mahr'svierteljahrsschriftfürästhetik
8 (2005), Nr.2/June
Bibliographie
Nelson
Goodman and his „Languages of Art“. Compiled from, among other sources, http://www.hcrc.ed.ac.uk/%7ejohn/GoodmanBib.html
(= Berka 1991 updated; dl
Abel, Günter (1991): Logic, Art and
Understanding in the Philosophy of Nelson Goodman, in: Inquiry 34, summer,
311-321.
Abel, G.
(1997): Signe et signification. Réflexions sur un problème fondamental de la
théorie des symboles, in: Philosophia Scientiae 2, no.1-2, 21-35. (Manières de
faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of the
Archives H. Poincaré)
Abrams, Jerolds
J. (2002): Solution to the Problem of Induction: Peirce, Apel, and Goodman on
the Grue Paradox, in: Transactions of the Charles S. Peirce Society 38, no.4,
543-558.
Ackerman, James
S. (1981): Worldmaking and Practical Criticism, in: Journal of Aesthetics and
Art Criticism 39, 249-254. (Aesthetics and Worldmaking: An Exchange with Nelson
Goodman, 249-280)
Adam, Betty
Conrad <1983>: The Re-Emergence of Metaphysical Aesthetics,
Ahlberg,
Lars-Olof Ragnar <1988>: Concepts of Realism in Literature and Art. A
Historical and Philosophical Study (Realismbegrepp i Litteratur och Konst. En
Idehistorisk och Konstirlosofisk Studie), Diss. Uppsala Universitet.
Arrell,
Beardsley,
Monroe C. (1978): Languages of Art and Art Criticism, in: Erkenntnis 12,
95-118. (The Philosophy of Nelson Goodman Part 1, 3-179)
Beatens, Jan
(1988): autographe/allographe. (à propos d'une distinction de nelson goodman),
in: Revue philosophique de
Begres, Sherril
Jean <1986>: Theories of Metaphor (Similes, Literal, Figurative),
Bennett, John
G. (1974): Depiction and Convention, in: Monist 58, 255-268. (General Topic:
Languages of Art, 175-318)
Berka, Sigrid (1991): An
International Bibliography of Works by and Selected Works about Nelson Goodman,
in: Journal of Aesthetic Education 25, no.1, 99-112. (
Betzler, Monika (1998): Nelson Goodman, in:
Nida-Rümelin, Julian/Betzler, Monika (Hg.) (1998): Ästhetik und
Kunstphilosophie von der Antike bis zur Gegenwart, = Kröners Taschenausgabe
375,
Bicknell, Jeanette
(2001): The Problem of Reference in Musical Quotation: a Phenomenological
Approach, in: Journal of Aesthetics and Art Criticism 59, no. 2, 185-193.
Bowman, Wayne
Devere <1980>: Tacit Knowing, Musical Experience, and Music Instruction:
The Significance of Michael Polanyi's Thought for Music Education,
Bradford,
Suzanne C. (1987/88): Language and Worlds in Ricoeur, Goodman and Bruner, in:
De Philosophia 7, 31-44.
Breitkopf, Alfred
(1978): Axiomatisierung einiger Begriffe aus Nelson Goodman's The Structure of
Appearance, in: Erkenntnis 12, 229-247. (The
Philosophy of Nelson Goodman Part 2, 181-291)
Bruner, Jerome
(1991): Self-Making and World-Making, in: Journal of Aesthetic Education 25,
no.1, 67-78. (
Busiello, Giuseppe (2002): Per
una filosofia dei paradigmi: Le revisione di Nelson Goodman, in: Sapienza 55,
Ja-Mr, 69-87.
Brinker, Menachem
(1983): Verisimilitude, Conventions, and Beliefs, in: New Literary History 14,
253-267.
Cain, Jerrilee
<1982>: Integrating the Arts in Public Education: the Symbolization
Process as Holistic Experience, Diss.
Carrier, David
(1974): A
Carter, Curtis
L. (2000): A Tribute to Nelson Goodman, in: Journal of Aesthetics and Art
Criticism 58, no. 3, 251-254. (Symposium: The Legacy of Nelson Goodman)
Carter, Curtis L. (2003): Nelson
Goodman, in: American Philosophers, 1950-2000, = Dictionary of Literary
Biography 279, ed. by Leemon McHenry/Philip B. Dematteis, Farmington Hills-MI:
Gale-Group-Thomson-Learning, 62-70.
Chasid, Alon (2004): Why
the Pictorial Relation is not Reference, in: British Journal of Aesthetics 44,
no.3, 226-248.
Cladis, Mark S.
(1991): Durkheim, Goodman, Rorty, and Mild-Mannered Pragmatism: French and
American style, in: Stanford French Review 15, no. 1-2, 139-163.
Clark, Bowman
L. (1963): Goodman on Quality Classes in the ‘Aufbau’, in: Southern Journal of Philosophy
1, Fall, 15-19.
Coffa, Alberto
(1991): The Semantic Tradition From Kant to Carnap,
Cohen, Ted
(1981): The Facts of Narrative: a Response to Nelson Goodman, in: Synthese 46,
MR, 351-354.
Coldron, John
H. <1982>: A critical exposition of Nelson Goodman's concept of
metaphorical exemplication, Diss. (MPhil)
Coldron, John
(1982): Peltz on Goodman on Exemplification, in: Journal of Aesthetic Education
16, SPRING, 87-94.
Collingwood, R.
G. (1958): The Principles of Art, = GB 11, London/Oxford/New York-NY:
Collins,
Patrick Michael <1981>: Towards Dramatic Literacy: the Aesthetic
Dimension of Drama in Education,
Colson, Darrel
D. (1981): Goodman, Cassirer, and the World, in: Kinesis 11, FALL, 1-15.
Cometti, J.-P.
(1997): Pour l'exemple. Remarques sur la théorie goodmanienne des symboles, in:
Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du
Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)
Cometti,
Jean-Pierre (2000): Activating Art: A View from
Conley, Brian
George <1985>: Theories of Pictorial Representation: Goodman's Relativism
and the Similarity Theory,
Cox, Damian (2003): Goodman and
Putnam on the Making of Worlds, in: Erkenntnis 58, no.1, 33-46.
Davidson,
Donald (1978): What Metaphors Mean, in: Critical Inquiry 5, 31-47.
Davidson,
Donald (1993): Reply to Rosemarie Rheinwald's Problems of Induction: Davidson
and Goodman on Emeralds, Emeroses and Emerires, in: Reflecting Davidson, ed. by
R. Stoecker,
Davies, David
(1991): Works, Texts, and Contexts: Goodman on the Literary Artwork, in:
Canadian Journal of Philosophy, 331-345.
Delpla,
Dempster,
Douglas John <1983>: The Naturalism of Pictorial Representation, Diss.
The
Dilworth, John
(2001): a representational theory of artefacts and artworks, In: the british journal of aesthetics 41, no. 4,
353-371.
Döring, Eberhard (1987):
Kunst der Erkenntnis bei Nelson Goodman, in: kodikas/code 10, no. 3/4, 329-340.
Drost, Mark P. (1994):
Husserl and Goodman on the Role of Resemblance in Pictorial Representation, in:
International Studies in Philosophy 26, no.4, 17-27.
Eberle, Rolf A.
(1978): Goodman on Likeness and Difference of Meaning, in: Erkenntnis 12, 3-16.
(The Philosophy of Nelson Goodman Part 1, 3-179)
Engstrom,
Timothy H. (1992): A Question of Style: Nelson Goodman and the Writing of
Theory, in: Metaphilosophy 23, Oct4, 329-349.
Ernst, Gerhard (2000):
Ästhetik als Teil der Erkenntnistheorie bei Nelson Goodman, in: Philosophisches
Jahrbuch 107, no. 2, 316-341.
Files, Craig (1996):
Goodman's Rejection of Resemblance, in:
British Journal of Aesthetics 36, no. 4, 398-413.
Franceschi, Paul (2001): Une solution
pour le paradoxe de Goodman, in: Dialogue 40, no.1/Winter, 99-123.
Gabriel, Gottfried (1986): Nelson Goodman: Weisen
der Welterzeugung, in: Philosophische Rundschau 33, H.1-2, 48-55.
Gabriel, G. (1997): Probleme mit der
Denotation. Eine Kritik des Fiktionalismus, in: Philosophia Scientiae 2,
no.1-2. (Manières de faire les mondes, Actes du Colloque
Nelson Goodman 1997, Journal of: Archives H. Poincaré)
Gabriel, Gottfried (2000): Kontinentales
Erbe und Analytische Methode. Nelson Goodman und die
Tradition, in: Erkenntnis 52, no.2, 185-198. (Special Section on Nelson
Goodman, 149-212)
Galison, Peter
(1990): Aufbau/Bauhaus, in: Critical Inquiry 16, Summer, 709-52.
Gardner, Howard
(1974): A Psychological Investigation of Nelson Goodman's Theory of Symbols,
in: Monist 58, 319-326. (Supplement: Symposium on Skills and Symbols in the
Arts, 319-342)
Gardner, Howard
(2000?): Project Zero: Nelson Goodman's Legacy in Arts Education, in: the
Journal of Aesthetics and Art Criticism, 245-250. (Symposium: The Legacy of
Nelson Goodman)
Garry, Mitchell <1989>: The
Contributions of Four Perspectives on Symbolic Form to the Study of
Communication Media, Diss. New York University.
Gerhardus, Dietfried (1995): "Aber ist es
auch in derselben Weise traurig, in der es grau ist?" Goodmans Behandlung
des Gegenstandes als Teil eines symbolischen Gegenstandes, in: Deutsche
Zeitschrift für Philosophie 43, 731-741. (Symposium zu Nelson Goodman: Sprachen
der Kunst, 711-749)
Gerhardus, Dietfried/Philippi, Bernd (Hg.)
(2006): Kunst als Erkenntnis. Zur Diskussion um Nelson Goodmans Buch 'Sprachen
der Kunst', = stw 1435, Frankfurt am Main: Suhrkamp.
Goodman,
Nelson <1940>: A Study of Qualities, Ph.D. thesis,
Goodman,
Nelson (1949):
On Likeness of Meaning, in: Analysis, no.1, 1-7.
Goodman,
Nelson (1949): Some Reflections on the Theory of Systems, in: Philosophy and Phenomenological
Research 9, 620-626.
Goodman,
Nelson (1951): the structure of appearance, Cambridge-MA: Harvard University
Press.
Goodman,
Nelson (1952): Sense and Certainty, in: Philosophical Review
61, 160-167.
Goodman,
Nelson (1953):
On Some Differences about Meaning, in: Analysis, no.13, 90-96.
Goodman, Nelson (1954): Fact, Fiction, &
Forecast,
Goodman, Nelson (1956):
A World of Individuals, in: The Problem of Universals. A Symposion, Notre
Dame-IN:
Goodman, Nelson
(1956): rev. Hilary Putnam, Reds, Greens, and Logical Analysis, in:
Philosophical Review 65, 206f.
Goodman, Nelson
(1960): The Way the World Is, in: Review of Metaphysics 14, 48-56.
Goodman, Nelson
(1960): rev. Ernst H. Gombrich, Art and Illusion, in: Journal of Philosophy 57,
595-599.
Goodman, Nelson
(1961): About, in: Mind 70, 1-24.
Goodman, Nelson
(1961): Condensation versus Simplification, in: Theoria 27, 47-48.
Goodman, Nelson
(1962): rev. David M. Armstrong,
Goodman, Nelson
(1963): The Significance of Der logische Aufbau der Welt, in: The Philosophy of
Rudolf Carnap, ed. by Paul Arthur Schilpp, La Salle-IL:
Goodman, Nelson
(1965): Some Thoughts on Scientific Method, in:
Goodman, Nelson
(1966): Merit as Means, in: Art and Philosophy, ed. by Sidney Hook, New York-NY:
Goodman, Nelson
(1966): Comments on „Goodman’s Query,“ „Grue“ and „Goodman, Logic, Induction“,
in: Journal of Philosophy 63, May, 328-331.
Goodman, Nelson (1966):
Foreword, in: Journal of Philosophy 63, 281. (The New Riddle of Induction,
281-331)
Goodman, Nelson
(1966): Comments, in: Journal of Philosophy 63, 328-331. (The New Riddle of
Induction, 281-331)
Goodman, Nelson
(1967): in: Science and Simplicity, in: Philosophy of Science Today, ed. by
Sidney Morgenbesser, New York-NY: Basic Books, 68-78.
Goodman, Nelson (1968): Languages of Art. An
Approach to a Theory of Symbols, Indianapolis-IN: Hackett Publishing.
Goodman, Nelson
(1968): Art and Inquiry (Presidential Address), in: Proceedings and Addresses
of The American Philosophical Association, Eastern Division XLI, Yellow
Springs-OH:
Goodman, Nelson
(1968): Reality Remade, in: L'Age de la Science 1, 19-40.
Goodman, Nelson
(1969): A Revision in the Structure of Appearance, in: Journal of Philosophy
66, 383-385.
Goodman, Nelson
(1970): Some Notes on Languages of Art, in: Journal of Philosophy 67, 563-573.
Goodman, Nelson
(1970): Seven Strictures on Similarity, in: Experience and Theory, ed. by
Goodman, Nelson
(1971)): On J. J. Gibson's New Perspective." Leonardo 4, 359-360.
Goodman, Nelson (1972): Problems
and Projects,
Goodman, Nelson (1972): Art and Understanding: The Need for a Less
Simple-Minded Approach, in: Music Educators Journal 58.5 (Feb.1972): 43-45,
85-88.
Goodman, Nelson <1972>:
Script for "Hockey Seen," multimedia production (choreography by
Martha Gray; electronic score by John Adams). Performed at Browne and Nichols
School, August 1972; Loeb Drama Center, Harvard University, October 1973;
Zellerbach Theatre, University of Pennsylvania, November 1973; Culture Center,
Knokke, Belgium, 1980.
Goodman, Nelson (1973): 'That
is': A Reply to Isaac Newton Nozick, in: Journal of Philosophy 70, 166.
Goodman,
Nelson (1973): Sprachen der Kunst. Ein Ansatz zu einer Symboltheorie 1969,
übers. u. hg. v. Jürg Schlaeger, Frankfurt am Main: Suhrkamp.
Goodman, Nelson <1973>: Script for "Rabbit, Run," dance version of John Updike's novel
(choreography by Martha Gray; score by Joel Kabakov). Performed at Agassiz
Theatre,
Goodman, Nelson
(1974): On Some Questions Concerning Quotation, in: Monist 58, 294-306.
(General Topic: Languages of Art, 175-318)
Goodman, Nelson (1974): On
Reconceiving Cognition, in: Monist 58, 339-342. (Supplement: Symposium on
Skills and Symbols in the Arts, 319-342)
Goodman,
Nelson (1975): The Status of Style, in: Critical Inquiry 1,
799-811.
Goodman, Nelson (1975):
Words, Works, Worlds, in: Erkenntnis 9, 57-73.
Goodman, Nelson (1975):
A Message from Mars, in: The Arts Spectrum. Office of the Arts,
Goodman, Nelson (1976): Languages of Art. An
Approach to a Theory of Symbols, Second Edition, Indiananapolis-IN: Hackett
Publishing.
Goodman, Nelson (1977): When Is Art?, in: The Arts and Cognition, ed. by David Perkins/Barbara
Leondar, Baltimore-MD:
Goodman, Nelson (1978):
Ways of Worldmaking, Indianapolis-IN: Hackett.
Goodman, Nelson (1978): Comments
on Wollheim's Paper: 'Are the Criteria of Identity that Hold for a Work of Art
in the Different Arts Aesthetically Relevant?', in: Ratio 20 (1978), 49-51.
Goodman, Nelson (1978): In
Defense of Irrealism (Letter to the Editor), in: New York Review of Books 25,
no.20, 58.
Goodman, Nelson
(1978): rev. Ludwig Wittgenstein, Remarks on Color, in: Journal of Philosophy
75, 503f.
Goodman, Nelson (1978):
Replies, in: Erkenntnis 12, 153-179. (The Philosophy
of Nelson Goodman Part 1, 3-179)
Goodman, Nelson (1978): Replies, in:
Erkenntnis 12, 281-291. (The Philosophy of
Nelson Goodman Part 2, 181-291)
Goodman, Nelson
(1979): On Matter over Mind (Letter to the Editor), in: New York Review of
Books 26, no.8, 42.
Goodman, Nelson (1979):
Metaphor as Moonlighting, in: Critical Inquiry 6, 125-130.
Goodman, Nelson (1979): Credence,
Credibility, Comprehension, in: Journal of Philosophy 76, 619. (Symposium:
Goodman's Ways of Worldmaking, 603-619)
Goodman, Nelson
(1979): J. J. Gibson's Approach to the Visual Perception of Pictures, in:
Leonardo 12, 175.
Goodman,
Nelson (1980): Twisted Tales - or, Story, Study, and Symphony, in: Critical Inquiry 7,
103-119. Rpt. in Synthese 46 (1981), 331-349. Also rpt. in: On Narrative, ed.
by W. J. T. Mitchell, Chicago-IL:
Goodman, Nelson (1980):
On Starmaking, in: Synthese 46, 211-216.
Goodman, Nelson (1981):
The Telling and the Told, in: Critical Inquiry 7, 799-801. (rpt. in: On
Narrative, ed. by W. J. T. Mitchell, Chicago-IL:
Goodman, Nelson
(1981): Perspective as a Convention - on the Views of Goodman and Gombrich, in:
Leonardo 14, 86.
Goodman, Nelson (1981): Routes of Reference, in: Critical Inquiry 8,
121-132. Trsl.: Wege der Referenz. (Denotational Reference Characteristics:
Verbal Denotation, Notation, Pictorial Notation And Quotation), in: Zeitschrift
fur Semiotik 3 (1981), 11-22.
Goodman, Nelson
(1981): Ways of Worldmaking, in: Leonardo 14, 351.
Goodman, Nelson (1981): Replies,
in: Journal of Aesthetics and Art Criticism 39, 273-280. (Aesthetics and
Worldmaking: An Exchange with Nelson Goodman, 249-280)
Goodman, Nelson (1982): The
Fabrication of Facts, in: Relativism: Cognitive and Moral, ed. by Jack W.
Meiland/Michael Krausz, Notre Dame-IN:
Goodman, Nelson (1982):
Implementation of the Arts, in: Journal of Aesthetics and Art Criticism 40,
281-283.
Goodman, Nelson (1982): Fiction
for Five Fingers, in: Philosophy and Literature 6.1,2, 162-164.
Goodman, Nelson
(1983): Realism, Relativism, and Reality, in: New Literary History 14, 269-272.
(ad Brinker
1983)
Goodman, Nelson (1983): Semiotische Ästhetik und
pragmatischer Irrealismus, in: Zeitschrift für Semiotik 5, 256-257.
Goodman, Nelson (1983): Modes of Symbolization/Afterword: An Illustration, in: What Is Dance?,
ed. by Roger Copeland and Marshall Cohen,
Goodman, Nelson (1983): The Role of Notations, in: What Is Dance?, ed.
by Roger Copeland and Marshall Cohen,
Goodman, Nelson (1983): Notes on
the Well-Made World, in: Erkenntnis 19, 99-108.
Goodman, Nelson (1984): Of Mind and Other Matters, Cambridge-MA:
Goodman, Nelson (1985): Statement and Pictures,
in: Erkenntnis 22, 265-270.
Goodman, Nelson (1985):
How Buildings Mean, in: Critical Inquiry 11, 642-653.
Goodman, Nelson (1985): The End
of the Museum?, in: Journal of Aesthetic Education 19, no.2, 53-62.
Goodman, Nelson <1985>: Conceptual design for
"Variations: An Illustrated Lecture Concert," including live or taped
performance of David Alpher's "Las Meninas", theme and Variations for
piano, guitar, oboe, and cello, synchronized with presentation of slides of
"Las Meninas" by Velazquez and of Picasso's painted variations on it.
Performed at University of Helsinki, September 1985; Wayne State University,
February 1986; Rockport Chamber Music Festival, June 1986; Harvard University,
October 1986; Trinity University in San Antonio, Texas, February 1987;
University of California, Santa Barbara, February 1990.
Goodman, Nelson (1986): A Note on Copies, in: Journal of Aesthetics and Art Criticism 44,
291-292.
Goodman, Nelson (1986): The
Nature And Function Of Architecture, in: Domus, no.672, 17-28.
Goodman, Nelson (1987):
Variations on Variation - or Picasso Back to Bach, in: Essays in the Philosophy
of Music, ed. by Veikko Rantala/Lewis Rowell/Eero Tarasti, Acta Philosophica
Fennica 43.
Goodman, Nelson (1988): Introduction. Aims and Claims, in: Journal of
Aesthetic Education 22.1, 1f.
Goodman, Nelson
(1988): A
Reconception of Philosophy (in German), in: Bewusstsein, Sprache und die Kunst.
Metamorphosen d. Wahrheit, ed. by Michael Benedikt, Wien: Verlag der
Österreichischen Staatsdruckerei/Edition S.
Goodman, Nelson (1988):
On What Should Not Be Said about Representation, in: Journal of Aesthetics and
Art Criticism 46, 419.
Goodman, Nelson (1989): Just the
Facts, Ma'am'!, in: Relativism: Interpretation and Confrontation, ed. by
Michael Krausz, Notre Dame-IN:
Goodman, Nelson (1990:) Pictures
in the Mind?, in: Images and Understanding, ed. by H. B. Barlow/Colin
Blakemore/Miranda Weston-Smith, Cambridge-E:
Goodman, Nelson (1997):
Authenticity, in: The Dictionary of Art, ed. by Jane Shoaf Turner,
Goodman, Nelson
(1991): On Capturing Cities (reprinted from
Goodman, Nelson (1991):
Retrospections, in: Journal of Aesthetic Education 25, no.1, 97-98. (
Goodman, Nelson (1992): Contraverting a Contradiction. A Note On
Metaphor And Simile. Reply To Kulka, Tomas, in: Poetics Today, 13.4, 807-808.
Goodman, Nelson
(1993): Status and System: from the 1st Part of the Author's Doctoral Thesis 'A
Study Of Qualities', in: Revue Internationale de Philosophie 47, no.185,
99-139.
Goodman, Nelson (1993): On Some
Worldly Worries, in: Synthese 95, no.1, 9-12. (Probing into Reconceptions, 1-140)
Goodman, Nelson
(1995): Sprachen der Kunst. Entwurf einer Symboltheorie (1968), übers. v. Bernd
Philippi, Frankfurt am Main: Suhrkamp.
Goodman, N. (1997): Some
Reflections on my philosophy, in: Philosophia Scientiae 2, no.1-2. (Manières de
faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of Archives H.
Poincaré)
Goodman,
Nelson (1996): L’ Art en théorie et en action, Paris: Éd. de l'Éclat. (with conversations with Frans Boenders and Mia
Gosselin and postface J.-P. Cometti/R. Pouivet, L'effet Goodman)
Goodman, Nelson/Brinker, Menachem (1983): Yitzog v' realizem b'omanut
(Representation and Realism in Art), in: Iyyun 32, 216-222.
Goodman, Nelson/Elgin,
Catherine Z. (1986): Interpretation and Identity. Can the Work Survive the World?, in:
Critical Inquiry 12 564-575.
Goodman,
Nelson/Elgin, Catherine Z. (1987): Changing the Subject, in: Journal of
Aesthetics and Art Criticism 46, 219-223.
Goodman,
Nelson/Elgin, Catherine Z. (1988): Reconceptions in Philosophy and other Arts
and Sciences, Indianapolis-IN: Hacket/London-E: Routledge. (German: Revisionen
1989)
Goodman,
Nelson/Elgin, Catherine Z. (1989): Savoir et Faire, trsl. by Jacques Riche, in:
Encyclopédie Philosophique Universelle 1: L' Univers Philosophique, ed. by
André Jacob,
Goodman, Nelson/Gardner, Howard
(1970): The
Goodman, Nelson/Kulka, Tomas (1994): How Metaphor Works its Wonders (in
Czech), in: Filosoficky Casopis 42.3, 403-420.
Goodman, Nelson/Perkins,
David/Gardner, Howard (1972): Basic Abilities Required for Understanding and
Creation in the Arts: Final Report, Cambridge-MA:
Goodman, Nelson/Scheffler,
Goodrich, R. A.
(1988): Goodman on Representation and Resemblance, in: British Journal of
Aesthetics 28, Winter, 48-58.
Gosselin, Mia
(1990): Nominalism and Contemporary Nominalism: Ontological and Epistemological
Implications of the Work of W. V. O. Quine and of N. Goodman,
Green, Judy
Lindquist <1980>: An Aesthetic Model for Education,
Hart, Alan
Matthew <1981>: Aboutness: a Logico-Philosophical Analysis,
Hatten, Robert Swaney
<1982>: Toward a Semiotic Model of Style in Music: Epistemological and
Methodological Bases,
Hausman,
Alan/Wilson, Fred (1967): Goodman's Ontology. Carnap and Goodman: Two
Formalists, Iowa City-IA: The University of lowa;
Hawley, A.
(1991): A Venerable Museum Faces the Future - Guided Tour Through the Gardner
and its Director's Mind, in: in: Journal of Aesthetic Education 25, no.1,
79-88. (
Heinzmann, G.
(1997): "Laudatio" tenue lors de la remise du docteur honoris causa
de l'Université de Nancy 2 à Nelson Goodman, in: Philosophia Scientiae 2,
no.1-2. 8-14. (Manières de faire les mondes, Actes du Colloque Nelson Goodman
1997, Journal of: Archives H. Poincaré)
Heinzmann, G.
(1997): Raisonnement mathématique et art, in: Philosophia Scientiae 2, no.1-2,
131-145. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997,
Journal of: Archives H. Poincaré)
Hernadi, Paul
(1981): More Questions Concerning Quotations, in: Journal of Aesthetics and Art
Criticism 39, 271-273. (Aesthetics and Worldmaking: An Exchange with Nelson
Goodman, 249-280)
Hernadi, Paul
(1991):
Hernadi, Paul
(1991): Reconceiving Notation and Performance, in: Journal of Aesthetic
Education 25, no.1, 47-56. (
Herr, Lowell Emerson
<1985>: Goodman and the Semiotic Theory of Art,
Herrnstein
Smith, Barbara (1980): Narrative Versions, Narrative Theories, in: Critical
Inquiry 7, 213-236.
Heydrich,
Wolfgang (1993): A Reconception of Meaning, in: Synthese 95, no.1, 77-94.
(Probing into Reconceptions, 1-140)
Hilpinen, Risto
(1990): Peirce, Goodman and the Aesthetic Sign, in: Grazer philosophische
Studien 37, 177.
Hochberg,
Herbert (1978): Sellars and Goodman on Predicates, Properties, and Truth, in:
Hooker, C. A.
(1968): Goodman, Grue and Hempel, in: Philosophy of Science 35, Summer,
232-247.
Hooker,
Clifford A. (1971): The Ravens, Hempel and Goodman, in: Australasian Journal of
Philosophy 49, May, 82-89.
Howard, V. A.
(1974): On Musical Quotation, in: Monist 58, 307-318. (General Topic: Languages
of Art, 175-318)
Howard, V. A.
(1978): Music and Constant Comment, in: Erkenntnis 12, 73-82. (The Philosophy
of Nelson Goodman Part 1, 3-179)
Huschle, Brian
J. (2000): From Conflicting Versions to Many Worlds: An Examination of
Goodman's Irrealism,
Ihwe, Jens F. (1987): Fiktion ohne Fiktionen.
Nelson Goodmans Beitrag zur Aktualität "nicht-existenter" und
"fiktionaler" Objekte, in: Zeitschrift für Semiotik 9, H.1-2, 107.
Innis, Robert E. (1977):
Art, Symbol, and Consciousness. A Polanyi Gloss on Suzanne Langer and Nelson
Goodman, in: International Philosophical Quarterly 17, 455-476.
Jacquette, Dale
(2000): Goodman on the Concept of Style, in: British Journal of Aesthetics 40,
no.4, 452-467.
Jeffey, Richard
C. (1966): Goodman's Query, in: Journal of Philosophy 63, 281-288. (The New
Riddle of Induction, 281-331)
Johnson, Baylor
Laurence <1974>: Sights and Sounds. A Study of Nelson Goodman's
Aesthetics, Diss. Northwestern University.
Jones, Rebecca
K. (1980): A Three Point Perspective on
Pictorial Representation: Wartofski, Goodman and Gibson on Seeing Pictures, in:
Erkenntnis 15, MR, 55-64.
Jordan, James
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Peter Mahr
© 2005
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