More Infos:

Peer-reviewed Journal Publications:

  • Number of Peer-reviewed Journal Publications: 7
  1. Chatziioannou, V., Schmutzhard, S., Pàmies-Vilà, M., & Hofmann, A. (2019). Investigating Clarinet Articulation Using a Physical Model and an Artificial Blowing Machine. Acta Acustica United with Acustica, 105(4), 682–694. https://doi.org/10.3813/AAA.919348

  2. Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2018). Analysis of Tonguing and Blowing Actions During Clarinet Performance. Frontiers in Psychology, 9, 617. https://doi.org/10.3389/fpsyg.2018.00617

  3. Hofmann, A., Wesolowski, B. C., & Goebl, W. (2017). The Tight-interlocked Rhythm Section: Production and Perception of Synchronisation in Jazz Trio Performance. Journal of New Music Research, 46(4), 329–341. https://doi.org/10.1080/09298215.2017.1355394

  4. Wesolowski, B. C., & Hofmann, A. (2016). There’s More to Groove than Bass in Electronic Dance Music: Why Some People Won’t Dance to Techno. PLoS ONE, 11(10:e0163938). https://doi.org/10.1371/journal.pone.0163938

  5. Hofmann, A., & Goebl, W. (2016). Finger forces in Clarinet playing. Frontiers in Psychology. Performance Science, 7(1140). https://doi.org/10.3389/fpsyg.2016.01140

  6. Chatziioannou, V., & Hofmann, A. (2015). Physics-based analysis of articulatory player actions in single-reed woodwind instruments. Acta Acustica United with Acustica, 101(2), 292–299. https://doi.org/10.3813/AAA.918827

  7. Hofmann, A., & Goebl, W. (2014). Production and perception of legato, portato and staccato articulation in saxophone playing. Frontiers in Psychology. Cognitive Science, 5(690). https://doi.org/10.3389/fpsyg.2014.00690

All scientific publications sorted by year:

  • Total number of publications: 61

2019:

  1. Hofmann, A., Schmutzhard, S., Pàmies-Vilà, M., Erdoğan, G., & Chatziioannou, V. (2019). An opcode implementation of a finite difference viscothermal time-domain model of a tube resonator for wind instrument simulations. In The Fifth International Csound Conference ICSC2019. Cagli, IT. [pdf]

  2. Chatziioannou, V., Schmutzhard, S., Pàmies-Vilà, M., & Hofmann, A. (2019). Investigating Clarinet Articulation Using a Physical Model and an Artificial Blowing Machine. Acta Acustica United with Acustica, 105(4), 682–694. https://doi.org/10.3813/AAA.919348

  3. Sağlam, H., Ahmedaja, A., Hofmann, A., Knees, P., & Miksa, T. (2019). Towards An Alliance For Distributed Music Data (Abstract). In Abstracts of The 45th International Council for Traditional Music World Conference (pp. 130–133). Bangkok, TH: Chulalongkorn University.

  4. Hofmann, A., Chatziioannou, V., Schmutzhard, S., Erdoğan, G., & Mayer, A. (2019). The Half-Physler: An oscillating real-time interface to a tube resonator model. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2019 (pp. 130–133). Porto Allegre, BR: Federal University of Rio Grande do Sul. [pdf]

  5. Chatziioannou, V., Hofmann, A., & Schmutzhard, S. (2019). A real-time physical model to simulate player control in woodwind instruments. In Proceedings of ISMA 2019 International Symposium on Acsoustics. Detmold, DE.

  6. Chatziioannou, V., Schmutzhard, S., Hofmann, A., & Pàmies-Vilà, M. (2019). Inverse modelling of clarinet performance. In Proceedings of the 26th International Congress on Sound and Vibration. Montreal, CA.

  7. Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2019). Reproducing tonguing strategies in single-reed woodwinds using an artificial blowing machine (abstract). In Proceedings of Meetings on Acoustics (p. accepted).

  8. Mallinger, P., Pàmies-Vilà, M., Chatziioannou, V., & Hofmann, A. (2019). Analysis of reed vibrations and mouthpiece pressure in contemporary bass clarinet playing techniques. In Proceedings of the 2019 International Symposium on Musical Acoustics. Detmold, DE.

  9. Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2019). The player-reed interaction during note transitions in the clarinet (abstract). In Proceedings of the 2019 International Symposium on Musical Acoustics (p. (accepted). Detmold, DE.

  10. Schmutzhard, S., Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2019). Numerical simulation of transients in single reed woodwind instruments. In Proceedings of the 2019 International Congress on Acoustics. Aachen, DE.

  11. Hofmann, A., Schmutzhard, S., & Chatziioannou, V. (2019). Experimental setup for real-time control of a single-reed woodwind instrument model (Demo-Paper). In Proceedings of the 2019 International Symposium on Musical Acoustics (p. ). Detmold, DE.

2018:

  1. Chatziioannou, V., Pàmies-Vilà, M., Schmutzhard, S., & Hofmann, A. (2018). Physics-based resynthesis of clarinet performance using numerical optimization (abstract). In The Journal of the Acoustical Society of America (Vol. 144, pp. 1752–1752). https://doi.org/10.1121/1.5067762

  2. Gangl, M., & Hofmann, A. (2018). Intonation auf der Es-Klarinette. In ’rohrblatt - Die Zeitschrift für Oboe, Klarinette, Fagott und Saxophon (Vol. 33(2), pp. 57–61). [pdf]

  3. Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2018). Analysis of Tonguing and Blowing Actions During Clarinet Performance. Frontiers in Psychology, 9, 617. https://doi.org/10.3389/fpsyg.2018.00617

2017:

  1. Hofmann, A., Wesolowski, B. C., & Goebl, W. (2017). The Tight-interlocked Rhythm Section: Production and Perception of Synchronisation in Jazz Trio Performance. Journal of New Music Research, 46(4), 329–341. https://doi.org/10.1080/09298215.2017.1355394

  2. Chatziioannou, V., & Hofmann, A. (2017). Single-reed woodwinds: From physical modeling to sound radiation. In Journal of the Acoustical Society of America (JASA) (Vol. 142, p. 2510). https://doi.org/10.1121/1.5014166

  3. Chatziioannou, V., Hofmann, A., & Pàmies-Vilà, M. (2017). An artificial blowing machine to investigate single-reed woodwind instruments under controlled articulation conditions. In Proceedings of Meetings on Acoustics (Vol. 31, p. 035003). https://doi.org/10.1121/2.0000794

  4. Hofmann, A., Chatziioannou, V., Mayer, A., & Hartmann, H. (2017). Monitoring saxophone reed vibrations using a piezoelectric sensor. In 173rd Meeting of the Acoustical Society of America and the 8th Forum Acusticum (Vol. 141, p. 3619). Boston, MA: The Journal of the Acoustical Society of America. https://doi.org/10.1121/1.4987765

  5. Pàmies-Vilà, M., Scavone, G., Hofmann, A., & Chatziioannou, V. (2017). Investigating vocal tract modifications during saxophone performance. In Proceedings of Meetings on Acoustics (Vol. 31, p. 035002). https://doi.org/10.1121/2.0000758 [pdf]

  6. Pamies-Vila, M., Scavone, G., Hofmann, A., & Chatziioannou, V. (2017). Investigating vocal tract effects during note transitions on the saxophone (abstract). In Journal of the Acoustical Society of America (Fall 2017 meeting) (Vol. 142, pp. 2545–2545).

  7. Hofmann, A., Waerstad, B. I., Balasubramanian, S., & Koch, K. E. (2017). From interface design to the software instrument - Mapping as an approach to FX-instrument building. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2017 (pp. 133–138). Copenhagen, DK: Aalborg University Copenhagen. [pdf]

  8. Pamies-Vila, M., Hofmann, A., & Chatziioannou, V. (2017). Strain to Displacement Calibration for Single-Reeds Using a High-Speed Camera. In Proceedings of the 2017 International Symposium on Musical Acoustics (pp. 5–8). [pdf]

  9. Schmutzhard, S., Chatziioannou, V., & Hofmann, A. (2017). Parameter Optimisation of a Viscothermal Time-Domain Model for Wind Instruments. In Proceedings of the 2017 International Symposium on Musical Acoustics (pp. 27–30). Montreal, CA: McGill University. [pdf]

2016:

  1. Wesolowski, B. C., & Hofmann, A. (2016). There’s More to Groove than Bass in Electronic Dance Music: Why Some People Won’t Dance to Techno. PLoS ONE, 11(10:e0163938). https://doi.org/10.1371/journal.pone.0163938

  2. Hofmann, A., & Goebl, W. (2016). Finger forces in Clarinet playing. Frontiers in Psychology. Performance Science, 7(1140). https://doi.org/10.3389/fpsyg.2016.01140

  3. Hofmann, A., Waerstad, B., & Koch, K. (2016). Csound Instruments On Stage. In Proceedings of the NIME 2016 (pp. 291–294). Brisbane, AU: Griffith University. [pdf]

  4. Hofmann, A., Chatziioannou, V., Mayer, A., & Hartmann, H. (2016). Development of Fibre Polymer Sensor Reeds for Saxophone and Clarinet. In Proceedings of the NIME 2016 (pp. 65–68). Brisbane, AU: Griffith University. [pdf]

  5. Chatziioannou, V., Hofmann, A., Mayer, A., & Statsenko, T. (2016). Influence of strain-gauge sensors on the vibrational behaviour of single reeds. In Proceedings of the 22nd International Congress on Acoustics, ICA 2016. Buenos Aires. [pdf]

  6. Gangl, M., Hofmann, A., & Mayer, A. (2016). Comparison of characterization methods for B-flat clarinet reeds. In M. Cudina (Ed.), Proceedings of the 7th AAAA Congress on Sound and Vibrations (pp. 179–186). Ljubljana, Sl: ALPS Adria Acoustics Association. [pdf]

  7. Pamies-Vila, M., Mayer, A., Hofmann, A., & Chatziioannou, V. (2016). Measurement of dynamic bending and displacement of clarinet reeds. In M. Cudina (Ed.), Proceedings of the 7th AAAA Congress on Sound and Vibrations (pp. 171–178). Ljubljana, Sl: ALPS Adria Acoustics Association. [pdf]

  8. Hofmann, A., Goebl, W., & Wesolowski, B. C. (2016). Synchronisation im Jazz Ensemble (abstract). In Jahrestagung der Deutschen Gesellschaft für Musikpsychologie. Vienna, AT: Vienna University.

  9. Chatziioannou, V., Hofmann, A., Pamies-Vila, M., & Schmutzhard, S. (2016). Analyse der Klangformung durch Artikulation an Klarinetteninstrumenten (abstract). In Jahrestagung der Deutschen Gesellschaft für Musikpsychologie. Vienna, AT: Vienna University.

2015:

  1. Chatziioannou, V., & Hofmann, A. (2015). Physics-based analysis of articulatory player actions in single-reed woodwind instruments. Acta Acustica United with Acustica, 101(2), 292–299. https://doi.org/10.3813/AAA.918827

  2. Hofmann, A., & Waerstad, B. I. (2015). COSMO 2.0 -Csound on Stage Musical Operator (abstract). In The 3rd International Csound Conference. St. Petersburg, RU.

  3. Wesolowski, B. C., & Hofmann, A. (2015). Invariant Measurement and Evaluation of Cognitive and Affective Responses to Groove-Based Music (abstract). In Society for Music Perception & Cognition (SMPC). Nashville, US.

  4. Hofmann, A., Wesolowski, B. C., & Goebl, W. (2015). Hi-hat as groove lock in a jazz ensemble? (abstract). In Rhythm Production and Perception Workshop. Amsterdam, NL.

  5. Hofmann, A., & Reuter, C. (2015). Comparison of mouthpiece pressure signal and reed bending signal on clarinet and saxophone (Abstract). In A. Mayer, V. Chatziioannou, & W. Goebl (Eds.), Proceedings of the Third Vienna Talk on Music Acoustics (pp. 86–86). Vienna, Austria: Institute Of Music Acoustics (Wiener Klangstil).

  6. Gangl, M., & Hofmann, A. (2015). Comparison between the measured and played intonation on four e-flat clarinets in the altissimo register. In A. Mayer, V. Chatziioannou, & W. Goebl (Eds.), Proceedings of the Third Vienna Talk on Music Acoustics (pp. 45–51). Vienna, Austria: Institute Of Music Acoustics (Wiener Klangstil). [pdf]

  7. Hofmann, A. (2015). Controlling the Clarinet: Tongue and Finger Actions (abstract). In Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Manchester, UK.

  8. Hofmann, A., Wesolowski, B. C., & Goebl, W. (2015). Rotating the Groove: Participatory Discrepancies with Varied Personnel in Jazz Trio Performance (abstract). In International Symposium on Performance Sciene (ISPS) (pp. 104–105). Kyoto, JP.

  9. Hofmann, A. (2015). Finger Forces in Clarinet playing (abstract). In A. Williamon & M. Miura (Eds.), International Symposium on Performance Sciene (ISPS) (pp. 68–69). Kyoto, JP.

  10. Wesolowski, B. C., Hofmann, A., Schultz, B., & Goebl, W. (2015). Temporal Synchronization in improvised and groove-based jazz performances (abstract). In Improvising Brain Concert and Symposium. Atlanta, US.

  11. Hofmann, A. (2015). Articulation and Finger Forces in Saxophone and Clarinet playing (phd-thesis) (PhD thesis). IWK - Universität für Musik und darstellende Kunst Wien.

2014:

  1. Hofmann, A., & Goebl, W. (2014). Production and perception of legato, portato and staccato articulation in saxophone playing. Frontiers in Psychology. Cognitive Science, 5(690). https://doi.org/10.3389/fpsyg.2014.00690

  2. Hofmann, A., Goebl, W., Zabransky, K., Weilguni, M., & Smetana, W. (2014). Monitoring Reed Vibrations and Finger Forces on a Viennese Clarinet (abstract). In 6th Congress of the Alps Adria Acoustics Association. Graz, AT.

2013:

  1. Hofmann, A., Chatziioannou, V., Weilguni, M., Goebl, W., & Kausel, W. (2013). Measurement setup for articulatory transient differences in woodwind performance (abstract). In Journal of the Acoustical Society of America (JASA) (Vol. 133, p. 3501). https://doi.org/10.1121/1.4799441

  2. Hofmann, A., McCurdy, I., & Heintz, J. (2013). Collaborative Documentation of Open Source Music Software: The Csound Floss Manual. In J. Heintz, A. Hofmann, & I. McCurdy (Eds.), Ways Ahead: Proceedings of the First International Csound Conference (pp. 282–288). Newcastle upon Tyne, UK: Cambridge Scholar Publishing.

  3. Weilguni, M., Hofmann, A., Smetana, W., & Goebl, W. (2013). Fabrication and mechanical characterization of ring-shaped LTCC/HTCC finger force sensors used for performance studies in clarinet playing. In The 17th International Conference on Solid-State Sensors, Actuators and Microsystems (pp. 2741–2744). Barcelona, Spain: IEEE. https://doi.org/10.1109/Transducers.2013.6627373 [pdf]

  4. Hofmann, A., Goebl, W., & Weilguni, M. (2013). Evaluating A Wavelet-based Analysis Of Sensor Reed Signals For Performance Research. In R. Bresin & A. Askenfeldt (Eds.), Proceedings of the Stockholm Music Acoustics Conference 2013, SMAC 13 (pp. 398–402). Stockholm, Sweden: KTH Royal Institute of Technology.

  5. Hofmann, A., Goebl, W., Weilguni, M., & Smetana, W. (2013). Zooming into saxophone performance: Tongue and finger coordination. In A. Williamon & W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013 (pp. 289–294). Brussels, Belgium: European Association of Conservatoires (AEC). [pdf]

  6. Weilguni, M., Hofmann, A., Smetana, W., Goebl, W., Nicolics, J., & Radosavljevic, G. (2013). Comparison of the Life-Time Prediction of Low/High Temperature Co-Fired Ceramics for Force Sensor Applications. In Proceedings of the 2013 Conference of the European Ceramic Society.

  7. Hofmann, A., Chatziioannou, V., Weilguni, M., Goebl, W., & Kausel, W. (2013). Measurement setup for articulatory transient differences in woodwind performance. In Proceedings of Meetings on Acoustics, POMA - ICA 2013 (Vol. 19, p. 035060). Montreal, Canada: Acoustical Society of America. https://doi.org/10.1121/1.4799441

  8. Chatziioannou, V., & Hofmann, A. (2013). Modeling articulation techniques in single-reed woodwind instruments. In Proceedings of Meetings on Acoustics, POMA - ICA 2013 (Vol. 19, p. 035059). Montreal, Canada: Acoustical Society of America. https://doi.org/10.1121/1.4799434

  9. Hofmann, A., Mayer, A., & Goebl, W. (2013). Towards a live-electronic setup with a sensor-reed saxophone and Csound. In Linux Audio Conference (pp. 153–156). [pdf]

  10. Hofmann, A., Weilguni, M., Goebl, W., & Smetana, W. (2013). Die Sensorklarinette - Ein Messinstrument für Fingerkräfte beim Klarinettenspiel. In Gesund Musizieren - Wissenschaftliche Tagung der Österreichischen Gesellschaft für Musik und Medizin (p. 69).

  11. Ervik, K., Hofmann, A., & Waerstad, B. I. (2013). COSMO - Csound On Stage Musical Operator (abstract). In 2nd International Csound Conference. Boston, US: Berklee College of Music.

2012:

  1. Weilguni, M., Smetana, W., Radosavljevic, G., Nicolics, J., Goebl, W., & Hofmann, A. (2012). Low Temperature Co-fired Ceramics Processing Parameters Governing the Performance of Miniaturized Force Sensors. In IMAPS/ACerS 8th International Conference and Exhibition on Ceramic Interconnect and Ceramic Microsystems Technologies (CICMT 2012). Erfurt, Germany. [pdf]

  2. Weilguni, M., Smetana, W., Hofmann, A., Goebl, W., Radosavljevic, G., & Nicolics, J. (2012). A ring-shaped LTCC/HTCC sensor for detection of finger forces in clarinet playing. In IEEE Sensors 2012 (pp. 1114–1119). Taipei, Taiwan: IEEE. https://doi.org/10.1109/ICSENS.2012.6411244

  3. Hofmann, A., Goebl, W., Weilguni, M., Mayer, A., & Smetana, W. (2012). Measuring tongue and finger coordination in saxophone performance. In E. Cambouropoulos, C. Tsougras, P. Mavromatis, & C. Pastiadis (Eds.), 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM) (pp. 442–445). Thessaloniki, Greece: Aristotle University Thessaloniki. [pdf]

  4. Hofmann, A., Chatziioannou, V., Kausel, W., Goebl, W., Weilguni, M., & Smetana, W. (2012). The influence of tonguing on tone production with single-reed instruments. In 5th Congress of the Alps Adria Acoustics Association. Zadar, Croatia. [pdf]

2011:

  1. Heintz, J., Hofmann, A., & McCurdy, I. (2011). Csound - Floss Manual (First Edition). [http://floss.booktype.pro/csound](http://floss.booktype.pro/csound): Floss Manuals.

Selected Artistic Presentations:

2018

My composition ‘Tight-Interlocked Oscillators’ got released on the DEGEM CD 16 (2018) - „drop the beat“.

  • Hofmann (2018) ‘Tight-Interlocked Oscillators’ appears on CD compilation “Drop The Beat” EDITION DEGEM ‎– ed07.

Solo Performance at Linux Audio Conference 2018 with Tenor Saxophone with integrated Live-Electronics as part of COSMO-collective:

2016

COSMO-collective Duo Performance at the New Interfaces for Musical Expression Conference (NIME) in Brisbane, AU. Performing with DIY - Csound on Stage Instruments based on the Raspberry Pi.

2015

Collaboration with Pianist Roman Rofalski released a composition:

  • Hofmann/Rofalski (2015) ‘Nd2Fe14B’ appears on CD compilation “Seltene Erden” (DEGEM-CD 12) for piano and live-electronics.

Public Outreach:

2018

Public Outreach Article in ‘rohrblatt - Zeitschrift für Oboe, Klarinette, Fagott und Saxophone’ a magazin for professional woodwind players.

  • Gangl, M., Hofmann, A. (2018). Intonation auf der Eb-Klarinette, ‘rohrblatt, 33(2), 57-61. ISSN 0944-0291 (pdf)