mahr'svierteljahrsschriftfürästhetik

8 (2005), Nr.2/June

 

 

Bibliographie

Nelson Goodman and his „Languages of Art“. Compiled from, among other sources, http://www.hcrc.ed.ac.uk/%7ejohn/GoodmanBib.html (= Berka 1991 updated; dl 30 June 2005). 41316 Zeichen.

 

 Abel, Günter (1991): Logic, Art and Understanding in the Philosophy of Nelson Goodman, in: Inquiry 34, summer, 311-321.

 Abel, G. (1997): Signe et signification. Réflexions sur un problème fondamental de la théorie des symboles, in: Philosophia Scientiae 2, no.1-2, 21-35. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of the Archives H. Poincaré)

 Abrams, Jerolds J. (2002): Solution to the Problem of Induction: Peirce, Apel, and Goodman on the Grue Paradox, in: Transactions of the Charles S. Peirce Society 38, no.4, 543-558.

 Ackerman, James S. (1981): Worldmaking and Practical Criticism, in: Journal of Aesthetics and Art Criticism 39, 249-254. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 Adam, Betty Conrad <1983>: The Re-Emergence of Metaphysical Aesthetics, Diss. Rice University.

 Ahlberg, Lars-Olof Ragnar <1988>: Concepts of Realism in Literature and Art. A Historical and Philosophical Study (Realismbegrepp i Litteratur och Konst. En Idehistorisk och Konstirlosofisk Studie), Diss. Uppsala Universitet.

 Arrell, Douglas (1987): What Goodman Should Have Said About Representation, in: Journal of Aesthetics and Art Criticism 46, FALL, 41-49.

 Beardsley, Monroe C. (1978): Languages of Art and Art Criticism, in: Erkenntnis 12, 95-118. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Beatens, Jan (1988): autographe/allographe. (à propos d'une distinction de nelson goodman), in: Revue philosophique de Louvain 86, no. 70, 192-199.

 Begres, Sherril Jean <1986>: Theories of Metaphor (Similes, Literal, Figurative), Diss. Wayne State University.

 Bennett, John G. (1974): Depiction and Convention, in: Monist 58, 255-268. (General Topic: Languages of Art, 175-318)

 Berka, Sigrid (1991): An International Bibliography of Works by and Selected Works about Nelson Goodman, in: Journal of Aesthetic Education 25, no.1, 99-112. (More Ways of Worldmaking, 1-112)

 Betzler, Monika (1998): Nelson Goodman, in: Nida-Rümelin, Julian/Betzler, Monika (Hg.) (1998): Ästhetik und Kunstphilosophie von der Antike bis zur Gegenwart, = Kröners Taschenausgabe 375, Stuttgart: Alfred Kröner, 320-328.

 Bicknell, Jeanette (2001): The Problem of Reference in Musical Quotation: a Phenomenological Approach, in: Journal of Aesthetics and Art Criticism 59, no. 2, 185-193.

 Bowman, Wayne Devere <1980>: Tacit Knowing, Musical Experience, and Music Instruction: The Significance of Michael Polanyi's Thought for Music Education, Diss. University of Illinois at Urbana-Champaign.

 Bradford, Suzanne C. (1987/88): Language and Worlds in Ricoeur, Goodman and Bruner, in: De Philosophia 7, 31-44.

 Breitkopf, Alfred (1978): Axiomatisierung einiger Begriffe aus Nelson Goodman's The Structure of Appearance, in: Erkenntnis 12, 229-247. (The Philosophy of Nelson Goodman Part 2, 181-291)

 Bruner, Jerome (1991): Self-Making and World-Making, in: Journal of Aesthetic Education 25, no.1, 67-78. (More Ways of Worldmaking, 1-112)

 Busiello, Giuseppe (2002): Per una filosofia dei paradigmi: Le revisione di Nelson Goodman, in: Sapienza 55, Ja-Mr, 69-87.

 Brinker, Menachem (1983): Verisimilitude, Conventions, and Beliefs, in: New Literary History 14, 253-267.

 Cain, Jerrilee <1982>: Integrating the Arts in Public Education: the Symbolization Process as Holistic Experience, Diss. New York University.

 Carrier, David (1974): A Reading of Goodman on Representation, in: Monist 58, 269-284. (General Topic: Languages of Art, 175-318)

 Carter, Curtis L. (2000): A Tribute to Nelson Goodman, in: Journal of Aesthetics and Art Criticism 58, no. 3, 251-254. (Symposium: The Legacy of Nelson Goodman)

 Carter, Curtis L. (2003): Nelson Goodman, in: American Philosophers, 1950-2000, = Dictionary of Literary Biography 279, ed. by Leemon McHenry/Philip B. Dematteis, Farmington Hills-MI: Gale-Group-Thomson-Learning, 62-70.

 Chasid, Alon (2004): Why the Pictorial Relation is not Reference, in: British Journal of Aesthetics 44, no.3, 226-248.

 Cladis, Mark S. (1991): Durkheim, Goodman, Rorty, and Mild-Mannered Pragmatism: French and American style, in: Stanford French Review 15, no. 1-2, 139-163.

 Clark, Bowman L. (1963): Goodman on Quality Classes in the ‘Aufbau’, in: Southern Journal of Philosophy 1, Fall, 15-19.

 Coffa, Alberto (1991): The Semantic Tradition From Kant to Carnap, Cambridge: Cambridge University Press.

 Cohen, Ted (1981): The Facts of Narrative: a Response to Nelson Goodman, in: Synthese 46, MR, 351-354.

 Coldron, John H. <1982>: A critical exposition of Nelson Goodman's concept of metaphorical exemplication, Diss. (MPhil) University of Sheffield.

 Coldron, John (1982): Peltz on Goodman on Exemplification, in: Journal of Aesthetic Education 16, SPRING, 87-94.

 Collingwood, R. G. (1958): The Principles of Art, = GB 11, London/Oxford/New York-NY: Oxford University Press. (1938)

 Collins, Patrick Michael <1981>: Towards Dramatic Literacy: the Aesthetic Dimension of Drama in Education, Diss. Harvard University.

 Colson, Darrel D. (1981): Goodman, Cassirer, and the World, in: Kinesis 11, FALL, 1-15.

 Cometti, J.-P. (1997): Pour l'exemple. Remarques sur la théorie goodmanienne des symboles, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Cometti, Jean-Pierre (2000): Activating Art: A View from France, in: Journal of Aesthetics and Art Criticism 58, no. 3, 237-245. (Symposium: The Legacy of Nelson Goodman)

 Conley, Brian George <1985>: Theories of Pictorial Representation: Goodman's Relativism and the Similarity Theory, Diss. University of Minnesota.

 Cox, Damian (2003): Goodman and Putnam on the Making of Worlds, in: Erkenntnis 58, no.1, 33-46.

 Davidson, Donald (1978): What Metaphors Mean, in: Critical Inquiry 5, 31-47.

 Davidson, Donald (1993): Reply to Rosemarie Rheinwald's Problems of Induction: Davidson and Goodman on Emeralds, Emeroses and Emerires, in: Reflecting Davidson, ed. by R. Stoecker, Hawthorne: de Gruyter.

 Davies, David (1991): Works, Texts, and Contexts: Goodman on the Literary Artwork, in: Canadian Journal of Philosophy, 331-345.

 Delpla, I. (1997): Manières de faire les autres. (Quelques implications du constructivisme selon Quine, Davidson et Searle), in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Dempster, Douglas John <1983>: The Naturalism of Pictorial Representation, Diss. The University of North Carolina at Chapel Hill.

 Dilworth, John (2001): a representational theory of artefacts and artworks, In:  the british journal of aesthetics 41, no. 4, 353-371.

 Döring, Eberhard (1987): Kunst der Erkenntnis bei Nelson Goodman, in: kodikas/code 10, no. 3/4, 329-340.

 Drost, Mark P. (1994): Husserl and Goodman on the Role of Resemblance in Pictorial Representation, in: International Studies in Philosophy 26, no.4, 17-27.

 Eberle, Rolf A. (1978): Goodman on Likeness and Difference of Meaning, in: Erkenntnis 12, 3-16. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Elgin, Catherine (1983): With Reference to Reference, Indianapolis-IN: Hackett.

 Elgin, Catherine Z. (1991): Sign, Symbol and System, in: Journal of Aesthetic Education 25, no.1, 11-21. (More Ways of Worldmaking, 1-112)

 Elgin, Catherine Z. (1991): What Goodman Leaves Out, in: Journal of Aesthetic Education 25, no.1/Spring, 89-96. (More Ways of Worldmaking, 1-112)

 Elgin, Catherine Z. (1993): Understanding: Art and Science, in: Synthese 95, no.1, 13-28. (Probing into Reconceptions, 1-140)

 Elgin, Catherine Z. (1993): Outstanding Problems - Replies to ZiF Critics, in: Synthese 95, no.1, 129-140. (Probing into Reconceptions, 1-140)

 Elgin, Catherine Z. (ed.) (1997): The Philosophy of Nelson Goodman, vol.3: Nelson Goodman’s Philosophy of Art, New York-NY/London-E: Garland Publishing.

 Elgin, C. Z. (1997): The Power of Parsimony, in: Philosophia Scientiae 2, no.1-2, 89-104. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Elgin, Catherine Z. (2000): In Memoriam: Nelson Goodman, in:  Erkenntnis 52, no. 2, 149-151. (Special Section on Nelson Goodman, 149-212)

 Elgin, Catherine Z. (2000): Interpretation and Understanding, in: Erkenntnis 52, no.2, 175-183. (Special Section on Nelson Goodman, 149-212)

 Elgin, Catherine Z. (2000): Reorienting Aesthetics, Reconceiving Cognition, in: Journal of Aesthetics and Art Criticism 58, no. 3, 219-227. (Symposium: The Legacy of Nelson Goodman)

 Elgin, Catherine Z. (2000): Worldmaker: Nelson Goodman (1906-1998), in: Journal for General Philosophy of Science 31, no. 1, 1-18.

 Elgin, Catherine Z. (2001): Legacy of Nelson Goodman, in: Philosophy and Phenomenological Research, 62, 3/May, 679-690.

 Engstrom, Timothy H. (1992): A Question of Style: Nelson Goodman and the Writing of Theory, in: Metaphilosophy 23, Oct4, 329-349.

 Ernst, Gerhard (2000): Ästhetik als Teil der Erkenntnistheorie bei Nelson Goodman, in: Philosophisches Jahrbuch 107, no. 2, 316-341.

 Files, Craig (1996): Goodman's Rejection of Resemblance, in:  British Journal of Aesthetics 36, no. 4, 398-413.

 Franceschi, Paul (2001): Une solution pour le paradoxe de Goodman, in: Dialogue 40, no.1/Winter, 99-123.

 Gabriel, Gottfried (1986): Nelson Goodman: Weisen der Welterzeugung, in: Philosophische Rundschau 33, H.1-2, 48-55.

 Gabriel, G. (1997): Probleme mit der Denotation. Eine Kritik des Fiktionalismus, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Gabriel, Gottfried (2000): Kontinentales Erbe und Analytische Methode. Nelson Goodman und die Tradition, in: Erkenntnis 52, no.2, 185-198. (Special Section on Nelson Goodman, 149-212)

 Galison, Peter (1990): Aufbau/Bauhaus, in: Critical Inquiry 16, Summer, 709-52.

 Gardner, Howard (1974): A Psychological Investigation of Nelson Goodman's Theory of Symbols, in: Monist 58, 319-326. (Supplement: Symposium on Skills and Symbols in the Arts, 319-342)

 Gardner, Howard (2000?): Project Zero: Nelson Goodman's Legacy in Arts Education, in: the Journal of Aesthetics and Art Criticism, 245-250. (Symposium: The Legacy of Nelson Goodman)

 Garry, Mitchell <1989>: The Contributions of Four Perspectives on Symbolic Form to the Study of Communication Media, Diss. New York University.

 Gerhardus, Dietfried (1995): "Aber ist es auch in derselben Weise traurig, in der es grau ist?" Goodmans Behandlung des Gegenstandes als Teil eines symbolischen Gegenstandes, in: Deutsche Zeitschrift für Philosophie 43, 731-741. (Symposium zu Nelson Goodman: Sprachen der Kunst, 711-749)

 Gerhardus, Dietfried/Philippi, Bernd (Hg.) (2006): Kunst als Erkenntnis. Zur Diskussion um Nelson Goodmans Buch 'Sprachen der Kunst', = stw 1435, Frankfurt am Main: Suhrkamp.

 Goodman, Nelson <1940>: A Study of Qualities, Ph.D. thesis, Harvard University.

 Goodman, Nelson (1949): On Likeness of Meaning, in: Analysis, no.1, 1-7.

 Goodman, Nelson (1949): Some Reflections on the Theory of Systems, in: Philosophy and Phenomenological Research 9, 620-626.

 Goodman, Nelson (1951): the structure of appearance, Cambridge-MA: Harvard University Press.

 Goodman, Nelson (1952): Sense and Certainty, in: Philosophical Review 61, 160-167.

 Goodman, Nelson (1953): On Some Differences about Meaning, in: Analysis, no.13, 90-96.

 Goodman, Nelson (1954): Fact, Fiction, & Forecast, London: University of London/The Athlone Press.

 Goodman, Nelson (1956): A World of Individuals, in: The Problem of Universals. A Symposion, Notre Dame-IN: University of Notre Dame Press, 13-31.

 Goodman, Nelson (1956): rev. Hilary Putnam, Reds, Greens, and Logical Analysis, in: Philosophical Review 65, 206f.

 Goodman, Nelson (1960): The Way the World Is, in: Review of Metaphysics 14, 48-56.

 Goodman, Nelson (1960): rev. Ernst H. Gombrich, Art and Illusion, in: Journal of Philosophy 57, 595-599.

 Goodman, Nelson (1961): About, in: Mind 70, 1-24.

 Goodman, Nelson (1961): Condensation versus Simplification, in: Theoria 27, 47-48.

 Goodman, Nelson (1962): rev. David M. Armstrong, Berkeley's Theory of Vision, in: Philosophy and Phenomenological Research 23, 284f.

 Goodman, Nelson (1963): The Significance of Der logische Aufbau der Welt, in: The Philosophy of Rudolf Carnap, ed. by Paul Arthur Schilpp, La Salle-IL: Open Court, 545-558.

 Goodman, Nelson (1965): Some Thoughts on Scientific Method, in: Boston Studies in the Philosophy of Science, vol. 2, New York-NY: Humanities Press, 85ff.

 Goodman, Nelson (1966): Merit as Means, in: Art and Philosophy, ed. by Sidney Hook, New York-NY: New York University Press, 56-57.

 Goodman, Nelson (1966): Comments on „Goodman’s Query,“ „Grue“ and „Goodman, Logic, Induction“, in: Journal of Philosophy 63, May, 328-331.

 Goodman, Nelson (1966): Foreword, in: Journal of Philosophy 63, 281. (The New Riddle of Induction, 281-331)

 Goodman, Nelson (1966): Comments, in: Journal of Philosophy 63, 328-331. (The New Riddle of Induction, 281-331)

 Goodman, Nelson (1967): in: Science and Simplicity, in: Philosophy of Science Today, ed. by Sidney Morgenbesser, New York-NY: Basic Books, 68-78.

 Goodman, Nelson (1968): Languages of Art. An Approach to a Theory of Symbols, Indianapolis-IN: Hackett Publishing.

 Goodman, Nelson (1968): Art and Inquiry (Presidential Address), in: Proceedings and Addresses of The American Philosophical Association, Eastern Division XLI, Yellow Springs-OH: Antioch, October. 5-19.

 Goodman, Nelson (1968): Reality Remade, in: L'Age de la Science 1, 19-40.

 Goodman, Nelson (1969): A Revision in the Structure of Appearance, in: Journal of Philosophy 66, 383-385.

 Goodman, Nelson (1970): Some Notes on Languages of Art, in: Journal of Philosophy 67, 563-573.

 Goodman, Nelson (1970): Seven Strictures on Similarity, in: Experience and Theory, ed. by Lawrence Foster/John W. Swanson, Amherst-MA: University of Massachusetts Press, 19-29.

 Goodman, Nelson (1971)): On J. J. Gibson's New Perspective." Leonardo 4, 359-360.

 Goodman, Nelson (1972): Problems and Projects, Indianapolis: Bobbs-Merrill.

 Goodman, Nelson (1972): Art and Understanding: The Need for a Less Simple-Minded Approach, in: Music Educators Journal 58.5 (Feb.1972): 43-45, 85-88.

 Goodman, Nelson <1972>: Script for "Hockey Seen," multimedia production (choreography by Martha Gray; electronic score by John Adams). Performed at Browne and Nichols School, August 1972; Loeb Drama Center, Harvard University, October 1973; Zellerbach Theatre, University of Pennsylvania, November 1973; Culture Center, Knokke, Belgium, 1980.

 Goodman, Nelson (1973): 'That is': A Reply to Isaac Newton Nozick, in: Journal of Philosophy 70, 166.

 Goodman, Nelson (1973): Sprachen der Kunst. Ein Ansatz zu einer Symboltheorie 1969, übers. u. hg. v. Jürg Schlaeger, Frankfurt am Main: Suhrkamp.

 Goodman, Nelson <1973>: Script for "Rabbit, Run," dance version of John Updike's novel (choreography by Martha Gray; score by Joel Kabakov). Performed at Agassiz Theatre, Harvard University, August 1973; Loeb Drama Center, Harvard University, October 1973; in part, Zellerbach Theatre, University of Pennsylvania, November 1973.

 Goodman, Nelson (1974): On Some Questions Concerning Quotation, in: Monist 58, 294-306. (General Topic: Languages of Art, 175-318)

 Goodman, Nelson (1974): On Reconceiving Cognition, in: Monist 58, 339-342. (Supplement: Symposium on Skills and Symbols in the Arts, 319-342)

 Goodman, Nelson (1975): The Status of Style, in: Critical Inquiry 1, 799-811.

 Goodman, Nelson (1975): Words, Works, Worlds, in: Erkenntnis 9, 57-73.

 Goodman, Nelson (1975): A Message from Mars, in: The Arts Spectrum. Office of the Arts, Harvard University, 2.

 Goodman, Nelson (1976): Languages of Art. An Approach to a Theory of Symbols, Second Edition, Indiananapolis-IN: Hackett Publishing.

 Goodman, Nelson (1977): When Is Art?, in: The Arts and Cognition, ed. by David Perkins/Barbara Leondar, Baltimore-MD: Johns Hopkins University Press, 11-19. (Goodman, Ways of Worldmaking, 1978, 57-70; trsl. by Max Looser: Wann ist Kunst? in: Weisen der Welterzeugung, Frankfurt am Main: Suhrkamp 1984; = stw 863, 1990, 76-91)

 Goodman, Nelson (1978): Ways of Worldmaking, Indianapolis-IN: Hackett.

 Goodman, Nelson (1978): Comments on Wollheim's Paper: 'Are the Criteria of Identity that Hold for a Work of Art in the Different Arts Aesthetically Relevant?', in: Ratio 20 (1978), 49-51.

 Goodman, Nelson (1978): In Defense of Irrealism (Letter to the Editor), in: New York Review of Books 25, no.20, 58.

 Goodman, Nelson (1978): rev. Ludwig Wittgenstein, Remarks on Color, in: Journal of Philosophy 75, 503f.

 Goodman, Nelson (1978): Replies, in: Erkenntnis 12, 153-179. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Goodman, Nelson (1978): Replies, in: Erkenntnis 12, 281-291. (The Philosophy of Nelson Goodman Part 2, 181-291)

 Goodman, Nelson (1979): On Matter over Mind (Letter to the Editor), in: New York Review of Books 26, no.8, 42.

 Goodman, Nelson (1979): Metaphor as Moonlighting, in: Critical Inquiry 6, 125-130.

 Goodman, Nelson (1979): Credence, Credibility, Comprehension, in: Journal of Philosophy 76, 619. (Symposium: Goodman's Ways of Worldmaking, 603-619)

 Goodman, Nelson (1979): J. J. Gibson's Approach to the Visual Perception of Pictures, in: Leonardo 12, 175.

 Goodman, Nelson (1980): Twisted Tales - or, Story, Study, and Symphony, in: Critical Inquiry 7, 103-119. Rpt. in Synthese 46 (1981), 331-349. Also rpt. in: On Narrative, ed. by W. J. T. Mitchell, Chicago-IL: University of Chicago Press 1981, 99-115. (trsl.: Verdrehte Erzählungen; oder Geschichte, Studie und Symphonie, in: Das Laokoon-Projekt. Pläne einer semiotischen Ästhetik, ed. by Gunter Gebauer, Stuttgart: Metzler 1984, 183-206)

 Goodman, Nelson (1980): On Starmaking, in: Synthese 46, 211-216.

 Goodman, Nelson (1981): The Telling and the Told, in: Critical Inquiry 7, 799-801. (rpt. in: On Narrative, ed. by W. J. T. Mitchell, Chicago-IL: University of Chicago Press 1981, 255-257)

 Goodman, Nelson (1981): Perspective as a Convention - on the Views of Goodman and Gombrich, in: Leonardo 14, 86.

 Goodman, Nelson (1981): Routes of Reference, in: Critical Inquiry 8, 121-132. Trsl.: Wege der Referenz. (Denotational Reference Characteristics: Verbal Denotation, Notation, Pictorial Notation And Quotation), in: Zeitschrift fur Semiotik 3 (1981), 11-22.

 Goodman, Nelson (1981): Ways of Worldmaking, in: Leonardo 14, 351.

 Goodman, Nelson (1981): Replies, in: Journal of Aesthetics and Art Criticism 39, 273-280. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 Goodman, Nelson (1982): The Fabrication of Facts, in: Relativism: Cognitive and Moral, ed. by Jack W. Meiland/Michael Krausz, Notre Dame-IN: University of Notre Dame Press, 18-29.

 Goodman, Nelson (1982): Implementation of the Arts, in: Journal of Aesthetics and Art Criticism 40, 281-283.

 Goodman, Nelson (1982): Fiction for Five Fingers, in: Philosophy and Literature 6.1,2, 162-164.

 Goodman, Nelson (1983): Realism, Relativism, and Reality, in: New Literary History 14, 269-272. (ad Brinker 1983)

 Goodman, Nelson (1983): Semiotische Ästhetik und pragmatischer Irrealismus, in: Zeitschrift für Semiotik 5, 256-257.

 Goodman, Nelson (1983): Modes of Symbolization/Afterword: An Illustration, in: What Is Dance?, ed. by Roger Copeland and Marshall Cohen, Oxford: Oxford University Press, 66-84.

 Goodman, Nelson (1983): The Role of Notations, in: What Is Dance?, ed. by Roger Copeland and Marshall Cohen, Oxford: Oxford University Press, 399-410.

 Goodman, Nelson (1983): Notes on the Well-Made World, in: Erkenntnis 19, 99-108.

 Goodman, Nelson (1984): Of Mind and Other Matters, Cambridge-MA: Harvard University Press. (Vom Denken und anderen Dingen, Frankfurt am Main 1987 1,282.388-B)

 Goodman, Nelson (1985): Statement and Pictures, in: Erkenntnis 22, 265-270.

 Goodman, Nelson (1985): How Buildings Mean, in: Critical Inquiry 11, 642-653.

 Goodman, Nelson (1985): The End of the Museum?, in: Journal of Aesthetic Education 19, no.2, 53-62.

 Goodman, Nelson <1985>: Conceptual design for "Variations: An Illustrated Lecture Concert," including live or taped performance of David Alpher's "Las Meninas", theme and Variations for piano, guitar, oboe, and cello, synchronized with presentation of slides of "Las Meninas" by Velazquez and of Picasso's painted variations on it. Performed at University of Helsinki, September 1985; Wayne State University, February 1986; Rockport Chamber Music Festival, June 1986; Harvard University, October 1986; Trinity University in San Antonio, Texas, February 1987; University of California, Santa Barbara, February 1990.

 Goodman, Nelson (1986): A Note on Copies, in: Journal of Aesthetics and Art Criticism 44, 291-292.

 Goodman, Nelson (1986): The Nature And Function Of Architecture, in: Domus, no.672, 17-28.

 Goodman, Nelson (1987): Variations on Variation - or Picasso Back to Bach, in: Essays in the Philosophy of Music, ed. by Veikko Rantala/Lewis Rowell/Eero Tarasti, Acta Philosophica Fennica 43.

 Goodman, Nelson (1988): Introduction. Aims and Claims, in: Journal of Aesthetic Education 22.1, 1f.

 Goodman, Nelson (1988): A Reconception of Philosophy (in German), in: Bewusstsein, Sprache und die Kunst. Metamorphosen d. Wahrheit, ed. by Michael Benedikt, Wien: Verlag der Österreichischen Staatsdruckerei/Edition S.

 Goodman, Nelson (1988): On What Should Not Be Said about Representation, in: Journal of Aesthetics and Art Criticism 46, 419.

 Goodman, Nelson (1989): Just the Facts, Ma'am'!, in: Relativism: Interpretation and Confrontation, ed. by Michael Krausz, Notre Dame-IN: University of Notre Dame Press, 80-85.

 Goodman, Nelson (1990:) Pictures in the Mind?, in: Images and Understanding, ed. by H. B. Barlow/Colin Blakemore/Miranda Weston-Smith, Cambridge-E: Cambridge Universtiy Press, 358-364.

 Goodman, Nelson (1997): Authenticity, in: The Dictionary of Art, ed. by Jane Shoaf Turner, London: Macmillan.

 Goodman, Nelson (1991): On Capturing Cities (reprinted from World Cities and the Metropolis, 1988), in: Journal of Aesthetic Education 25, no.1, 5-9. (More Ways of Worldmaking, 1-112)

 Goodman, Nelson (1991): Retrospections, in: Journal of Aesthetic Education 25, no.1, 97-98. (More Ways of Worldmaking, 1-112)

 Goodman, Nelson (1992): Contraverting a Contradiction. A Note On Metaphor And Simile. Reply To Kulka, Tomas, in: Poetics Today, 13.4, 807-808.

 Goodman, Nelson (1993): Status and System: from the 1st Part of the Author's Doctoral Thesis 'A Study Of Qualities', in: Revue Internationale de Philosophie 47, no.185, 99-139.

 Goodman, Nelson (1993): On Some Worldly Worries, in: Synthese 95, no.1, 9-12. (Probing into Reconceptions, 1-140)

 Goodman, Nelson (1995): Sprachen der Kunst. Entwurf einer Symboltheorie (1968), übers. v. Bernd Philippi, Frankfurt am Main: Suhrkamp.

 Goodman, N. (1997): Some Reflections on my philosophy, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of Archives H. Poincaré)

 Goodman, Nelson (1996): L’ Art en théorie et en action, Paris: Éd. de l'Éclat. (with conversations with Frans Boenders and Mia Gosselin and postface J.-P. Cometti/R. Pouivet, L'effet Goodman)

 Goodman, Nelson/Brinker, Menachem (1983): Yitzog v' realizem b'omanut (Representation and Realism in Art), in: Iyyun 32, 216-222.

 Goodman, Nelson/Elgin, Catherine Z. (1986): Interpretation and Identity. Can the Work Survive the World?, in: Critical Inquiry 12 564-575.

 Goodman, Nelson/Elgin, Catherine Z. (1987): Changing the Subject, in: Journal of Aesthetics and Art Criticism 46, 219-223.

 Goodman, Nelson/Elgin, Catherine Z. (1988): Reconceptions in Philosophy and other Arts and Sciences, Indianapolis-IN: Hacket/London-E: Routledge. (German: Revisionen 1989)

 Goodman, Nelson/Elgin, Catherine Z. (1989): Savoir et Faire, trsl. by Jacques Riche, in: Encyclopédie Philosophique Universelle 1: L' Univers Philosophique, ed. by André Jacob, Paris: Presses Universitaires de France, 520-528.

 Goodman, Nelson/Gardner, Howard (1970): The Randolph Museum Case. Prepared for the Institute in Arts Administration, Harvard University.

 Goodman, Nelson/Kulka, Tomas (1994): How Metaphor Works its Wonders (in Czech), in: Filosoficky Casopis 42.3, 403-420.

 Goodman, Nelson/Perkins, David/Gardner, Howard (1972): Basic Abilities Required for Understanding and Creation in the Arts: Final Report, Cambridge-MA: Harvard University, Graduate School of Education: Project No. 9-0283, Grant No. OEG-0-9-310283-3721 (010).

 Goodman, Nelson/Scheffler, Israel (1972): Selective Confirmations and the Ravens: A Reply to Foster, in: Journal of Philosophy 69, 78-83.

 Goodrich, R. A. (1988): Goodman on Representation and Resemblance, in: British Journal of Aesthetics 28, Winter, 48-58.

 Gosselin, Mia (1990): Nominalism and Contemporary Nominalism: Ontological and Epistemological Implications of the Work of W. V. O. Quine and of N. Goodman, Dordrecht: Kluwer.

 Green, Judy Lindquist <1980>: An Aesthetic Model for Education, Diss. Marquette University.

 Hart, Alan Matthew <1981>: Aboutness: a Logico-Philosophical Analysis, Diss. Michigan State University.

 Hatten, Robert Swaney <1982>: Toward a Semiotic Model of Style in Music: Epistemological and Methodological Bases, Diss. Indiana University.

 Hausman, Alan/Wilson, Fred (1967): Goodman's Ontology. Carnap and Goodman: Two Formalists, Iowa City-IA: The University of lowa; The Hague: Nijhoff.

 Hawley, A. (1991): A Venerable Museum Faces the Future - Guided Tour Through the Gardner and its Director's Mind, in: in: Journal of Aesthetic Education 25, no.1, 79-88. (More Ways of Worldmaking, 1-112)

 Heinzmann, G. (1997): "Laudatio" tenue lors de la remise du docteur honoris causa de l'Université de Nancy 2 à Nelson Goodman, in: Philosophia Scientiae 2, no.1-2. 8-14. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Heinzmann, G. (1997): Raisonnement mathématique et art, in: Philosophia Scientiae 2, no.1-2, 131-145. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Hernadi, Paul (1981): More Questions Concerning Quotations, in: Journal of Aesthetics and Art Criticism 39, 271-273. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 Hernadi, Paul (1991): More Ways of Worldmaking, in: Journal of Aesthetic Education 25, no.1, 1-4. (More Ways of Worldmaking, 1-112)

 Hernadi, Paul (1991): Reconceiving Notation and Performance, in: Journal of Aesthetic Education 25, no.1, 47-56. (More Ways of Worldmaking, 1-112)

 Herr, Lowell Emerson <1985>: Goodman and the Semiotic Theory of Art, Diss. Marquette University.

 Herrnstein Smith, Barbara (1980): Narrative Versions, Narrative Theories, in: Critical Inquiry 7, 213-236.

 Heydrich, Wolfgang (1993): A Reconception of Meaning, in: Synthese 95, no.1, 77-94. (Probing into Reconceptions, 1-140)

 Hilpinen, Risto (1990): Peirce, Goodman and the Aesthetic Sign, in: Grazer philosophische Studien 37, 177.

 Hochberg, Herbert (1978): Sellars and Goodman on Predicates, Properties, and Truth, in: Midwest Studies in Philosophy 3, 360-368.

 Hooker, C. A. (1968): Goodman, Grue and Hempel, in: Philosophy of Science 35, Summer, 232-247.

 Hooker, Clifford A. (1971): The Ravens, Hempel and Goodman, in: Australasian Journal of Philosophy 49, May, 82-89.

 Howard, V. A. (1974): On Musical Quotation, in: Monist 58, 307-318. (General Topic: Languages of Art, 175-318)

 Howard, V. A. (1978): Music and Constant Comment, in: Erkenntnis 12, 73-82. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Huschle, Brian J. (2000): From Conflicting Versions to Many Worlds: An Examination of Goodman's Irrealism, Diss. University of Nebraska, Lincoln.

 Ihwe, Jens F. (1987): Fiktion ohne Fiktionen. Nelson Goodmans Beitrag zur Aktualität "nicht-existenter" und "fiktionaler" Objekte, in: Zeitschrift für Semiotik 9, H.1-2, 107.

 Innis, Robert E. (1977): Art, Symbol, and Consciousness. A Polanyi Gloss on Suzanne Langer and Nelson Goodman, in: International Philosophical Quarterly 17, 455-476.

 Jacquette, Dale (2000): Goodman on the Concept of Style, in: British Journal of Aesthetics 40, no.4, 452-467.

 Jeffey, Richard C. (1966): Goodman's Query, in: Journal of Philosophy 63, 281-288. (The New Riddle of Induction, 281-331)

 Johnson, Baylor Laurence <1974>: Sights and Sounds. A Study of Nelson Goodman's Aesthetics, Diss. Northwestern University.

 Jones, Rebecca K. (1980):  A Three Point Perspective on Pictorial Representation: Wartofski, Goodman and Gibson on Seeing Pictures, in: Erkenntnis 15, MR, 55-64.

 Jordan, James William <1984>: System and Shadow: Towards an Aesthetic of Social Action. Saybrooke Institute.

 Kemp, Fred Oliver, Jr. <1988>: Computer-Based Invention Heuristics for Writing: A Theory of Computer-Based Heuristics, Diss. The University of Texas at Austin.

 Kivy, Peter (2000): How to Forge a Musical Work, in: Journal of Aesthetics and Art criticism 58, no. 3, 233-237. (Symposium: The Legacy of Nelson Goodman)

 Kjörup, Sören (1974): George Inness and the Battle of Hastings, or Doing Things with Pictures, in: Monist 58, 216-235. (General Topic: Languages of Art, 175-318)

 Kjörup, Sören (1978): Pictorial Speech Acts, in: Erkenntnis 12, 55-71. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Koppe, Franz (1991): Kunst als entäußerte Weise, die Welt zu sehen. Zu Nelson Goodman und Arthur C. Danto in weitergehender Absicht. Texte und Diskussionen, Perspektiven einer Kunstphilosophie, ed. by Franz Koppe, = stw 951, Frankfurt am Main: Suhrkamp.

 Koppe, Franz (1995): Die verkörperte Metapher. Eine kunstphilosophische Perspektive im Anschluß an Nelson Goodman, in: Deutsche Zeitschrift für Philosophie 43, 743-49. (Symposium zu Nelson Goodman: Sprachen der Kunst, 711-749)

 Koppelberg, Dirk (1993): Should We Replace Knowledge by Understanding? ù A Comment on Elgin and Goodman's Reconception of Epistemology, in: Synthese 95, no.1, 119-128. (Probing into Reconceptions, 1-140)

 Kossovitch, Leon (1975): Gombrich e Goodman, in: Discurso 5, 205-212.

 Küng, Guido (1993): Welterkennen und Textinterpretation bei Roman Ingarden und Nelson Goodman, in: Grazer philosophische Studien 44, 69-90.

 Küng, Guido (1993): Ontology and the Construction of Systems, in: Synthese 95, no.1, 29-53. (Probing into Reconceptions, 1-140)

 Küng, Guido (1995): Cognition of the World and Interpretation of Text by Roman Ingarden and Nelson Goodman, in: Roman Ingarden: A Filozofia Naszego Czasu, Wegrzeckiego, Adama, Krakow: Oficyna-Cracovia.

 Kulenkampff, Jens (1978): Nelson Goodman, Sprachen der Kunst, in: Philosophische Rundschau 25, 161-175.

 Kulenkampff, Jens (1981): Music Considered as a Way of Worldmaking, in: Journal of Aesthetics and Art Criticism 39, 254-258. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 Kutschera, Franz von (1978): Goodman on Induction, in: Erkenntnis 12, 189-207. (The Philosophy of Nelson Goodman Part 2, 181-291)

 Lammenranta, Markus (1988): Nelson Goodman on Emotions in Music, in: Acta Philosophica Fennica 43, 210-216.

 Lammenranta, Markus (1991): The Relevance of Nelson Goodman's Theory of Symbols, in: Semiotica, vol. 87, no. 3/4, 293-300.

 Langer, Susanne K. (1951): Philosophy In A New Key. A Study in the Symbolism of Reason, Rite and Art, = Mentor Book MQ 852, New York-NY/Toronto-C: The Newe American Library. (1942)

 Langer, Susanne K. (1953): Feeling and Form. A Theory of Art Developed From Philosophy In A New Key, = Scribner Library 122, New York-NY: Charles Scribner’s Sons.

 Lessing, Alfred (1967): What is Wrong with a Forgery?, in: Monroe C. Beardsley/Herbert M. Schueller (eds.), Aesthetic inquiry. Essays on art criticism and the philosophy of art, Belmont-CA: Dickenson Pub. Co., 241-253. (1964)

 Lord, Catherine/Benardete, Jose A. (1991): Baxandall and Goodman, in: The Language of Art History, ed. by Salim Kemal, New York-NY: Cambridge University Press.

 Lorenz, K. (1997): Laudatio, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Lorenz, K. (1997): Perceptual and Conceptual Knowledge: The Arts and the Sciences, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Lüdeking, Karlheinz (1995): Gewißheit ist etwas ganz und gar Absurdes. Karlheinz Lüdeking sprach mit Nelson Goodman, in:  Kunstforum International, Bd. 131, 342-347.

 Lüdeking, Karlheinz (1998): Analytische Philosophie der Kunst. Eine Einführung, = UTB 1775, München: Wilhelm Fink. (1988)

 Macedo, Fernando (1997): A Justificaçao da Arte como Cogniçao em Goodman, in: Revista Portuguesa de Filosofia 53, Ap-Je2, 215-248.

 MacIver Lopes, Dominic M. (2000): From "Language of Art" to Art in Mind, in: Journal of Aesthetics and Art Criticism 58, no. 3, 227-233. (Symposium: The Legacy of Nelson Goodman)

 Majetschak, Stefan (2003): Bild und Sichtbarkeit - Überlegungen zu einem transdisziplinären Bildbegriff, in:  Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft 48, 1, 27-47.

 Manns, James (1977): Goodman on Metaphor, in: Personalist 58, 173-178.

 Margolis, Joseph (1974): Art as Language, in: Monist 58, 175-186. (General Topic: Languages of Art, 175-318)

 Margolis, Joseph (1981): What is when? When is what? Two Questions for Nelson Goodman, in: Journal of Aesthetics and Art Criticism 39, Spring, 266-268. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 Margolis, Joseph (1998): Farewell to Danto and Goodman, in: British Journal of Aesthetics 38, no. 4, 353-375.

 Martin, Richard (1981): On Some Aesthetic Relations, in: Journal of Aesthetics and Art Criticism 39, 258-264. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 McCormick, Peter J./Hempel, C. G. (1996): Starmaking: Realism, Anti-Realism, and Irrealism (Representation and Mind), Cambridge-MA: MIT Press.

 Mitchell, W. J. T. (1991): Realism, Irrealism and Ideology. A Critique of Nelson Goodman, in: Journal of Aesthetic Education 25, no.1/Spring, 23-35. (More Ways of Worldmaking, 1-112)

 Mitchell, W. J. T. (1991): Reply to Catherine Elgin's "What Goodman Leaves Out", in: Journal of Aesthetic Education 25, Winter/4, 137-139.

 Monteiro, Joao Paulo (1997): Dutra, Hume e Goodman, in: Principia 1, no.2, 291-296.

 Mooshammer, G. (2004): Philosophische Strukturskizzen, Wien. 1,753.749-C

 Morawski, Stefan (1978): Three Observations on Languages of Art, in: Erkenntnis 12, 119-128. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Morizot, Jacques (1993): Un, deux ou trois Goodman?, in: Revue Internationale de Philosophie 46, no.185, 141-149.

 Morizot, Jacques (1996): La philosophie de l'art de Nelson Goodman, Nîmes: Éd. J. Chambon.

 Morizot, J. (1997): L'art de la symbolisation, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Morris, Charles W. (1939): Esthetics and the Theory of Signs, in: Journal of Unified Science (Erkenntnis) 8, 131-150.

 Morton, Luise/Foster, Thomas R. (1991): Goodman, Forgery, and the Aesthetic, in: Journal of Aesthetics and Art Criticism 49, Spring/2, 155-159.

 Müller, G. H. (1997): Laudatio, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Nader N., Chokr (1993): Nelson Goodman on Truth, Dialectica 47, no.1, 55-73.

 Nagel, Alan F. (1981): 'Or as a Blanket'. Some Comments and Questions on Exemplification, in: Journal of Aesthetics and Art Criticism 39, 264-266. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 Nordhofen, Susanne (2003): Was kann die Philosophie von der Kunst lernen? in: Zeitschrift für Didaktik der Philosophie und Ethik 25, 2, 98-113.

 Nozick, Robert (1972): Goodman, Nelson, on Merit, Aesthetic, in: Journal of Philosophy 72, 783-785.

 Pätzold, Heinz (1997): The symbolic language of culture, fine arts and architecture: consequences of Cassirer and Goodman: three Trondheim lectures, Trondheim: FF Edition.

 Peltz, Richard W. (1972): Nelson Goodman on Picturing, Describing, and Exemplifying, in: Journal of Aesthetic Education 6, JULY/3, 71-86.

 Peres, Constanze (2000): Komplexität und Mangel ästhetischer Zeichen - Baumgartens (proto)semiotische Theorie und Goodmans Symptome der Kunst, in: studia leibnitiana 32, 2, 215-236.

 Pierson, Robert (1997): Anything Goes: Goodman on Relevant Kinds, in: International Studies in Philosophy 29, no.2, 47-56.

 Pillow, Kirk (2003): Did Goodman's Distinction Survive LeWitt?, in: Journal of Aesthetics and Art Criticism 61, no.4, 365-381.

 Pole, David (1974): Goodman and the ‘Naive’ View of Representation, in: British Journal of Aesthetics 14, WINT, 68-80.

 Pouivet, Roger (1993): Goodman, Scheffler, Mme Bovary et quelques anges, in: Revue Internationale de Philosophie 46, no.185, 187-202.

 Pouivet, R. (1997): L'irréalisme: deux réticences, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Predelli, Stefano (1999): Goodman and the Score, in: British Journal of Aesthetics 39, no. 2, 138-148.

 Predelli, Stefano (1999): Goodman and the Wrong Note Paradox, in: British Journal of Aesthetics 39, no. 4, 364-375.

 Prochazka, Karel (2002): Attacks on Analyticity from the Pens of Morton G. White and Nelson Goodman (in Czech), in: Filosoficky Casopis 50, no.5, 737-755.

 Putnam, Hilary (1979): Reflections on Goodman's Ways of Worldmaking, in: Journal of Philosophy 76, 603-617. (Symposium: Goodman's Ways of Worldmaking, 603-619)

 Quine, Willard Van Orman (1978): Goodman's Ways of Worldmaking, in: New York Review of Books 25, no.18, 25.

 Rao, N. (1997): Making and Discovering, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Read, Rupert (2000): In Closing: The New Antagonists of 'the New Hume': On the Relevance of Goodman and Wittgenstein to the New Hume Debate, in: The New Hume Debate, ed. by Rupert Read/Ken Richmond, London: Routledge, 167-197.

 Read, Rupert (1996): On (Virtuous?) Circles of Concepts in Goodman and Quine, in: Dialogos 31, Nr.68, 23-28.

 Reimer, B./Wright, J. E. (eds.) (1992): On the Nature of Musical Experience, Niwot-CO: University of Colorado Press.

 Rheinwald, Rosemarie (1993): Problems of Induction: Davidson and Goodman on Emeralds, Emeroses and Emerires, in: Reflecting Davidson, ed. by R. Stoecker, Hawthorne: de-Gruyter.

 Rheinwald, Rosemarie (1993): An Epistemic Solution to Goodman's New Riddle of Induction, in: Synthese 95, no.1, 55-76. (Probing into Reconceptions, 1-140)

 Rio, Janice Andrea <1981>: Contemporary Aesthetic Theory Applied to Dance as a Performing Art. The University of Nebraska.

 Robinson, Jenefer (1978): Two Theories of Representation, in: Erkenntnis 12, 37-53. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Robinson, Jenefer (2000): "Language of Art" at the Turn of the Century, in: Journal of Aesthetics and Art Criticism 58, no. 3, 213-219. (Symposium: The Legacy of Nelson Goodman)

 Ross, Stephanie (1974): Caricature, in: Monist 58, 285-293. (General Topic: Languages of Art, 175-318)

 Rudner, Richard S. (1978): Show or Tell: Incoherence among Symbol Systems, in: Erkenntnis 12, 129-151. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Ryberg, Jesper (1998): On Goodman's autographic/allographic Distinction, in: Danish Yearbook of Philosophy 33, 71-85.

 Sagoff, Mark (1978): Historical Authenticity, in: Erkenntnis 12, 83-93. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Scheffler, Israel (1979): The Wonderful Worlds of Goodman, in: Journal of Philosophy 76, 618. (Symposium: Goodman's Ways of Worldmaking, 603-619)

 Scheffler, Israel (1980): The Wonderful Worlds of Nelson Goodman, in: Synthese 45, 201-210.

 Scheffler, I. (1997): Some Responses to Goodman's Comments in Starmaking, in: Philosophia Scientiae 2, no.2, 207-211. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Scheffler, Israel (2000): A Plea for Plurealism, in: Erkenntnis 52, no.2, 161-173. (Special Section on Nelson Goodman, 149-212) (1999)

 Scheffler, Israel (2001): My Quarrels With Nelson Goodman, in: Philosophy and Phenomenological Research 62, no.3, 665-679.

 Schneider, H. J. (1997): From Actions to Symbols: Wittgenstein's Method and the Pragmatic Turn, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Scholz, Oliver R. (1993): Introduction: Reconceptions in Context, in: Synthese 95, no.1, 1-7. (Probing into Reconceptions, 1-140)

 Scholz, Oliver R. (1993): When is a Picture?, in: Synthese 95, no.1, 95-106. (Probing into Reconceptions, 1-140)

 Scholz, Oliver R. (1995): Künste, Symbolsysteme und die Verbesserung des Verstehens. Einladung zum Studium von Nelson Goodmans "Languages of Art", in: Kunstforum International, Bd. 131, 348-351.

 Scholz, Oliver Robert (2000): A Solid Sense of Syntax. In Memoriam Nelson Goodman, in: Erkenntnis 52, no. 2, 199-212. (Special Section on Nelson Goodman, 149-212)

 Scholz, Oliver Robert (2000): Bild, in: Karlheinz Barck/Martin Fontius/ Dieter Schlenstedt/Burkhart Steinwachs/Friedrich Wolfzettel (Hg.): Ästhetische Grundbegriffe. Historisches Wörterbuch in sieben Bänden, Band 1: Absenz - Darstellung, Stuttgart/Weimar: J. B. Metzler, 618-669.

 Schuldenfrei, Richard <1972>: The Nominalism of Nelson Goodman, Diss. University of Pittsburgh.

 Schurz, Gerhard (1997): Die Goodman-Paradoxie: ein Invarianz--und Relevanzproblem, in: Das weite Spektrum der analytischen Philosophie. Festschrift für Franz von Kutschera, ed. by Wolfgang Lenzen, Berlin: de Gruyter.

 Schwartz, R. (1997): Pictures, Puzzles, and Paradigms, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Schwartz, Robert (1999): In Memoriam: Nelson Goodman (august 7 1906 - november 25 1998), in: Erkenntnis 50, no. 1, 7-10.

 Schwartz, R. (2000): Starting from Scratch: Making Worlds, in: Erkenntnis 52, no.2, 151-159. (Special Section on Nelson Goodman, 149-212)

 Schwartz, Robert (2001): Vision and Cognition in Picture Perception, in: Philosophy and Phenomenological Research 62, no.3, 707-721.

 Seidel, Asher/Quine, Willard Van Orman (1979): Exchange concerning Quine's Review of Goodman's Ways of Worldmaking, in: New York Review of Books 25, nos.21&22, 48-49.

 Serniak-Catudal, Donna <1985>: Objectivity, Logic, and the Justification of Science: The Case of Carnap's The Logical Structure of the World, Diss. University of Pennsylvania.

 Shusterman, Richard (1981): Goodman in the Work of Art: An Ontological Omission, in: Auslegung 8, Sommer, 122-130.

 Shusterman, Richard (1995): Art Infraction: Goodman, Rap, Pragmatism, in: Australasian Journal of Philosophy 73, no.2, 269-279.

 Silvers, Anita (1981): The Secret of Style, in: Journal of Aesthetics and Art Criticism 39, 268-271. (Aesthetics and Worldmaking: An Exchange with Nelson Goodman, 249-280)

 Smith, Charles Justice III <1980> Patterns and Strategies: Four Perspectives of Musical Characterization, Diss. The University of Michigan.

 Sparshott, F. E. (1974): Goodman on Expression, in: Monist 58, 187-202. (General Topic: Languages of Art, 175-318)

 Spree, Axel (2002): Borges, Danto, Goodman, in: Sprache und Literatur 33, 1, 43-55.

 Spree, Axel (2002): Das Ende der Welt, in: Sprache und Literatur 33, 2, 24-36.

 Stalker, Douglas F. (1978): Goodman on Authenticity, in: British Journal of Aesthetics 18, Summer, 195-198.

 Steinbrenner, Jakob/Scholz, Oliver R./Ernst, Gerhard (Hg.) (2005): Symbole, Systeme, Welten. Studien zur Philosophie Nelson Goodmans, Heidelberg: Synchron.

 Stetter, Christian (2002): Bretter, die die Welt bedeuten. Eine symboltheoretische Skizze, in: Sprache und Literatur 33, 2, 36-48.

 Strawson, Peter F. (1956): rev. Harold Osborne, Theory of Beauty, in: Mind 63, 413-416.

 Strawson, Peter F. (1959): Individuals. An Essay in Descriptive Metaphysics, London: Methuen & Co. Ltd.

 Strawson, Peter F. (1966): Aesthetic Appraisal and Works of Art, in: The Oxford Review 1, no.3, 5-13. (again in: Peter F. Strawson, Freedom and Resentment and other essays, London: London: Methuen 1974, 178-188)

 Strube, Werner (1976): Kunst, Kunstwerk. Logischer Empirismus und Sprachanalyse, in: J. Ritter/K. Gründer (Hg.), Historisches Wörterbuch der Philosophie, Band 4. I-K, Basel/Stuttgart: Schwabe & Co., 1427-1430.

 Teichert, Dieter (1989):  N. Goodman: Languages of Art - An Approach to a Theory of Symbols", in: W. Jens (ed.): Kindlers Neues Literatur Lexikon VI, München, 661f.

 Tetley, Ann <1987>: Social Movements as Worldmaking: A Theoretical and Practical Analysis of the Rhetoric of the British Women's Suffrage Movement throughout the Perspectives of Charles Stewart and Nelson Goodman, Diss. Ohio University.

 Thomas, William James <1985>: An Exposition of Visual Metaphor (Symbols), Diss. The Pennsylvania State University.

 Thomson, Judith Jarvis (1966): Grue, in: Journal of Philosophy 63, 289-309. (The New Riddle of Induction, 281-331)

 Thurnau, Donatus (1994): Gedichtete Versionen der Welt. Nelson Goodmans Semantik fiktionaler Literatur, Paderborn: Schöningh.

 Tormey, Alan (1974): Indeterminacy and of Identity in Art, in: Monist 58, 203-215. (General Topic: Languages of Art, 175-318)

 Ullian, J. S. (1991): Truth, in: Journal of Aesthetic Education 25, no.1, 57-65. (More Ways of Worldmaking, 1-112)

 Vax, L. (1997): Les logiques trivalentes sont-elles 'autodescriptives'?, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Vouilloux, Bernard (1997): Le chapeau et le visage: Une rencontre entre Nelson Goodman et Erwin Panofsky, in: Philosophia Scientiae 2, no.2, 257-273. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Vuillemin, Jules (1995): Eine statistische Konzeption der Symboltheorie?, in: Deutsche Zeitschrift für Philosophie 43, 711-729. (Symposium zu Nelson Goodman: Sprachen der Kunst, 711-749)

 Vuillemin, J. (1997): La question de savoir s'il existe des réalités mathématiques a-t-elle un sens?, in: Philosophia Scientiae 2, no.1-2. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Wallace, John R. (1966): Goodman, Logic, Induction, in: Journal of Philosophy 63, 310-331. (The New Riddle of Induction, 281-331)

 Walton, Kendall L. (1974): Are Representations Symbols?, in: Monist 58, 236-254. (General Topic: Languages of Art, 175-318)

 Wartowsky, Marx W. (1974): Art, Action and Ambiguity, in: Monist 58, 327-338. (Supplement: Symposium on Skills and Symbols in the Arts, 319-342)

 Wartowsky, Marx W. (1978): Rules and Representation: The Virtues of Constancy and Fidelity Put in Perspective, in: Erkenntnis 12, 17-36. (The Philosophy of Nelson Goodman Part 1, 3-179)

 Weitz, Morris (1971): Professor Goodman on the Aesthetic, in: Journal of Aesthetics and Art Criticism 29, Summer, 485-488.

 Weltman, Burton (2000): Revisiting Paul Goodman: Anarcho-Syndicalism As the American Way of Life, in: Educational-Theory 50, 2/Spr, 179-199.

 White, Nicholas (1997): From the Idea of the Good to Some Ideas of Goodman, in: Philosophia Scientiae 2, no.2, 313-330. (Manières de faire les mondes, Actes du Colloque Nelson Goodman 1997, Journal of: Archives H. Poincaré)

 Winters, Edward (1998): Pictorial Variations. [nelson goodman and dominic lopes], in: British Journal of Aesthetics 38, no. 3, 294-307.

 Wollheim, Richard (1991): The Core of Aesthetics, in: Journal of Aesthetic Education 25, no.1, 37-45. (More Ways of Worldmaking, 1-112)

 Wreen, Michael Joseph <1983>: Forgery and Authenticity, Diss. Temple University.

 Wreen, Michael (1983): Goodman on Forgery, in: Philosophical Quarterly 33, 340-353.

 Young, James O. (1999): Art, Knowledge, and Exemplification, in: British Journal of Aesthetics 39, no. 2, 126-138.

 

Peter Mahr © 2005

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