): Un, deux ou trois Goodman?, in: Revue Internationale de Philosophie 46 (185), 141-149.

Morizot, Jacques (1996): La philosophie de l'art de Nelson Goodman, Nîmes: Éd. Jacqueline Chambon.

Morizot, Jacques (1997): L'art de la symbolisation, in: Manières de faire les mondes, Actes du Colloque International Nelson Goodman 1997, = Philosophia Scientiae. Traveaux d'histoire et de philosophie des sciences. Studien zur Wissenschaftsgeschichte und -philosophie. Revue périodique publiée par les Archives – Centre d'Études et de Recherche Henri-Poincaré, Université Nancy 2, 2, no.1-2, 161-178.

Morris, Charles W. (1939): Esthetics and the Theory of Signs, in: Journal of Unified Science (Erkenntnis) 8, 131-150.

Morris, Charles W. (1972a): Ästhetik und Zeichentheorie, in: Grundlagen der Zeichentheorie. Ästhetik und Zeichentheorie, trsl. by Roland Posner, = Reihe Hanser 106, München: Carl Hanser, 89-118.

Morris, Charles W. (1972b): Grundlagen der Zeichentheorie, in: Grundlagen der Zeichentheorie. Ästhetik und Zeichentheorie, trsl. by Roland Posner, = Reihe Hanser 106, München: Carl Hanser, 15-88.

Morton, Luise/Foster, Thomas R. (1991): Goodman, Forgery, and the Aesthetic, in: Journal of Aesthetics and Art Criticism 49, Spring/2, 155-159.

Moshammer, Gerald <2000>: Die Erhaltung der Struktur. Definition und Partitur in der Philosophie und Symboltheorie Nelson Goodmans, Wien: Univ., Dipl.-Arb.

Moshammer, Gerald <2004>: Philosophische Strukturskizzen: methodologische Untersuchungen zu den Begriffen "Struktur" und "Kategorie" und Aufbau eines stenographischen Symbolismus mit ständigem Bezug auf die Philosophie und Symboltheorie Nelson Goodmans, Wien: phil.Diss.

Müller, G. H. (1997): Laudatio, in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Nader N., Chokr (1993): Nelson Goodman on Truth, Dialectica 47, no.1, 55-73.

Nagel, Alan F. (1981): 'Or as a Blanket'. Some Comments and Questions on Exemplification, in: Journal of Aesthetics and Art Criticism 39, 264-266. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

Naumann, Dietrich (1995): Exemplifikation Zu einem Begriff der Ästhetik von Nelson Goodman, in: Die Dichter lügen nicht. Über Erkenntnis, Literatur und Leser, ed. by Carola Hilmes and Dietrich Mathy, Würzburg: Königshausen & Neumann, 59.

Nordhofen, Susanne (2003): Was kann die Philosophie von der Kunst lernen? in: Zeitschrift für Didaktik der Philosophie und Ethik 25, 2, 98-113.

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Nünning, Vera/Ansgar Nünning/Birgit Neumann (ed.) (2010): Cultural ways of worldmaking. Media and narratives, = Concepts for the Study of Culture 1, Berlin: De Gruyter.

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Predelli, Stefano (1999): Goodman and the Wrong Note Paradox, in: British Journal of Aesthetics 39, no. 4, 364-375.

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Quine, Willard Van Orman (1985): The Time of My Life. An Autobiography, Cambridge-MA: MIT Press.

Rao, N. (1997): Making and Discovering, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Read, Rupert (2000): In Closing: The New Antagonists of 'the New Hume': On the Relevance of Goodman and Wittgenstein to the New Hume Debate, in: The New Hume Debate, ed. by Rupert Read, London-E: Routledge, 167-197.

Read, Rupert (1996): On (Virtuous?) Circles of Concepts in Goodman and Quine, in: Dialogos 31, Nr.68, 23-28.

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Reimer, B./Wright, J. E. (eds.) (1992): On the Nature of Musical Experience, Niwot Co.: University Press of Colorado.

Rheinwald, Rosemarie (1993): Problems of Induction: Davidson and Goodman on Emeralds, Emeroses and Emerires, in: Reflecting Davidson, ed. by R. Stoecker, Hawthorne: de-Gruyter.

Rheinwald, Rosemarie (1993): An Epistemic Solution to Goodman's New Riddle of Induction, in: Synthese 95, no.1, 55-76. (Probing into Reconceptions, 1-140)

Rio, Janice Andrea <1981>: Contemporary Aesthetic Theory Applied to Dance as a Performing Art. The University of Nebraska.

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Rodowick, David (2004): The Virtual life of film, in: Ludwig Nagl/Eva Waniek/Brigitte Mayr (eds.), film denken/thinking film. Film & Philosophy, Wien: Synema, 119-129.

Romanacci, Nicolas (2009): "Possession plus reference". Nelson Goodmans Begriff der Exemplifikation. Angewandt auf eine Untersuchung von Beziehungen zwischen Kognition, Kreativität, Jugendkultur und Bildung, = KODIKAS/CODE. Ars Semeiotica, Vol. 32, No. 1-2, Tübingen: Gunter Narr.

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Ross, Stephanie (1974): Caricature, in: Monist 58, 285-293. (General Topic: Languages of Art, 175-318)

Rossholm, Göran (1987): Ibsen's “Når vi døde vågner”, en analys, Stockholm: Stockholm University Press.

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Richard Rudner (1950a): A Note on Likeness of Meaning. Analysis 10 (5), 115-118.

Richard Rudner (1950b): The Ontological Status of the Esthetic Object, in: Philosophy and Phenomenological Research 10 (3), 380-388. (on: C. I. Lewis, An Analysis of Knowledge and Valuation)

Rudner, Richard (1951): On semiotic aesthetics, in: Journal of Aesthetics and Art Criticism 10, 67-77.

Richard Rudner (1953): Book Review: Semantics and the Philosophy of Language, ed. by Leonard Linsky (enthält: Goodman, The Problem of Counterfactual Conditionals), in: Philosophy of Science 20 (4):343-.

Richard Rudner (1957): Some Problems of Non-Semiotic Aesthetic Theories, in: Journal of Aesthetics and Art Criticism 15 (3), 298-310.

Richard Rudner (1958). Sign Process and Valuation. A Reply to Copi, in: Journal of Philosophy 55 (8): 340-344.

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Rudner, Richard S. (1974): What Do Symbols Symbolize?: Nominalism, in: Philosophia Mathematica 1-2, 41-63.

Rudner, Richard S. (1978): Show or Tell: Incoherence among Symbol Systems, in: Erkenntnis 12, 129-151. (The Philosophy of Nelson Goodman Part 1, 3-179)

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Sagoff, Mark (1978): Historical Authenticity, in: Erkenntnis 12, 83-93. (The Philosophy of Nelson Goodman Part 1, 3-179)

Sagoff, Mark (1978): On Restoring and Reproducing Art, in: Journal of Philosophy 75, 453-470.

Scheffler, Israel (1963): The Autonomy of Inquiry, New York: Knopf.

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Scheffler, I. (1997a): Some Responses to Goodman's Comments in Starmaking, in: Philosophia Scientiae 2, no.1-2, . (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

Scheffler, Israel (1997b): Symbolic Worlds. Art, Science, Language, Ritual, Cambridge-E/New York-NY: Cambridge University Press.

Scheffler, Israel (2000): in: Erkenntnis 52, no.2, 161-173. (Special Section on Nelson Goodman, 149-212)

Scheffler, Israel (2001): My Quarrels With Nelson Goodman, in: Philosophy and Phenomenological Research 62, no.3, 665-679.

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Scholz, Oliver R. (1993a): Introduction: Reconceptions in Context, in: Bieri, Peter/Scholz, Oliver R. (ed.), 1-7.

Scholz, Oliver R. (1993b): When is a Picture?, in: Bieri, Peter/Scholz, Oliver R. (ed.), 95-106; again in: The Philosophy of Nelson Goodman - Selected Essays, edited with introductions by Catherine Z. Elgin, Volume 4: Nelson Goodman's Theory of Symbols and Its Applications, New York: Garland Publishing 1997, S. 13-24.

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Scholz, Oliver R. (1999b): ‚Mein teurer Freund, ich rat' Euch drum/Zuerst Collegium Syntacticum’ - Das Meisterargument in der Bildtheorie, in: Rehkämper, Klaus/Sachs-Hombach, Klaus (Hrsg.): Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen, Magdeburg: Scriptum Verlag, 33-45.

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Schwartz, R. (2000): Starting from Scratch: Making Worlds, in: Erkenntnis 52, no.2, 151-159. (Special Section on Nelson Goodman, 149-212)

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Smith, Barbara Herrnstein (1980): Narrative Versions, Narrative Theories, in: Critical Inquiry 7, 213-236.

Smith, Charles Justice III <1980> Patterns and Strategies: Four Perspectives of Musical Characterization, Diss. The University of Michigan.

Sparshott, F. E. (1974): Goodman on Expression, in: Monist 58, 187-202. (General Topic: Languages of Art, 175-318)

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