Dr. phil. Dieter Fuchs, M.A.
 

Ass.-Prof. Anglophone Literatures and Cultural Studies, University of Vienna
Vienna Centre for Irish Studies

List of Publications & Work in Progress


Online Collection of Some of My Publications: here

Monographs:

  1. Joyce und Menippos. 'A Portrait of the Artist as an Old Dog'. ZAA Monograph Series 2 (Würzburg: Königshausen & Neumann, 2006).

    [Reviews: Andreas Mahler, Arbeiten aus Anglistik und Amerikanistik 32.2 (2007), 354-6. Thomas Gurke, Anglia. Zeitschrift für Englische Philologie 126.3 (2008), 563-7. Geert Lernout, James Joyce Quarterly 45.2. (2008), 369-72. Roy Gottfried, International Journal of the Classical Tradition 16.1. (2009), 149-52.]
    [Abstract in English: “Joyce und Menippos” in Paul Georg Meyer (ed.), English and American Studies in German 2006. Summaries of Theses and Monographs. A Supplement to Anglia (Tübingen: Niemeyer, 2007), 52-4.]

  2. Elizabethan Revenge Drama – Cultural Representations, Signifying Practices and the Rise of Reformation Discourse. (Habilitation Thesis, forthcoming).

 

 

Books (Co-)Edited:

  1. Academic Fiction Revisited - Selected Essays. Eds. Dieter Fuchs & Wojciech Klepuszewski (Koszalin: Politechnika Koszalinska UP, 2014).

  2. Anglo-German Theatrical Exchange - “A sea-change into something rich and strange?” Eds. Rudolf Weiss, Ludwig Schnauder & Dieter Fuchs (Amsterdam: Rodopi / Brill: Leiden /Boston, 2015).

  3. Small World: Campus Fiction – Regional or Global? Eds. Dieter Fuchs & Wojciech Klepuszewski (submitted).

  4. 3 Henry VI. Ed. Dieter Fuchs. Englisch-deutsche Studienausgabe der Dramen Shakespeares. Unter dem Patronat der Deutschen Shakespeare-Gesellschaft. (Stauffenburg: Tübingen, Work in Progress).

 

 

Articles / Book Chapters:

  1. “Meta-Morphosen der Autorschaft - Zur semiotischen Dynamik von Körper, Schrift und väterlicher auctoritas in William Shakespeares Titus Andronicus”, Shakespeare-Jahrbuch 139 (2003), 84-100.

  2. “Hamlet und die 'Poetik des Übergangs' – Showing und Telling in der frühneuzeitlichen Rachetragödie”, Wissenschaftliches Seminar Online (Shakespeare Seminar Online) 3 (2005), 24-9 [e-journal of the German Shakespeare Society].

  3. “Mythopoetisches Erzählen in Shakespeares Sonetten 153/4”, Shakespeare-Jahrbuch 142 (2006), 95-104.

  4. “Rereading James Joyce's The Sisters. A Bakhtinian Approach”, Anglia 124/3 (2006), 474-83.

  5. “Roland Emmerich's Independence Day: Presidential Mythology, Cultural (Mis-)Representation and Actual Politics in the Wake of 9/11”, Cultural Studies Now - Conference Journal: Centre for Cultural Studies Research, University of East London [CCSR / UEL], (2007).

  6. “Frühneuzeitliches England”, in Alfred Noe (ed.), Renaissance: Geschichte der Buchkultur Vol. 6. (Graz: ADEVA, 2008), 405-44.

  7. “Diogenes the Cynic, Alexander the Great, and Menippean Satire in Gulliver's Travels”, Antike & Abendland, 54 (2008), 65-76.

  8. “Wilde, Wagner and the Aestheticist Debate of Representation: 'What's in a name?': The Importance of Being Earnest, or Lohengrin”, Anglistik. International Journal of English Studies 20 (2009.2), 131-43.

  9.  “Joyce, Lucian, and Menippus: An Undiscovered Rewriting of the Ulysses-Archetype”, James Joyce Quarterly, 47.1 (2009), 140-6.

  10.  “ 'Judgements of Paris and Falling Troy' - The French Metropolis as a Site of Cultural Archaeology in James Joyce's Ulysses and F. Scott Fitzgerald's 'Babylon Revisited'”, in Margarete Rubik & Elke Mettinger-Schartmann (eds.), Rive Gauche - Paris as a Site of Avant-Garde and Cultural Exchange in the 1920s. (Amsterdam: Rodopi, 2010), 21-39.

  11. “Austro-Amerikanischer Kulturtransfer im Zeichen Max Reinhardts: das Theater in der Josefstadt 1945-60”, in Ewald Mengel, Ludwig Schnauder & Rudolf Weiss (eds.), Weltbühne Wien, Vol. 2. Die Rezeption anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. (Trier: WVT, 2010), 181-220. [Review]

  12. “ 'Szombathely, Vienna, Budapest': Epic Geography and the Austro-Hungarian Dimension of James Joyce’s Ulysses”, Joyce Studies Annual 2010, 203-20.

  13. “Socratic Archetypes of Metropolitan Discourse in James Joyce's Ulysses”, in Tilo Schabert and Matthias Riedl (eds.), Die Stadt: Achse und Zentrum der Welt - The City: Axis and Centre of the World. Eranos 16 (Würzburg: Königshausen & Neumann, 2011), 61-76.

  14. “ 'Poor Penelope. Penelope Rich': Sir Philip Sidney's Astrophil and Stella as a Source for the Rewriting of the Odysseus-Archetype in James Joyce's Ulysses”, James Joyce Quarterly, 48.2 (2011), 350-6.

  15. “The Earl of Surrey's Geraldine-Sonnet Contextualized: Cultural (Mis-)Representations of Ireland in the Early Modern, the Enlightened and the Contemporary Period”, in Sonja Fielitz & Uwe Meyer (eds.). Shakespeare. Satire. Academia. Essays in Honour of Wolfgang Weiss. Anglistische Forschungen 424 (Heidelberg: Winter, 2012), 167-85.

  16. “ 'Lolo Lolo liebermann […] Lala Lala, Leapermann': the Viennese ‘Lieber Augustin’-Song as an Austro-Hungarian Counterpart of Finnegans Wake”, in Sandra Mayer, Julia Novak & Margarete Rubik (eds.), Ireland in Drama, Film, and Popular Culture. Festschrift for Werner Huber. (Trier: WVT, 2012), 149-56.

  17. “Introduction” in: James Joyce, A Portrait of the Artist as a Young Man. Edited by Hans Walter Gabler. With Introductions by Dieter Fuchs & Joseph O'Connor. Vintage Classics. (London: Random House UK, 2012), xv-xxiv.

  18. “'Myth Today:' the Bavarian-Austrian Subtext of T.S. Eliot’s 'The Waste Land'”, Poetica 44.3-4 (2012), 379-93.

  19. “ 'Apocalypse Now' - Zweifel und Glaube in Titus Andronicus”, Shakespeare-Jahrbuch 149 (2013), 52-71.

  20. “Felix Beran's 'Des Weibes Klage' / 'Lament for the Yeomen': James Joyce as a Translator and Rewriter of a Viennese Anti-War Poem”, in Wojciech Klepuszewski (ed.). Recalling War: Representations of the Two World Wars in British Literature and Culture (Koszalin: Politechnika Koszalinska UP, 2014), 19-34.

  21. “Menippean Satire in David Lodge's Academic Romance Small Word”, in Dieter Fuchs & Wojciech Klepuszewski (eds.). Academic Fiction Revisited - Selected Essays (Koszalin: Politechnika Koszalinska UP, 2014), 51-60.

  22. “The Script of the Body and the Soul in The Country-Wife and Tristram Shandy: the ‘Cognitive Turn’ from Restoration Drama to Sentimental Fiction.” In Werner Huber, Elke Mettinger & Eva Zettelmann (eds.), Dramatic Minds - Performance, Cognition, and the Representation of Interiority. Austrian Studies in English 105 (Frankfurt: Peter Lang, 2015); 149-171.

  23. “The Reception of Synge's and O’Casey's Plays in Vienna from 1914 – 1969”, in Rudolf Weiss, Ludwig Schnauder & Dieter Fuchs (eds.), Anglo-German Theatrical Exchange (Amsterdam: Rodopi / Brill: Leiden/Boston, 2015), 87-128.

  24. “'He puts Bohemia on the seacoast and makes Ulysses quote Aristotle': Shakespearean Gaps and the Early Modern Method of Analogy and Correspondence in James Joyce's Ulysses”, in Laura Pelaschiar (ed.). Joyce/Shakespeare (Syracuse: Syracuse University Press, 2015), 21-37.

  25. “The Reception of Synge’s and O’Casey’s Plays in Vienna: From the Fall of the Habsburg Empire to the Summer of ‘69”, Litteraria Pragensia. Vol. 25. Issue 50 (2015), 47-59.

  26. “The Eranos-Movement and the Socratic Tradition of Convivial Discussion: Philosophical and Literary Symposia.” In Tilo Schabert (ed.), The Eranos Movement. A Story of Hermeneutics. Eranos 17 (Würzburg: Koenigshausen & Neumann, 2016), 73-92.

  27. Love's Labour's Lost - A Humanist Satire on the Early Modern World of Academia.” In Ludmila Gruszewska-Blaim & Merritt Moseley (eds.), Academia in Fact and Fiction. (Frankfurt: Peter Lang, 2016), 163-172.

  28. “Heinrich Mann’s Small Town Tyrant: The Grammar School Novel as a German Prototype of Academic Fiction”, Acta Neophilologica 49 (2016), 63-71.

  29. “'Und das Wort ist Fleisch geworden': die Jungfräuliche Empfängnis und das vorreformatorische kulturelle Gedächtnis in Hamlet”, in Renate Möhrmann (ed.), Die Entjungferung - Fiktionen der Defloration (Stuttgart: Kröner, 2017), 281-302.

  30. “Flann O'Brien's The Dalkey Archive - A Menippean Rebellion against Authority”. In Ruben Borg, John McCourt & Paul Fagan (eds.), Problems with Authority. New Essays on Flann O’Brien (Cork: Cork University Press, 2017), 230-241.




    Forthcoming / Submitted / In Preparation:

  31. “Hamlet.” In Joachim Frenk (ed.), Shakespeare - Thirteen Personal Introductions (Saarbrücken: Saarland University Press, forthcoming).

  32. James Joyce's Ulysses A Menippean Satire? Joyce Studies in Italy 19 (forthcoming 11/2017).

  33. “ 'A Sort of Encyclopaedia': James Joyce’s “The Dead”, Macrobius’s Saturnalia, and Menippean Satire” (submitted).

  34. “Wilfried Steiner's Der Weg nach Xanadu - an Austrian Campus Novel?” In Dieter Fuchs & Wojciech Klepuszewski (eds.), Small World: Campus Fiction – Regional or Global? (submitted).

  35. “Introduction”, together with Wojciech Klepuszewski, in Dieter Fuchs, & Wojciech Klepuszewski (eds.),Small World: Campus Fiction – Regional or Global? (submitted).

  36. "Why Read Joyce in 21st Century Austria?"

  37. Love's Labour's Lost - Verlorene Liebesmüh im Garten des Akademos”.

  38. “Small Latin and less Greek? An Undiscovered Hellenistic Source for Shakespeare's Sonnets 153/154”.

 

 

Notes / Lexicon Entries:

  1. “James Joyce”, Entry in Manfred Schmeling, Monika Schmitz-Emans & Uwe Lindemann (eds.), Lexikon der Poetiken ( Berlin & New York: de Gruyter, 2009 hb & 2011pb).

  2. “Homeric Intertextuality: Odysseus and the Cyclops in Gulliver’s Travels”, Swift Studies 28 (2013), 145-7.


 

Book Reviews / Review Articles:

  1. Burkhart Lauterbach, Beatles, Sportclubs, Landschaftsparks. Britisch-deutscher Kulturtransfer (Würzburg: Königshausen & Neumann, 2004), ÖZV , LIX/108 (2005.1.), 85-6.

  2. Ina Habermann, Staging Gender and Slander in Early Modern England (Aldershot, 2003), ZAA LIII.4 (2005), 397-8.

  3. “Mission Impossible: Dienst ist Dienst”, Shakespeare-Jahrbuch 143 (2007), 237-40:
    • Graham Bradshaw, Tom Bishop and Michael Neill (eds.), The Shakespearean International Yearbook. Volume 5: Special Section, Shakespeare and the Bonds of Service (Aldershot: Ashgate, 2005), 373 pp.
    • David Evett, Discourses of Service in Shakespeare's England (New York & Houndmills, Basingstoke: Palgrave Macmillan, 2005), 286 pp.
    • Judith Weil, Service and Dependency in Shakespeare's Plays (Cambridge: Cambridge University Press, 2005), 210 pp.

  4. Terry Eagleton, How to Read a Poem (Oxford: Blackwell, 2007), 182pp., The European English Messenger, 17.1 (2008), 74-5.

  5. Charlotte Scott, Shakespeare and the Idea of the Book (Oxford: Oxford University Press, 2007), 256 pp., Shakespeare-Jahrbuch 145 (2009), 257-8.

  6. Christa Jansohn (ed.), German Shakespeare Studies at the Turn of the Twenty-First Century (Newark: University of Delaware Press, 2006), 318 pp., Anglia 127.2 (2009), 366-9.

  7. Brinda Charry, Emissaries in Early Modern Literature and Culture. Mediation, Transmission, Traffic, 1550-1700 (Farnham: Ashgate, 2009), Shakespeare-Jahrbuch 147 (2011), 249-50.

  8. Timo Müller, The Self as Object in Modernist Fiction: James, Joyce, Hemingway. Text & Theorie 11 (Würzburg: Königshausen & Neumann, 2010), Arbeiten aus Anglistik und Amerikanistik 36.2 (2011), 175-7.

  9. Bruce Boehrer, Environmental Degradation in Jacobean Drama (Cambridge: Cambridge University Press, 2013), Shakespeare-Jahrbuch 151 (2015), 272-3.

  10. Carsten Heinze & Alfred Hornung (eds.), Medialisierungsformen des (Auto-)Biografischen (Konstanz: UVK Verlagsgesellschaft, 2013). Anglia 133.4. (2015), 781-5.

  11. Patrick O'Neill, Impossible Joyce: Finnegans Wake (Toronto: University of Toronto Press, 2013). Partial Answers 15.2 (2017), 391-3.

  12. Judith Kohlenberger, The New Formula for Cool: Science, Technology, and the American Imagination (Bielefeld: Transcript, 2015). Arbeiten aus Anglistik und Amerikanistik (forthcoming).

  13. James S. Shapiro: The Year of Lear. Shakespeare in 1606. New York: Simon & Schuster, 2015. [rezens.tfm] e-Journal für Wissenschaftliche Rezensionen Institut für Theater-, Film- und Medienwissenschaft an der Universität Wien.

 

 

IASIL Bibliography - German and Austrian Contributions to Irish Studies:

  1. IASIL Bibliography Bulletin for 2013, co-author, together with Werner Huber & Sandra Mayer: Irish University Review: A Journal of Irish Studies 44.2 (2014). 77pp.
  2. IASIL Bibliography Bulletin for 2014, co-author, together with Werner Huber & Sandra Mayer: Irish University Review: A Journal of Irish Studies 45.2 (2015). 66pp.
  3. IASIL Bibliography Bulletin for 2015, co-author, together with Werner Huber & Sandra Mayer: Irish University Review: A Journal of Irish Studies 46.2 (2016). 62pp.

 

 

Conference Reports:

  1. Conference Reports of the Semi-Annual Conferences of the German Shakespeare-Society ('Frühjahrs- und Herbsttagungen der Deutschen Shakespeare-Gesellschaft'):
    • Shakespeare-Jahrbuch 140 (2004), 327-8.
    • Shakespeare-Jahrbuch 141 (2005), 280-3 & 283-4.
    • Shakespeare-Jahrbuch 142 (2006), 275-7 & 279-80.
    • Shakespeare-Jahrbuch 143 (2007), 273-5 & 275-6.
    • Shakespeare-Jahrbuch 144 (2008), 279-81 & 281-2.
    • Shakespeare-Jahrbuch 145 (2009), 278-80 & 280-1.
    • Shakespeare-Jahrbuch 146 (2010), 274-6 & 276-77.
    • Shakespeare-Jahrbuch 147 (2011), 264-6 & 266-7.
    • Shakespeare-Jahrbuch 148 (2012), 260-2.
    • Shakespeare-Jahrbuch 149 (2013), 290-2 & 292-3.
    • Shakespeare-Jahrbuch 150 (2014), 262-5.
    • Shakespeare-Jahrbuch 151 (2015), 285-8.

  2. “Joycean Unions: Impressions of the 20th International James Joyce Symposium, Budapest and Szombathely: June 11-17, 2006” James Joyce Broadsheet , 75 (October 2006), 3 (together with: Daniel Anderson, Irid Bruderer-Oswald, Dennis Foster, Marianna Gula & Luke Thurston).

  3. “Shakespeares Dunkelste Tragödie” ALG-Umschau 43 (2010), 25.

  4. “Shakespeare Feiern / Celebrating Shakespeare: Shakespeare-Tage in Weimar, 24.-27. April 2014” ALG-Umschau 51 (2014), 14-5.

  5. “The 2012 Research Seminar on the Eranos Movement.” In Tilo Schabert (ed.), The Eranos Movement. A Story of Hermeneutics. Eranos 17 (Würzburg: Koenigshausen & Neumann, 2016), 177-81.

 



Miscellaneous:

  1. “James Joyce’s Trojan Hobby-Horse: The Iliad and the Collective Unconscious in Ulysses”, Annals of Philosophy, Social and Human Disciplines 2013 Vol. II, 11-8.

  2. “Introduction”, together with Wojciech Klepuszewski, in Dieter Fuchs & Wojciech Klepuszewski (eds.). Academic Fiction Revisited - Selected Essays (Koszalin: Politechnika Koszalinska UP, 2014), 7-13.

  3. “Introduction”, in Rudolf Weiss, Ludwig Schnauder & Dieter Fuchs (eds.), Anglo-German Theatrical Exchange (Amsterdam: Rodopi / Brill: Leiden /Boston, 2015), 9-17. 

  4. “Neo-Platonic and Menippean Intertextuality: The Freedom and Determination Debate in Shakespeare's Sonnet 154”. In Stephen Butler & Lukasz Neubauer (eds.). The Music of Chance: Exploring the Principles of Cosmic Governance and Happenstance (Jastrzębie-Zdrój: Black Unicorn, 2015), 121-134.

  5. “Utopie, Menippeische Satire und Herrschaftsdiskurs der Aufklärung: Das Blendungsmotiv in Jonathan Swifts Gulliver's Travels.” In Anna Mrozewska (ed.), Macht des Wortes. Studien zur Germanistik 59 (Hamburg: Dr. Kovac, 2016), 11-37.

  6. Professor Unrat - Der Gymnasialroman als Deutschsprachiger Prototyp der Campusfiktion.” In Anna Mrozewska (ed.), Der (post-)moderne Universitätsroman in der 'anglo-amerikanischen und in der deutschsprachigen Tradition (Hamburg: Dr. Kovac, 2016), 11-23.

 


Interviews etc.:

  1. "Shakespeare: 'Erfinder des Menschlichen'", Universität Wien Medienportal (23/04/2016)

  2. "Shakespeare Lives in Austria", YouTube (19/04/2015).


Dr. phil. Dieter Fuchs M.A.   •  Institut für Anglistik & Amerikanistik  •  Universität Wien   

Campus AAKH  •  Spitalgasse 2-4  •  A-1090 Wien