Dr. phil. Dieter Fuchs, M.A.
 

Professor Extraordinarius of Anglophone Literatures and Cultural Studies, Technical University of Koszalin
Lecturer in Anglophone Literatures and Cultural Studies, University of Vienna 2003-10

List of Publications & Work in Progress


Online Collection of Some of My Publications: here

Monographs:

  1. Joyce und Menippos. 'A Portrait of the Artist as an Old Dog'. ZAA Monograph Series 2 (Würzburg: Königshausen & Neumann, 2006).

    [Reviews: Andreas Mahler, Arbeiten aus Anglistik und Amerikanistik 32.2 (2007), 354-6. Thomas Gurke, Anglia. Zeitschrift für Englische Philologie 126.3 (2008), 563-7. Geert Lernout, James Joyce Quarterly 45.2. (2008), 369-72. Roy Gottfried, International Journal of the Classical Tradition 16.1. (2009), 149-52.]
    [Abstract in English: “Joyce und Menippos” in Paul Georg Meyer (ed.), English and American Studies in German 2006. Summaries of Theses and Monographs. A Supplement to Anglia (Tübingen: Niemeyer, 2007), 52-4.]

  2. Elizabethan Revenge Drama – Cultural Representations, Signifying Practices and the Rise of Reformation Discourse. ('Habilitationssschrift'), Submission Date: Summer 2013.

 

Books (Co-)Edited:

  1. Anglo-German Theatrical Exchange. (Co-Editor, forthcoming 2014).

  2. 3 Henry VI. Transl. & Ed. Englisch-deutsche Studienausgabe der Dramen Shakespeares. Unter dem Patronat der Deutschen Shakespeare-Gesellschaft. (Stauffenburg: Tübingen, Work in Progress).


Articles / Book Chapters:

  1. “Meta-Morphosen der Autorschaft - Zur semiotischen Dynamik von Körper, Schrift und väterlicher auctoritas in William Shakespeares Titus Andronicus”, Shakespeare-Jahrbuch 139 (2003), 84-100.

  2. “Hamlet und die 'Poetik des Übergangs' – Showing und Telling in der frühneuzeitlichen Rachetragödie”, Wissenschaftliches Seminar Online 3 (2005), 24-9 [e-journal of the German Shakespeare Society].

  3. “Mythopoetisches Erzählen in Shakespeares Sonetten 153/4”, Shakespeare-Jahrbuch 142 (2006), 95-104.

  4. “Rereading James Joyce's The Sisters. A Bakhtinian Approach”, Anglia 124/3 (2006), 474-83.

  5. “Roland Emmerich's Independence Day: Presidential Mythology, Cultural (Mis-)Representation and Actual Politics in the Wake of 9/11”, Cultural Studies Now - Conference Journal: Centre for Cultural Studies Research, University of East London [CCSR / UEL], (2007).

  6. “Frühneuzeitliches England”, in Alfred Noe (ed.), Renaissance: Geschichte der Buchkultur Vol. 6. (Graz: ADEVA, 2008), 405-44.

  7. “Diogenes the Cynic, Alexander the Great, and Menippean Satire in Gulliver's Travels”, Antike & Abendland, 54 (2008), 65-76.

  8. “Wilde, Wagner and the Aestheticist Debate of Representation: 'What's in a name?': The Importance of Being Earnest, or Lohengrin”, Anglistik. International Journal of English Studies 20 (2009.2), 131-43.

  9.  “Joyce, Lucian, and Menippus: An Undiscovered Rewriting of the Ulysses-Archetype”, James Joyce Quarterly, 47.1 (2009), 140-6.

  10.  “ 'Judgements of Paris and Falling Troy' - The French Metropolis as a Site of Cultural Archaeology in James Joyce's Ulysses and F. Scott Fitzgerald's 'Babylon Revisited'”, in Margarete Rubik & Elke Mettinger-Schartmann (eds.), Rive Gauche - Paris as a Site of Avant-Garde and Cultural Exchange in the 1920s. (Amsterdam: Rodopi, 2010), 21-39.

  11. “Austro-Amerikanischer Kulturtransfer im Zeichen Max Reinhardts: das Theater in der Josefstadt 1945-60”, in Ewald Mengel, Ludwig Schnauder & Rudolf Weiss (eds.), Weltbühne Wien, Vol. 2. Die Rezeption anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. (Trier: WVT, 2010), 181-220. [Review]

  12. “ 'Szombathely, Vienna, Budapest': Epic Geography and the Austro-Hungarian Dimension of James Joyce’s Ulysses”, Joyce Studies Annual 2010, 203-20.

  13. “Socratic Archetypes of Metropolitan Discourse in James Joyce's Ulysses”, in Tilo Schabert and Matthias Riedl (eds.), Die Stadt: Achse und Zentrum der Welt - The City: Axis and Centre of the World. Eranos 16 (Würzburg: Königshausen & Neumann, 2011), 61-76.

  14. “ 'Poor Penelope. Penelope Rich': Sir Philip Sidney's Astrophil and Stella as a Source for the Rewriting of the Odysseus-Archetype in James Joyce's Ulysses”, James Joyce Quarterly, 48.2 (2011), 350-6.

  15. “The Earl of Surrey's Geraldine-Sonnet Contextualized: Cultural (Mis-)Representations of Ireland in the Early Modern, the Enlightened and the Contemporary Period”, in Sonja Fielitz & Uwe Meyer (eds.). Shakespeare. Satire. Academia. Essays in Honour of Wolfgang Weiss. (Anglistische Forschungen 424) (Heidelberg: Winter, 2012), 167-85.

  16. “ 'Lolo Lolo liebermann […] Lala Lala, Leapermann': the Viennese ‘Lieber Augustin’-Song as an Austro-Hungarian Counterpart of Finnegans Wake”, in Sandra Mayer, Julia Novak & Margarete Rubik (eds.), Ireland in Drama, Film, and Popular Culture. Festschrift for Werner Huber. (Trier: WVT, 2012), 149-56.

  17. “Introduction” in: James Joyce, A Portrait of the Artist as a Young Man. Edited by Hans Walter Gabler. With Introductions by Dieter Fuchs & Joseph O'Connor. Vintage Classics. (London: Random House UK, 2012), xv-xxiv.

  18. “'Apocalypse Now' - Zweifel und Glaube in Titus Andronicus”, Shakespeare-Jahrbuch 149 (2013), 52-71.


    Forthcoming:

  19. “'Myth Today:' the Bavarian-Austrian Subtext of T.S. Eliot’s 'The Waste Land'”, Poetica, 44.3-4 (2012), 379-93, forthcoming September 2013.

  20. “Hamlet”, in Joachim Frenk (ed.). Shakespeare - Thirteen Personal Introductions. (Saarbrücken: Saarland University Press Universaar), invited submission, forthcoming .

  21.  “ 'He puts Bohemia on the seacoast and makes Ulysses quote Aristotle': Shakespearean Gaps and the Early Modern Method of Analogy and Correspondence in James Joyce's Ulysses”, in: Laura Pelaschiar (ed.). Joyce/Shakespeare (Syracuse: Syracuse University Press, 2014), invited submission.

  22. “The Eranos-Movement and the Socratic Tradition of Convivial Discussion: Philosophical and Literary Symposia”, Eranos Series (Würzburg: Königshausen & Neumann), invited submission.

  23. “Modernism - Socio-Cultural Revolution of Everyday Life and Its Artistic Representation”, invited book chapter submission.

  24. “Utopie, Menippeische Gegenwelt und Herrschaftsdiskurs der Aufklärung: das Blendungsmotiv in Jonathan Swifts Gulliver's Travels", invited submission.

  25. "Neo-Platonic and Menippean Intertextuality: The Freedom and Determination Debate in Shakespeare's Sonnet 154", invited submission.

  26. “Oedipus, Jesus, Hamlet: The Return of the Father and the Dispossessed Son in Synge's The Playboy of the Western World and O'Brien's The Third Policeman”, submitted.


    In Preparation:

  27. "The Iliad as the Cultural Sub-Conscious of James Joyce's Ulysses."

  28. "Flann O'Brien's The Dalkey Archive - A Menippean Rebellion against Authority".

  29. “The Mental Script of the Body and the Soul: the ‘Cognitive Turn’ from Restoration Drama to Sentimental Fiction”.

  30. “The Restoration Period and the Long Eighteenth Century Performed at the Burgtheater: Otway, Congreve, Addison & Goldsmith” (working title).

  31. "Menippean Satire in David Lodge's Academic Romance Small Word" (working title).

 

Book Reviews / Review Articles:

  1. Burkhart Lauterbach, Beatles, Sportclubs, Landschaftsparks. Britisch-deutscher Kulturtransfer (Würzburg: Königshausen & Neumann, 2004), ÖZV , LIX/108 (2005.1.), 85-6.

  2. Ina Habermann, Staging Gender and Slander in Early Modern England (Aldershot, 2003), ZAA LIII.4 (2005), 397-8.

  3. “Mission Impossible: Dienst ist Dienst”, Shakespeare-Jahrbuch 143 (2007), 237-40:
    • Graham Bradshaw, Tom Bishop and Michael Neill (eds.), The Shakespearean International Yearbook. Volume 5: Special Section, Shakespeare and the Bonds of Service (Aldershot: Ashgate, 2005), 373 pp.
    • David Evett, Discourses of Service in Shakespeare's England (New York & Houndmills, Basingstoke: Palgrave Macmillan, 2005), 286 pp.
    • Judith Weil, Service and Dependency in Shakespeare's Plays (Cambridge: Cambridge University Press, 2005), 210 pp.

  4. Terry Eagleton, How to Read a Poem (Oxford: Blackwell, 2007), 182pp., The European English Messenger, 17.1 (2008), 74-5 (republished by Encyclopaedia Britannica, cf. 'Lexicon Entries').

  5. Charlotte Scott, Shakespeare and the Idea of the Book (Oxford: Oxford University Press, 2007), 256 pp., Shakespeare-Jahrbuch 145 (2009), 257-8.

  6. Christa Jansohn (ed.), German Shakespeare Studies at the Turn of the Twenty-First Century (Newark: University of Delaware Press, 2006), 318 pp., Anglia 127.2 (2009), 366-9.

  7. Brinda Charry, Emissaries in Early Modern Literature and Culture. Mediation, Transmission, Traffic, 1550-1700. Farnham: Ashgate, 2009. Shakespeare-Jahrbuch 147 (2011), 249-50.

  8. Timo Müller, The Self as Object in Modernist Fiction: James, Joyce, Hemingway. Text & Theorie 11. Würzburg: Königshausen & Neumann, 2010. Arbeiten aus Anglistik und Amerikanistik, 36.2 (2011), 175-7.

 

Short Notes / Lexicon Entries:

  1. “James Joyce”, Entry in Manfred Schmeling, Monika Schmitz-Emans & Uwe Lindemann (eds.), Lexikon der Poetiken ( Berlin & New York: de Gruyter, 2009 hb & 2011pb).

  2. “Terry Eagleton, How to Read a Poem”, Encyclopaedia Britannica Online.

  3. “Swift’s Homeric Intertextuality: Odysseus and the Cyclops in Gulliver’s Travels”, submitted.

 

Conference Reports:

  1. Conference Reports of the Semi-Annual Conferences of the German Shakespeare-Society ('Frühjahrs- und Herbsttagungen der Deutschen Shakespeare-Gesellschaft'):
    • Shakespeare-Jahrbuch 140 (2004), 327-8.
    • Shakespeare-Jahrbuch 141 (2005), 280-3 & 283-4.
    • Shakespeare-Jahrbuch 142 (2006), 275-7 & 279-80.
    • Shakespeare-Jahrbuch 143 (2007), 273-5 & 275-6.
    • Shakespeare-Jahrbuch 144 (2008), 279-81 & 281-2.
    • Shakespeare-Jahrbuch 145 (2009), 278-80 & 280-1.
    • Shakespeare-Jahrbuch 146 (2010), 274-6 & 276-77.
    • Shakespeare-Jahrbuch 147 (2011), 264-6 & 266-7.
    • Shakespeare-Jahrbuch 148 (2012), 260-2.
    • Shakespeare-Jahrbuch 149 (2013), 290-2 & 292-3.
    • Shakespeare-Jahrbuch 150 (2014), forthcoming.

  2. “Joycean Unions: Impressions of the 20th International James Joyce Symposium, Budapest and Szombathely: June 11-17, 2006” James Joyce Broadsheet , 75 (October 2006), 3 (together with: Daniel Anderson, Irid Bruderer-Oswald, Dennis Foster, Marianna Gula & Luke Thurston).

  3. “Shakespeares Dunkelste Tragödie” ALG-Umschau 43 (2010), 25.

  4. “The Eranos Research Seminar 2012” (working title), Eranos Series (Würzburg: Königshausen & Neumann, forthcoming.



Dr. phil. Dieter Fuchs M.A.   •  Institut für Anglistik & Amerikanistik  •  Universität Wien   

Campus AAKH  •  Spitalgasse 2-4  •  A-1090 Wien